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10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.
Carol Maia & Jeremy Gustin’s haunting collaborative album is the result of a long distance partnership during which tracks were traded back and forth across thousands of miles, Jeremy working from his home studio in Brooklyn and Carol from hers in Rio De Janeiro. Later they enlisted support from a number of key players in the Rio scene, Frederico Heliodoro, Paulo Emmery, Ricardo Dias Gomes, and from Brooklyn’s musical community, Will Graefe and Ryan Dugre, to shape this understated masterpiece o…
Two cassette releases by Mexico City experimentalist Rolando Chia, heard by almost no one on their original release, now appear on vinyl for the first time. Batelages and Entrega - sound collage, concrete texture, avant-garde guitar - two lost chapters of the Latin American underground,
Upon their arrival in Brazil after the traumatic Atlantic crossing, enslaved populations from West Africa sought to reconstruct their sacred cultural and spiritual systems within a profoundly hostile environment. Five centuries later, the vitality of terreiros (ritual grounds) across the country bears witness to a living and adaptive religion that continues to evolve while remaining deeply rooted in ancestral traditions. Today, Candomblé is celebrated throughout Brazil and increasingly recognise…
Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record’s sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and textu…
Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …
Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…
On Ferrum Sidereum, Zu stretch their jazz‑metal DNA into an 80‑minute instrumental odyssey: ritualistic riffs, industrial grit and prog‑honed structures orbit around a dense, meteoric core that feels both meticulously engineered and violently alive.
Long whispered about and barely seen, Whitehouse’s Psychopathia Sexualis finally claws its way out of 1982’s creamy‑vinyl underworld, reborn on CD as a fully remastered, meticulously documented legacy edition for the noise faithful and the merely morbidly curious.
Great and beautifully packaged first uncompromising album of solo violin improvisation and electronically-processed violin tracks by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1986.
Great and beautifully packaged second uncompromising album of electronically-processed solo violin improvisations by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1989 and never re-issued on either LP or CD.
Coming a couple of years after High Peak Selections, Early Music was the second 'studio' full-length album by Jon Collin. More spare and sparse than its predecessor, both in atmosphere and presentation (the track names are simply numbers), it's also perhaps more focused and consistent in terms of sound and mood (as well as instrumental set-up and recording locale). While High Peak Selections and later recordings feature environmental and external sounds bleeding in and out of recordings, the onl…
Recorded in churches and industrial buildings in the the North of England, and originally released on Winebox Press in 2013, High Peak Selections was the first full-length vinyl release by Jon Collin. Across its six mostly improvised tracks, it showcases an artist somewhat at odds with much of the wave of fingerpicking acoustic guitarists that was in the middle of breaking around this time. While the base technique here is still fingerstyle, his use of various preparations, metal slides, feedbac…
*300 copies limited edition* Arbitrary presents Terrain Vague II - the second album by Danish electro-acoustic trio Mesmer. With this work, the trio creates a sensuous and reflective space to inhabit in a time marked by speed, noise, and digital fragmentation. Terrain Vague II emerges from field recordings made in Læsø, Frederikshavn, and Aalborg in Denmark. Using environmental sounds from harbors, coastlines, and the outskirts of the city, Mesmer explores the places where nature and culture int…
*200 copies limited edition* Masayoshi Fujita & Jan Jelinek, live in Kyoto, 29th June 2025 at Shimei-Kaikan, Kyoto. The concert took place as part of a Japan tour by the duo in June/July 2025. The show in Kyoto was organised by Tatsuya Shimada (night cruising). After a solo concert by Masayoshi Fujita and Jan Jelinek, the two performed as a duo.
2012 CD re-issue with slightly altered contents of the wonderful self-released first solo album from 2002 by member of In Camera (with Christoph Heemann), Elodie (with Andrew Chalk) and Noise-Maker's Fifes. Outstandigly beautiful and original music.
First album by Amaury Perez's project mixing industrial/noise music and experimental rock, self-released with different paste-on covers on his own Fresh Records in 1985. With inserts.
Guitarist Ava Mendoza returns with a powerful and emotionally stirring live album — half solo electric guitar, and half duos with legendary drummer Hamid Drake. Featuring radically transformed versions of songs from her acclaimed albums The Circular Train and New Spells, as well as brand-new pieces, this is a thrilling document of Mendoza at her best — onstage in front of an audience.