/RAW:ReSpace/
RAW/ReSpace is the first-ever experimental noise-metal saxophone solo album, changing and re-defining how the saxophone can sound and what saxophone playing means. No saxophone player ever dared to explore these uncharted outer realms of woodwind expression. RAW brings together noisescapes and electronica with death and doom metal approaches and contemporary instrumental composition techniques. While ReSpace combines dark ambient, controlled-feedback soundscapes with a reductionist approach to c…
Visitors
Visitors was the brain-child of French producer/composer/genius, and enfant terrible Jean-Pierre Massiera. In 1974, he recruited a group of nineteen musicians (most notably jazz violinist Didier Lockwood, who made an indelible mark on Magma's 1975 live album), to record his latest compositions. Massiera had been impressed by violin-fronted jazz-rock acts such as the Mahavishnu Orchestra and Jean-Luc Ponty. He decided that his new psychedelic nightmare should be a concept album on the theme of ex…
Landlocked
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
Attacco Morbido
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
Taillis
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
Visitations and Revisitations
This release continues lines of work that seem to inevitably revolve around explorations and honourings of place, people, and memory. Two pieces stem from other lines of research which have been ongoing for some years. All the works combine elements of acoustic and electronic sound, where the electronic sound is often derived from underlying acoustic sources which usually remain unheard. The 'letter pieces' all function as hommage compositions, in an alphabetical series of 26, where each letter …
Two Days In Dreamland
Tip! These stunning recordings combine the great strengths of Pauline Oliveros on her Roland V-Accordion, Issui Minegishi; Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and Miya Masaoka on her 21 string Japanese Koto. Together, these masterful improvisors create a beautiful and fascinating world of instrumental communication. This trio of legendary artists establish a sonic zone so compelling that you'll never want to leave.
This double CD pr…
Empac Sessions
Tip! Triple Point, featuring Pauline Oliveros, Doug Van Nort and Jonas Braasch, was an improvising trio with a core instrumentation of soprano saxophone, greis/electronics, and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as a metaphor for the group's improvisational dialogue. Triple Point's musical interaction was centered around an interplay between acoustics, physically-modeled acoustics (v-accordion), and electronics. Van Nort captured the sound of the…
Found & Found
“Found & Found” - the second album from Nitai Hershkovits and Daniel Dor grew out of pure curiosity. “There was more to say, more to explore,” says Dor. Expanding from the synth-only palette of 2024’s “The Garden Suite,” these tracks include guitar and clarinet, blurring the line between acoustic and electronic. Each composition is built with interlocking, mantra-like patterns - hold onto a sound, and find yourself floating above or descending inside.
Hands 1
These songs are the first five compositions made by Hands. It's a live recording from their first gig at Råhuset in Copenhagen on october 8th. The digital cover art is a still from the Tim Burton film Edward Scissorhands, with Johnny Depp playing the role of Edward, who has scissors for hands.
The Citizen
*2026 stock. 30 copies limited edition* Dry, mostly unprocessed recordings of feedback trials with electric guitar, amps, mics and speakers.
"When I was in 7th grade, my friends and I started spending our long lunch breaks walking to the nearest supermarket to buy things that felt important. Being on our own, wandering those aisles, surrounded by endless varieties of goods, felt like a new kind of freedom to me. To this day, I still love entering a supermarket with the slightest clue what to buy…
Spiderpeople
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the chordophone) & the drums (the membraneophones) are known by most, but the sound here is of the rarer kind, although there is indeed string play & rhythmic things, just not in the usual way, but instead according to other orders & expressions, like an…
Drop / So (7")
Rare single released buy Dome Records in 1981 with two experimental minimal pop songs courtesy of Angel Conway and B.C. Gilbert (Wire, Dome, etc.).
Neu Klang: The Definitive History of Krautrock (Book)
In Neu Klang, journalist Christoph Dallach assembles an oral history of krautrock, letting Can, Neu!, Kraftwerk and their peers explain how post‑war Germany’s experiments in noise, rhythm and repetition became a blueprint for modern rock and beyond.
Pop-Eyes (LP)
1985 re-issue on Awesome Records with different cover of the first solo album of enchanting experimental pop after the Lemon Kittens, originally released in 1983.
Move (7"EP)
Fantastic experimental art rock EP by the amazing Homosexuals' Jim Welton (a.k.a. Amos, Xentos, King Kobra, Vic Serf, Narky Brilliance, etc.), privately released in 1979 with hand-painted covers and stamped/hand-written labels. No insert. Essential.
Berlin Super 80 (Music Underground West Berlin 1978 - 1984) (2LP)
A 2LP documentation of Berlin's highly creative underground NDW/experimental/art scene from 1978 to 1984, released by Monitorpop Entertainment in 2005 in and edition of 1000 hand-numbered copies and featuring Malaria!, Die Tödliche Doris, Christiane F., Sprung Aus Den Wolken, Valie Export, DIN A Testbild, Frieder Butzmann, Einstürzende Neubauten a.o.
The Magickal Mystery D Tour EP (7")
Rare second pressing with corrected matte picture sleeve of the 1986 7" EP on Temple Records with a cover version of the Beach Boys masterpiece b/w a song dedicated to director Roman Polanski and an additional 7" with two more tracks.
The Magickal Mystery D Tour EP (2x7")
1986 2x7" with gatefold sleeve version on Temple Records of the EP with a cover version of the Beach Boys masterpiece b/w a song dedicated to director Roman Polanski plus two more tracks and additional 7" with a cover of Gainsbourg's classic "Je t'aime moi non plus" b/w a new mix of "Godstar".
How Much Are They? (12"EP)
Original UK edition on Island of the 1981 EP with the post-punk dub experiments by PIL's bass player and two members of the mighty Can.