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“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
"Active from the late 1980s through to the present day Contrastate have released several critically acclaimed albums. Their early experiments in music were heavily influenced by the industrial and experimental music and art scene of the 70’s and 80’s. Contrastate’s idiosyncratic take on challenging, industrial tinged music has certainly changed and evolved through the years. Their current sound insinuates itself inside the dark ritual ambience of the electronic avant-garde shot through with a ve…
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.
*In process of stocking* Previously unreleased music by Otto Sidharta, pioneer of Indonesian electronic music. Inspired by Indonesia's multifarious styles of traditional music, that he tries to preserve, the four pieces on Kajang express a contemplation of the self. Otto Sidharta loves to travel, everywhere within Indonesia, in order to collect almost any environmental tones and harmonies he can gather, as an endless source of composition. He is also deeply inspired by Indonesia's multifarious s…
*100 copies. In process of stocking* Walker of many miles, Takahiro Mukai has released over 50 albums on tape, treading the analog ways as a committed journeyman. Selected here is what appears to be a full set of artificial field recordings from within a machine environment. Drops, chirps, growls, murmurs, currents, friction and other seemingly spontaneous emulations of the natural world. Scenes of technological wonder falling way short of techno, offering but brief glimpses of the autobahn, qui…
*200 copies limited edition. In process of stocking* A second volume of Vítor Rua music mostly hidden in plain sight across online platforms and outside of any scene. We penetrate its flow at random points and are allowed the privilege to redesign its impact by "sampling out" those moments which we perceive as a new entity when carefully pasted together. This operation uncovers seven pieces that add to Rua's robust reputation as an experimental yet sensitive, emotional musician. The core of the…
Debut album by Ani Zinc, member of the Spanish experimental duo Diseño Corbusier and co-founder of the iconic record label Auxilio de Cientos. Originally released in 1986, this record is a showcase of her radical blueprint, comprising sound collages and voice experiments, and also welcomes the use of conventional instruments such as drum machines and keyboards, resulting a richer and more diverse outcome. First time reissue of this much sought-after record on the highly collectable Spanish exper…
*In process of stocking. 2022 stock* The inaugural 9128.live label release comes from the UK’s Jo Johnson and Hilary Robinson, featuring subtle, harmonic drones and manipulated piano, originally aired as part of the duo’s set for the Calma (Madrid) takeover on 9128.live, April 2021.
Jo Johnson was a guitarist with punk band Huggy Bear in the 90s, inspired by and aligned with the riot grrrl and queercore movements. She organised underground techno parties with Bleep43 in the early 2000s and found…
The very first live stream on 9128.live broadcast from the studio of Rafael Anton Irisarri, as he and Thomas Meluch (Benoît Pioulard) pieced together a completely live improvisation, christening the newly created 9128 airwaves in 2019 and setting the bar for many more live takeovers.
With one album between them as Gailes, and profound work individually (also together as Orcas), Rafael and Thomas are masters of the ambient craft, combining intricate field recordings, guitar, pedals, vocals, and h…
*In process of stocking. 2022 stock* Italian composer Gadi Sassoon debuts on A Strangely Isolated Place with an experimental exploration of impossible physics; an intricate soundtrack based on newly created sounds and abstract atmospheres. In 2015 Gadi was invited to Edinburgh by The NESS Project to check out their groundbreaking sound synthesis work. With the help of a supercomputer, the NESS group had created new digital systems capable of creating sounds so complex, rich and realistic they we…
Markus Guentner returns with his signature expansive ambient world-building, and the third concept album on A Strangely Isolated Place, titled Extropy.
Extropy marks the final chapter in an accidental triptych of Astronomy-related exploratory albums on A Strangely Isolated Place. From the creation of the Earth and the Moon in his debut album on ASIP, Theia; to the relationship, the Earth holds with the greater Galaxy in the follow-up album, Empire (2018). To now, Extropy, and the indefinite grow…
*In process of stocking* Titrate is a platform for the publication of experimental sonic pieces, set out on a path of continual research and exploration. TITR001 comes from hems, pressed to 180g vinyl housed in reverse board print.
Spread across five tracks, the release transits a number of spaces - from the post-inertia stirrings of "Chaotic Affair", to the cutting and more austere drone layout of "One". Cosmic tech broadcast "Beautiful weekend with friends" is a fizzing metamorphosis that mel…
Island People is a new band project consisting of mastering engineer Conor Dalton, Grammy award winning producer David Donaldson, musician and DJ Graeme Reedie and guitarist Ian “Chippy” MacLennan. On their first self-titled record, they present their collaborative work that evolved over the past three years.
Being based in different cities, namely Berlin and Glasgow, files had to be exchanged back and forth between the band members in order to create tracks. For their delicate sound structures,…
A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
*In process of stocking* “Let me fly you home. We can talk on the way”
Thorn Valley is a 20 song assemblage of various transmissions from the ever diffuse and widening DIY underground, released to mark the four year anniversary of World of Echo.
After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ.
All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. …
"With Eleh having cemented themself as perhaps the modern minimalist, their collaborations have become a fascinating journey into the genre old guard such as Pauline Oliveros and Ellen Fullman as well as platforms for newer artists like Sun Circle, and in this case, Duane Pitre. As usual, Eleh hardcore analogue drones are well matched by Pitre feather-light just intonation harmonics. Both sides reflect different aspects of minimalism past without being pale shadows of those earlier pioneers. In …