Electronic / All styles

Bilharzia is 15 minutes of electronic nausea, adding layers of bleeping LFO nastiness to a relentlessly repetitive base. You should know you'll get what's coming to you with a song called Make a Joyful Sound, and I don't feel it disappoints. Pounding brutality you could bury your dad to, and a bad time guaranteed to be had by all. There is a kind of tune in there somewhere though, lurking dimly in the background...' Stefan Jaworzyn

Two great korean artists working with feedback, turntables, opened hard drives... What they call infernal objects. A stream of noise accidents. A molten, scalding stream of sound. Looking back, I see it's only been about seven years since, via the recordings issued on Manual, I first became aware of the improvising scene in Seoul; seems like longer, maybe I'm forgetting something. But the musicians involved were clearly up to something new and exciting, carving out a distinct area that often inv…

Well talk about your long gestations for a project. Secluded in Jersey City, by Secluded Bronte was recorded live on WFMU in November of 2002. And we spoke about releasing this on Pogus pretty quickly after that. So to take twelve years to release a CD is a pretty long time. But it was most certainly worth the wait. This trio features Jonathan and Adam Bohman with the added experimental irreverence of Richard Thomas. The Bohman Brothers are known for their unique live performances mixing theatre…

The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…

A stunning construction and a fantastic recording, seemingly endless layers of depth and ways to listen. A composition using field recordings by Toshiya Tsunoda and Manfred Werder, recorded in Japan in 2013. A bit past the 40-minute mark, there's a clear fade-out of the activity above and a shift into a different zone--perhaps it's simply going from the Miura Peninsula into Tokyo (the detour?). A strong, somewhat harsh electrical buzz is the main element, sounding like an exposed wire-box on…

If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…

We are proud to release - four years after his first longplayer on Canadian imprint 'Manufracture' - Kiko C. Esseiva's second album 'Sous les étoiles'. The electro-acoustic-musique conrète compositions he has constructed during the past years are brilliant soundpieces that remind sometimes on Luc Ferraris electro-acoustic works but also the very narrative nature of some older Nurse With Wound albums. The way he mixes (almost) melodic elements into a complex structure of well arranged sounds and …

Originally released in 1981 on Günter Körber’s Sky Records, Biotop marked a radical and irreverent turn in the early discography of Asmus Tietchens, offering a body of work that neither conformed to the pop idioms it mimicked nor fully abandoned the experimental rigor of the German electronic underground. Now rightly recognized as one of the most bizarre and subversive releases of the Neue Deutsche Welle era, Biotop channels ironic play, dissonant structures, and noisy artifice into a sonic worl…

Michael Horwoods audio work during his academic period at the University of Buffalo comes from one of the most optimistic periods in American 20th century avant-garde music. The mere spill over of interest in composition from the New York City schools brought state of the art facilities and faculty to UB in 1968 Incidentally new professors Lejarin Hiller, Lukas Foss and poet Robert Creeley were key in developing students keenness into radical new music. In early 1968, Michael obtained permission…

The only solo album by Armand Mirallès (Heratius leader) recorded in Montpellier between 1984/1985 on a cassette tape

'In April 2011 David Vélez invited Simon Whetham to Bogota to run a field recording workshop at the Nacional University as part of the Masters in Fine Arts that Vélez was taking. They also planned to work together outside the workshop, a major part of this exchange being to visit the Colombian Amazonas to record, explore and collaborate - capturing sounds and sharing experiences. During the trip, they were removed from their comfort zone and endured the rigors of the jungle in different situatio…

"Merua is a magic place for the Garifunas, and also one of awe. Only those considered as initiated go through this sanctuary. It’s a refuge for the spirits of the Ancestors from the beliefs of this mixed culture that finds its roots both in Africa and South America. It’s a plot of dense jungle, a snakes’ nest, intact despite its small size and the fact that its perimeter is occupied by humans. A perimeter composed of two villages (Triunfo de la Cruz and La Ensenada), the mangrove and the lake at…

1. breakdawn (birds in the swamp, screeching parrots passing by from time to time and singing tree in the wind on abandoned red beach). 2. Coralreef (snubfin dolphins [orcaella heinsohni] echolocation, crackly decapods and mysterious fishsongs: wood-like-knocking and those difficult to describe and radioactive crackle of uranium). 3. Nocturnabyss (ultrasonic insects sliding across the time-grid meets hypnotic nocturnal chorus sprinkled by sonar of bats and barking geckos). Sheltering from the he…

Teopatia is a mystical suite for electronic instruments and synthetic voices by Papiro, merging sacred atmospheres and uncanny harmonies in a ritualistic journey reminiscent of Eliane Radigue and Mort Garson.

For all those of you who enjoyed The Great Wall Of China, here is the second Mormos LP at last reissued! Again done in cooperation with Jim Cuomo, who provided two previously unreleased tracks for the bonus EP (which also has the two songs from their second 45), and again a fantastic masterpiece of gently crafted acid folk sounds with jazzy touches that will take you to the same lands The Pentangle or John Martyn have taken you before. The album is sure to appeal not only folk lovers, but …

An even more tuneful set than the first record from OPMC – one that features shorter tunes with a bit more lyrical appeal – and this style of dreamy harmonizing – mostly a mix of acoustic guitar with well-crafted basslines and drums that give things just enough kick – and although the group are Dutch, lyrics are all in English – and pretty captivating too.

