Non-fiction
Death Blues is a multi-disiplinary project by Jon Mueller that addresses the inevitability of death as impetus to become fully present in each moment. “Non-fiction” is the third musical installment in the larger Death Blues project, and the first for…
Numinal Entry
** Edition of 300 ** This is the second release from the Halatern, Etc. label, run by Keith Connolly (of NNCK/No Neck Blues Band fame). Tom Carter requires no introduction (those who are curious are encouraged to visit the historically rich wholly-ot…
Lights on Water
Lights on Water is the second Sum of R album on Utech Records after their self titled debut, and the first full-length as the duo of Reto Mäder (bass guitar, electronics, drums, piano, samples) and Julia Valentina Wolf (guitar) after the Ride Out …
Portrait of Madeleine Elster
Portrait of Madeleine Elster is the third solo album for Utech Records by Japanese psychedelic troubadour Suzuki Junzo. A 21st century drone/space electric-blues album in the style of Ode to a Blue Ghost and Eight-Sided Infinity. Crystalline guita…
Hysterie off music
At the beginning, Hystérie off Music was conceived as a catalogue record, an open field where the author could play with all musical genres and their stereotypes, but then evolved rapidly into an uncompromising clash of field recordings, sampled i…
We Thought We Could Do Anything
Collaborating with drummer Brian Chase (Yeah Yeah Yeahs, Man Forever), guitarist Alan Licht (Lee Ranaldo & the Dust, The Blue Humans, Love Child, Run On, etc.) is back for another release on New Images Ltd. We Thought We Could Do Anything is a far le…
Red One
After the last If, Bwana (Al Margolis) release on Pogus the large-scale double cd E (and Sometimes Why), this brand new If, Bwana recording is a little more intimate. This release consists of six smaller works for one or at most two instruments - wit…
Architect
Three studies on what surrounds us and which remains sometimes invisible.
Denser materials
Performed by Cory O’Brien using snare drum, amplified plexiglass and analog synthesizer. Recorded in Spring/Summer 2013, Washington, DC.
Everything Is Shit. Punk In Brussels 1977-79
An incredible energy took over Brussels at the onset of the Eighties. It is a strange and rare feeling when you tell yourself that something is happening. And it always happens through an accumulation of very small facts. Then, suddenly, it is there.…
La
Finally restocked, outstanding new LP by French experimental sound artist featuring seven tracks recorded at Ghédalia Tazartès' home studio and inspired by the artist's trip to Oslo in 2013. Limited to 500 copies
Pronunciation
Lo-fi real time sound collage… Archaic rhythm machine, stream of consciousness guitar, voices, cassette cutup/manipulations. Human Machinery Sci-fi Sound.* Kitchen sink sound poetry and crude, no mixer tape collage across two tracks and thirty minute…
Bestiario vol.3
Bestiario is a series of short Enrico Malatesta compositions for acoustic percussions, recorded live with no overdubs or editing; these pieces are meant to explore a multi-directional sonic dimension, still keeping a high level of tension. All the st…
Untitled
2LP Edition with insert and printed inners - featuring exclusive material from Mark Fell, Bass Clef (Some Truths), Miles Demdike and Joane Skyler. Collecting four acutely contrasting live presentations by Mark Fell, Miles Whittaker, Some Truths (Bass…
Confusional Quartet
The Confusional Quartet are Enrico Serotti, Gianni Cuoghi, Lucio Ardito and Marco Bertoni, a four piece experimental band with new wave, avant-garde and post rock influences who have been recording since the late 70s. Having first released their debu…
Revue instrumentale et electronique
Gerd Kühr is a synonym for combining complexity and simplicity, modernity and “tradition”. Revue instrumentale et électronique - spatial composition for an instrumental ensemble and recorded sound in six movements – manage to cross and unite great va…
In Labour
Debut solo album by Norwegian vocal performer whose distinct way of working with her voice has a strong focus on intervals, repetition and texture. Recordings were made indoors and in outdoor environments, to give things a site-specific field reco…
Real Time
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and develope…
Nothing Changes No One Can Change Anything
Recorded at H sei University, Tokyo, April 26, 1996. 'No band on Earth has ever sounded like Fushitsusha. Sure, there are antecedents to their mind-scraping, soul-searing roar: Blue Cheer's in there, as is Hendrix circa 1970, when he'd given up the s…