L'Océan Rêve Dans Sa Loisiveté <<Second Session>>
2017 release ** In this new album—titled *L’Océan Rêve Dans Sa Loisiveté "second session"* and following the first chapter released in 2014—the soundscapes are incredibly ethereal and hypnotic. The material defies easy categorization, yet this is by no means a drawback; the beautiful atmospheres crafted by Maninkari immerse the listener in a mystical, otherworldly acoustic realm. Improvisation plays a central role, while the viola melodies—rich with ancient resonance—and the rhythms of the bodh…
Eight Pieces For The Buchla 100 Series
2021release ** The historic Buchla 100 series modular synthesizer was buit by Don Buchla in California in early 1960´s. An instrument intended for electronic music performance that together with the Moog Modular is one of the most important synthesizers in the history of electronic music. One of the few still fully functional Buchla 100 synthesizer can be found at the Ernst Krenek Institut in Krems, Austria. During an artist-in residency program, Mario Verandi explored the endless sound possibil…
SLG3
On SLG3, Juan Manuel Cidrón returns to vinyl with four long-form electronic landscapes shaped by analogue circuitry, minimal pulse and cosmic drift. The Almería synthesist turns S, L, G and 3 into open territories - desert-wide, elemental and quietly visionary - where natural rhythm and machine logic meet in a patient, dream-lit dialogue.
KCRW Session
On KCRW Session, Oneohtrix Point Never’s MYRIAD Ensemble re‑imagines four Age Of‑era pieces as live, tectonic mini‑epics. “Love In The Time Of Lexapro,” “RayCats,” “Toys 2” and “Chrome Country” are stretched, bent and coloured by a full band - Kelly Moran, ADR and Eli Keszler - turning studio collages into muscular, sci‑fi chamber performances.
We'll Take It
“We’ll Take It” is Oneohtrix Point Never’s most terrifying hydraulic banger on Age Of: a car‑dealership nightmare where late‑stage consumer desire turns into industrial, post‑digital overload. Swerving drums, “sideways ragtime” piano and mangled vocals enact the moment when “we don’t even know what the price is” but buy anyway, stretching under four minutes into a cavernous, supernatural infinity.
Discursive Rhythms: One and Twelve Durations
2006 release ** Edition of 150 numbered and signed copies. Twelve one-minute tracks from an audacious emerging west-coast artist.
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2006 release (storage wear) ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. These are the very qualities that a whole host of copycats usually latch onto, often to the point of suffocation. Let me reassure you right away: Monno are not among the copycats. Their music is saturated—in the truest "noise" sense of the word. Nois…
Few Words Are Enough EP
*50 copies limited edition* Following last year's debut LP, Almost An Island, released on Past Inside the Present, the trio of James Bernard, Cynthia Bernard, and Kenneth James Gibson return with the three-song EP Few Words Are Enough. The collection includes the title track, previously available only on Bandcamp as part of PITP's year-end compilation, along with an extended ambient version and a brand-new piece, Gift of Place, featuring the enveloping textures of taishogoto harp and lap steel. …
Poem 1
On Poem 1, Ana Roxanne strips away the ambient haze of her earlier work to place her voice, naked and close‑mic’d, at the center of a heartbreak record. Slow, piano‑led ballads, a Schumann lied recast in synth‑chamber light, and one Lynchian jazz centerpiece turn her quiet intensity into a lucid, emotionally exposed song cycle.
Perfekt Termisk
Art Edition. Limited edition of 10 numbered copies, each with a unique illustration from a 1922 book, where the original artwork for the records was also taken from. The sound material on this record is made with recordings of internal sounds found in obsolete media, and sound generators. Sound sources: Revox reel to reel recorder, Beocord reel to reel recorder, oscillator, Leader LFG function generator, metronome, electromagnetic microphones.Perfekt Termisk by Sandra Boss is full of "carefully …
Five Ritual 20240601 / Devil's Gate
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
Japan Live
LP version on 180 gram vinyl. After Curiosum (BB 038CD/LP, 1981), the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster (BB 171CD/LP, 1990) and One Hour (BB 172CD/LP, 1994). The duo also took to the road for live shows in Germany and Europe, followed by tours across the USA and Japan. Some of these concerts were recorded in digital quality a…
Issue 139 (Magazine + 7", White)
Electronic Sound Issue 139 arrives with Scritti Politti legend Green Gartside on the cover, bundled with an exclusive limited edition gold vinyl seven-inch featuring two of the group's much-loved mid-1980s classics: Wood Beez (Pray Like Aretha Franklin) and Perfect Way. Inside, an exclusive interview with Green marks the reissue of Scritti Politti's Songs To Remember (1982) and Cupid & Psyche 85 (1985), two brilliant albums that took the band from scratchy post-punk outsiders to electropop giant…
Hot Concrete On Soft Skin
*200 copies limited edition* Recorded at Cool Anatomy and Slithis Studios by HH and AQ
The Advantage of a Bad Memory
Released on 6 panel digipak CD in a limited edition of 200 copies
![[23] Re-Edit](https://cdn.soundohm.com/data/products/2026-07/Ciullini_23ReEdit_CD_01-jpg.jpg.500.jpg)
[23] Re-Edit
*300 copies limited edition* Released on CD with 16 pages A5 booklet.
The Old King of Witches
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
The World Is Empty, the Heart Is Full
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.
Chaos Is a Law
On Chaos Is A Law, Bob Bellerue treats feedback and rupture as a kind of secular mysticism. Macrotonal drones, rasping noise and inharmonic vortices surge, implode and re-form, turning piano wires, metal and amplifiers into a single, volatile organism where chaos becomes both method and mantra.