Felix Kubin looks a lot like an alien on the cover of this set – and sounds a fair bit like a space visitor in the music as well! The work\'s got this very cool blend of electronics and playful rhythms – served up in a style that really takes us back to some of our favorite German work of the post-punk years – particularly the music of Der Plan and Pyrolator, both of whom would be a great comparison to Kubin\'s work! The tunes are catchy and playful, but also have this undercurrent of darkness t…

The "fauna and flora of the Vatican City" is the 6th release of Tobias Schmitt’s pet project Suspicion Breeds Confidence. The record is a continuation and development of the eclectic and complex music presented on its predecessors: polyrhythmic beats, abstract electronica, processed field recordings and conventional instruments are blended into a homogeneous and wide-ranging elaborate result. Moments of highly structured music meet flow-of-consciousness like improvisation meet poppy melodies. Th…

**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…

1994 CD release, recorded Jan/Feb 1981 at Darlington College of the Arts, Totnes, Devon, UK. Fantastic recording of some very repetitive and zonked trombone-fueled electronics from this Phill Niblock affiliate, straddling the devide betwixt Stuart Dempster's cavernous echo patterns and terry riley's horn-tape meditations lyou can hear echoes of the same approach i used on ‘playthroughs’ very clearly on 'part iii'. which is pretty amazing as ive only just discovered this now ... another piece of …

In rural Alabama, about an hour outside of Birmingham is a slaughterhouse. It’s a family operation where meat is processed one animal at a time by hand. Mostly custom jobs. A man and his son run the place. They handle most aspects of the daily operations from customer relations to animal processing. I first visited on a Friday with my wife. We hung out while they cut and packaged a side of beef. They said I could come back on Monday to record the whole process, which I did. On the day I recorded…

Germany’s only ocean island is a singular place in various ways. Situated 70 kilometers from the coast line, it belonged to the UK for 90 years during the 19th century. During World War II, the first facilities for a huge naval base were erected. The tunnels and bunkers from that time were blown up in 1947. In the following years, the island served as a training area for British bombers. It is not know how the birds have survived this period of destruction. Yet, by the return of people to the de…

As a composer and sound artist often working closely at the nexus of radiophonic art, environmental sound and electroacoustic music, one of my primary interests is in the exploration of relationships between people and the incredibly rich sonorous environments they populate. In particular, the sounds that exist all around us, however that are often out of earshot (or at least not listened to in any conscious manner), as with the sounds beneath us as we tend our daily lives. Terra subfónica is a …

There has been rhythm on this planet for millions of years longer than humans have opened their mouths to sing. Long before birds, long before whales, insects have been thrumming, scraping, and drumming complex beats out into the world.  David Rothenberg decided to investigate the resounding beats of cicadas, crickets, katydids, leafhoppers and water bugs in his unusual third foray into music made with and out of the animal world.  After working with birds and whales, he now tackles the minute …

Erich Moritz von Hornbostel was an „armchair ethnologist“. Due to his bad health the musicologist was unable to travel to faraway countries. Instead he sat at his desk in the Dorotheenstraße in Berlin and received the world through his phonograph. On from 1900 the world’s music arrived at his office in the form of more than 16.000 wax-cylinder recordings from all over the planet. Due to an edict by the Prussian Emperor all German trading as well as scientific expeditors were bound to travel with…

What did the Caribbean islands – acoustically- look like before the arrival of Columbus? With this question in mind I took a short trip to the National Park of Guadeloupe and to Dominica, one of the most preserved island of the Lesser Antilles, which still retains some of its primary forest on the slopes of its volcanic peaks. I crossed the paths of the ‘Jaco’ and ‘Sisserou’ (the endemic species of parrots), met some local insects and tree frogs, but unfortunately failed to find any ‘Mountain Ch…

-  Currently about 6000 languages are spoken on the world. Most of them will disappear soon – and together with them a meldodic richness of human expressivness. However, the fact, that dialects and disappearing languages are only spoken by a few people has one advantage: only if one does not understand the contents it is possible to really listen tot he sound, saying  far away from their homeland these languages unfold their musical enchantment (charme?).  What you find are melodies that nobody …

Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.

The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…

333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli. The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…

Three strange and wonderful pieces from the Chicago-based duo, making music from objects found in the basement of a local thrift store. Sleevenotes by Noé Cuéllar and Joseph Clayton Mills : In 2010 we were invited to participate in an exhibition of site-specific installations and performances at Pilsen Vintage and Thrift, a local second-hand store in Pilsen, a predominantly Hispanic neighbourhood in Chicago. The owner had agreed to make the store's warehouse and basement available for art shows…

A collection from Conrad Schnitzler's archive, recorded between 1974 and 1975, originally released on LP only in 2009. Contains the complete original material (three more tracks than the 2009 release) on CD for the first time (with original running order). Just when you think you have grasped Conrad Schnitzler's master plan, every time you kid yourself into predicting what you are about to hear, the next record comes along to prove you wrong. Motorik is writ large throughout. Even the less rhyth…

More from the inexhaustible archive of Berlin's electronic anarchist. Schnitzler stacks pulsing sequences and caustic tone-colours into restless, self-contained machines of sound: uncompromising, hypnotic and utterly his own.

LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…

Xiphiidae is the long-running solo project by Jeffry Astin, label head of underground cassette institution Housecraft. His highly abstract style, spanning over 40 releases, draws from modern and ethnic drone, tape music, musique concrète, kosmische, and lo-fi aesthetics, creating work that defies easy categorization. Pass Hidingly Seek (2009) finally receives its proper vinyl treatment through Aguirre Records. This enchanted folk-drone psychedelia occupies unique territory somewhere between Boar…

Four mouvements of electro-acoustic and vocal poetry projecting luminous shadows of a decadent fin de siècle. Performed by Timo van Luijk, Frédérique Bruyas and Arlette Aubin. Edition of 300 copies with printed inner sleeve.

2013 release ** An electronic exploration of scrapes and whispers, silence and noise.  Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.

CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…

Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…

Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon.One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…