Minna Miteru 2
*Includes printed inner sleeves & 32 page booklet.* Following the "Minna Miteru" compilation, released in 2020, Morr Music announces a sequel, dedicated to Japanese indie music, overflowing with surprises and welcome discoveries. Like its predecessor, "Minna Miteru 2" is compiled by Saya of Tenniscoats, with the support of Markus Acher (The Notwist). It’s also another part of the Minna Miteru universe, alongside retrospective albums by The Andersens ("There Is A Sound", 2020) and yumbo ("The Fru…
Microscale Deploy Knob (zyf)
*Clear lathe cut square 7" limited to 33 copies. In process of stocking* 'The machines are talking to each other, but they don’t know we’re listening. Submerged synthetic spittle gargles wires into intricate shapes, spreading a message of destruction into every sentient molecule. Be still and draw something pretty.' - Foxy Digitalis
Conduits of the Hydrosphere
*200 copies limited edition. In process of stocking* Conduits of the Hydrosphere is the result of 10 years of artistic research. Using movement practices of Butoh, Body Weather Laboratory, and Noguchi Taiso, seah has been traveling the world doing field recordings with worn mic's and cameras while interacting with various bodies of water. The 5 tracks on the album are a result of audio-visual manipulations, movement, and philosophical research based on Critical Feminist Posthumanism, into what i…
Paradies
*2022 Stock.* Paradies (Paradies, 21st Hour from Klang, 2007) is for Flute and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 22-24. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the flute of Kathinka Pasveer, rec. 2009. As a bonus, the electronic music is also presented without the soloi…
Edentia
*2022 Stock.* Edentia (20th Hour from Klang, 2007) is for Soprano Saxophone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 19-21. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the soprano saxophone of Marcus Weiss. As a bonus, the electronic music is also presented without the soloist…
Urantia
*2022 Stock.* Urantia (19th Hour from Klang, 2007) is for Soprano and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 16-18. This CD features the soprano vocal of Kathinka Pasveer, rec. 2008. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
Jerusem
*2022 Stock.* Jerusem (18th Hour from Klang, 2007) is for Tenor and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 13-15. This CD features the tenor vocal of Hubert Mayer. As a bonus, the electronic music is also presented without the soloist part for rehearsal. - Stockhausenspace.blogspot.com
Nebadon (17. Stunde Aus Klang)
*2022 Stock.* Nebadon (17th Hour from Klang, 2007) is for Horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 10-12. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the horn of Christine Chapman. As a bonus, the electronic music is also presented without the soloist part for rehearsal. …
Uversa (16. Stunde Aus Klang)
*2022 Stock.* Uversa (16th Hour from Klang, 2007) is for Basset-horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 7-9. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the basset-horn of Michele Marelli. As a bonus, the electronic music is also presented without the soloist part for r…
Orvonton
*2022 Stock.* Orvonton (15th Hour from Klang, 2007) is for Baritone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 4-6. This CD features the baritone vocal of Jonathan de la Paz Zaens. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
Havona
*2022 Stock.* Havona (14th Hour from Klang, 2007) is for Bass and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 1-3. This CD features the bass vocal of Nicholas Isherwood and as a bonus, the electronic music is also presented without the soloist part for rehearsal. - Stockhausenspace.blogspot.com
Himmels-Tür (4. Stunde Aus Klang) - 24 Türin
*2022 Stock.* Himmels-Tür (Heaven’s Door, 4th Hour from Klang) for a "percussionist and a little girl" (2005) is essentially performed on a hand-made door, with panels constructed from different types of wood in order to obtain a broad range of timbral colors. The piece consists primarily of 15 moods, followed by a final theatrical event involving cymbals and sirens (the little girl element is not aural). This piece could be considered a kind of microtonal, neo-marimba piece performed on found …
Himmelfahrt
*2022 Stock.* Himmelfahrt (Ascension, 1st Hour from Klang, for synthesizer, soprano and tenor (and some percussion) (2004/05): This work primarily features the polyphonic/polytimbral synthesizer of Antonio Pérez Abellán, with added sung text by Hubert Mayer (tenor) and Barbara Zanichelli (soprano). Abellán did the synthesizer programming and also provides the intermittently-occurring percussion parts (bamboo chimes, metal bowl, gong percussion). As a bonus, the 48 timbres employed (blended synth…
Spirit Walking
*250 copies limited edition* An album that whisks you out of the muggy present and into a dream-like lull, Spirit Walking collects a set of piano improvisations from Jordan Ireland (Blue Divers, Stolen Violin, The Purple Orchestra, ex-The Middle East). Two sides of only piano (no vocals, seemingly no overdubs, not even any room sound), these tracks wander through and explore meditative left hand drones, right-hand lyrical phrasing, and bursts of riffing, trying to reconcile post-Alice Coltrane s…
Leva Leva: Litany of the Portuguese Fishermen
With its new project focusing on the songs of fishermen in Portugal, the FLEE platform attempts to combine in-depth anthropological research with a hybrid contemporary and artistic reflection on an important facet of Portuguese social and cultural history.
Through working songs from the 1940s, 60s and 80s recorded in the Algarve region, the project attempts to document the history of these fishermen, the nature of their hardships and often exploitative conditions, as well as their gradual encoun…
First Meeting
Edition of 500 copies pressed on clear vinyl, newly mastered and including a 12" x 12" double sided insert of liner notes and archival images
Language Is The Skin
Tip! "Language is the Skin" is the fourth full length release by New Monuments, the quartet co-led by Don Dietrich (Borbetomagus) and Ben Hall (Graveyards/Bill Dixon). Hall and Dietrich continue applying pressure to the structure of the relationship between saxophone and percussion. "Language" branches out to include totally new forms, line-ups, and instrumentation. New to the band, replacing C. Spencer Yeh, are Don's 25 year-old shredder daughter Camille adding 'cello, big Stockhausian refriger…
Organism
Organism is the debut album from Copenhagen Clarinet Choir. With track titles like ’Flocking’, ‘Hive Mind’ and ‘Water Piece’, the work is situated at the intersection of composition and improvisation, and at the nexus of nature and music. Led by Irish woodwind player and composer Carolyn Goodwin, the clarinet sextet takes an egalitarian approach in the way it assembles its players. In the music of Organism, interdependent parts find an overall shape as organically as a living entity. Much like a…
for four double basses
*In process of stocking.* Minimalism is the keyword for the release from Bryan Eubanks. He composed work for four double basses, and Jonathan Heilbron, Mike Majkowski, Andrew Lafkas and Koen Nutters are the performers here. The score/concept is explained on the cover here; this is an excerpt: "[..] .....Each bass bows natural harmonics on one of the strings (I, II, III, IV), holding each note for the chosen duration and allowing a pause equal to half of this duration between each note. ..... All…
Drumming Up Trouble
Black Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fa…