Lunchtime for Birdy
First graspable release by Leaf Peepers, a Massachusetts duo comprised of Turner Falls' Omeed Goodzari and Worcester's Nick Bisceglia. Omeed is well-known hereabouts as member of Donkey No No, and also for his solo recordings, which include the superb Zoltar Hid All the Locks / Minnows LP (FTR 349LP, 2018). Nick has recorded with his band Husks, and has also participated on sessions by Wendy Eisenberg and Chris Weisman among others. In fact, the both of them helped out on Chris's last album, Rom…
The Midnight Hour
The Midnight Hour by Adrian Younge and Ali Shaheed Muhammad is a lush confluence of soul, jazz, and hip hop that bridges eras with analog warmth and orchestral finesse. Rooted in the duo’s shared reverence for Black musical heritage, it unfolds as both homage and renewal—a nocturnal suite of rhythm, poetry, and craft steeped in the elegance of timeless sound.
Make It Fun Again
Here is the first Lazy Magnet LP since 2019's Mahogany. And it's a beautiful instrumental album which has known many iterations since it was first conceived. Lazy Magnet has long been the home recording project of Jeremy Harris. Over the course of its long arc the actual music has taken many forms -- this time he has chosen to dedicate an entire body of work on a single instrument: the acoustic piano. The initial idea for Make It Fun Again dates to 2007, when Harris and his buddy Robert Parker (…
Twelve Reasons to Die
The Twelve Reasons to Die by Ghostface Killah and Adrian Younge is a darkly cinematic concept album that fuses Wu-Tang grit with the operatic scope of Italian horror and soul symphonies. Executively produced by RZA, it tells a revenge myth steeped in vinyl and blood, pairing Ghostface’s vivid storytelling with Younge’s analog psych-soul production in a seamless homage to genre and myth.
Library Music
Feeding Tube was chuffed to take Professor Steve Hesske's advice and make way for the fifth vinyl LP by Mordecai. I mean, when the Professor speaks even the cows take notice. And we are all descended from cows, right? So why not? Originally based around Butte Montana, formed by two brothers who claim to have been born (or conceived) (or some damn thing) on crappy Dead tours ('89 and '92, meaning the ones that resulted in 'Without a Net' and 'Althea' from 30 Trips Around the Sun), Mordecai took a…
Exhibit A
Dan Melchior is great randomizer of a musician. Born in the UK, based in the US for the last 20 years, his discography ranges from raw garage rock to avant garde tape collages, visiting a whole lots of other points in between. Exhibit A is his first collaboration with P.G. Six (aka Pat Gubler) the wonderful New England based multi-instrumentalist, who has previously appeared with Wet Tuna (FTR 364LP, 2018), Weeping Bong Band (FTR 313LP, 2018), MV & EE (FTR 167LP, 2015) and Joshua Burkett (FTR 19…
In The River
Spiral Joy Band are one of the descendants of Richmond VA's legendary musical juggernaut, Pelt. Active and mutating for nearly 20 years, the iteration of the Spiral Joy Band who recorded this session in Madison Wisconsin in 2011 was a trio. Troy Schafer, Patrick Best and Mikel Dimmick play an array of instruments -- violin, viola, harmonium -- to produce lush tapestries of the multiphonic drones for which they are known. I remember Pelt getting called 'The Hillbilly Theatre of Eternal Music' at …
The Incandescent Switch
First LP, after several fine cassettes & CDRs, by this psych project helmed by Brian Lucas. Lucas is best known these days for his bass work with Dire Wolves Just Exactly Perfect Sisters Band, but he has a hand in many other California psych outfits. The Wolves have been quiet vis-a-vis new recordings lately, but Old Million Eye has been pretty busy. Often the OME moniker represents solo work, but this time Brian has recruited Dena Goldsmith-Stanley (3 Moons) and Steven R Smith (an old band mate…
Pickled Dawn
No stranger to the Berkshire Mountains, Omeed Goodarzi comes at it in full on send it mode, with this yester-Moro-mobile of an album? Loaded to the hilt with hard hitting session folk, Omeed's latest offering is a roiling boiling psychedelic Partch-pop Beatleboro-Freel-Volk masterpiece from the second anyone's flip flop even threatens to drive a rhythm into the rug. Upon arrival to the studio, Chris Weisman, Mia Friedman, Max Goldstein, Nick Bisceglia and Ruth Garbus were presented with the chor…
What Do You See Everyday?
Another fantastic slab by Virginia-based guitarist Jordan Perry, whose style fuses disparate threads from the American Primitive and avant-garde songbooks into a unique alloy. For this album Primitivism has largely been eclipsed by avant urges. Still, there is one track, 'Days Have Gone By Volume' where Jordan is joined by guitarist Ned Oldham for a piece evoking Fahey in more than its title. But that is the exception. Most of What Do You See Every Day? is filled with abstractions for acoustic g…
All Summer Long is Gone
Finally, a vinyl edition of this amazing instrumental pandemic album recorded by a somewhat unlikely duo. There was a cassette version released a while back as a stop gap, but here now is the REAL THING! PG Six (aka Pat Gubler) is based in the New England and is known for his mastery of many stringed objects. He has appeared on six earlier Feeding Tube LPs, the most recent of which is the great PG Six Live at the Tavern (FTR 556LP). Louise Bock (aka Taralie Peterson) is a multi-instrumentalist l…
Le Pont Suspendu
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
Uchidome
Uchidome by Seijiro Murayama is a three-part solo percussion album released by Hitorri in October 2025. Recorded in France earlier that year, it represents Murayama’s fifth solo project on the label, extending his lifelong inquiry into rhythm, resonance, and silence through an ascetic focus on timbre, texture, and spatial tension.
To(r)ri Infranta
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
SSI Solo 2024
SSI Solo 2024 by Junji Hirose distills five extended explorations of sound and silence recorded in Tokyo, merging mechanical invention and corporeal intensity. Created with his distinctive Self-made Sound Instrument (SSI) and including a striking “No-Instrument” piece, it pushes the limits of sonic improvisation and acoustic perception.
Hyper Vigilance
SGG is thrilled and honored to announce the impending release of the new studio album by Ramleh, a band whose longstanding, uncompromising artistic trajectory is rivaled by none. Birthed from the early 80s UK post-punk and industrial ecosphere and finding footing in the embryonic power electronics scene before incorporating rock instrumentation to further explore the landscape of what would come to be described as “bleak psychedelia”, Ramleh continue to challenge and reward even the most adventu…
FJL
Felicity J Lord is a band, a word which usually means a group of musicians (which is also true) but here means a group of misfits, internet lurkers, poets, polka-dotted ballerinas, CEOs, time travellers, and forever-kids. Felicity J Lord is a company, a family, a video game, a never-ending play in two acts. You are in Act I, welcome.
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
New Music
Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…
Split
Dutch 80s cassette pioneer meets Blood Incantation's cosmic ambient side. Enno Velthuys recordings paired with Riedl's archival drift. Meditative, intimate, timeless.