Jazz & Improvisation / All styles

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, reissued as six CDs in individually designed minijackets with a 116-page book.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.

Joe Henderson's quintet live at the Lighthouse in Hermosa Beach in 1970, with Woody Shaw, George Cables, Ron McClure, Tony Waters and Lenny White. Deluxe 3LP edition with five unreleased tracks and new liner notes.

Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 1975, cut AAA from the original tapes by Kevin Gray.

Jan Garbarek's 1998 double album with Rainer Bruninghaus, Eberhard Weber, Marilyn Mazur and Bugge Wesseltoft, on vinyl for the first time in ECM's Luminessence series: tip-on gatefold jacket with booklet.

Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.

Ahmad Jamal's 1973 album for 20th Century, his first on electric piano, with an orchestra arranged by Richard Evans and versions of Superstition and The World Is A Ghetto. Verve Vault reissue, all-analog, 180 gram.

Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.

Rudolph Johnson's 1971 debut for Black Jazz, a quartet date with John Barnes, Reggie Johnson and Raymond Pounds moving between bebop, soul jazz and Coltrane-like tenor. Real Gone reissue on black vinyl, remastered.

The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. Japanese edition.

The latest instalment in Whitefield's Temple Jazz series brings you an enhanced collective improvisation inspired by the meditative styles of Pharaoh Sanders, Alice Coltrane and Sun Ra. An aural approach to soothe ones soul in overly hectic environments.

Four improvisers in a historic water tower in Braunschweig: overtone singing, Tibetan bells, trumpet, pipe organ, alto sax and double bass stretched into seven long, reverberant, meditative pieces. Limited to 350 copies.

Alexander von Schlippenbach on piano and Sven-Åke Johansson on voice, accordion and drums, live at Onkel Pö in Hamburg in March 1978: a free improvised take on the German Lied, recorded by NDR.

Live double album from Perujazz's 2023 European tour, with concerts in Norway, Austria, Germany, the UK, Spain and France: the Lima group founded in 1984 mixing cajón, Afro-Peruvian and Andean sounds with jazz, rock and funk.

Solo percussion album recorded in August 1980 by Masahiko Togashi, alone with drums, gongs, bells and hand percussion on a kit of his own design, reissued on LP with obi and liner notes in the Spin This Now! series.

Two x 2LP sets that examine the influence and expression of the underground jazz that evolved in California and surrounding states during the latter part of the 20th century.

Two x CD sets that examine the influence and expression of the underground jazz that evolved in California and surrounding states during the latter part of the 20th century.

Guitarist Marc Ducret reworks Tim Berne's compositions, recorded mostly at home in 2021 with horns, flute, cello and a wide range of guitars, basses, daxophone and percussion, favouring colour and texture over soloing.

Illegal Crowns, the quartet of Taylor Ho Bynum, Mary Halvorson, Benoît Delbecq and Tomas Fujiwara, recorded at Firehouse 12 in June 2022, with three compositions each by Fujiwara, Halvorson and Delbecq.

Two duo albums by pianist Matt Mitchell: Oblong with Kate Gentile on drums and Aplomb with Ches Smith on drums, percussion, vibraphone and timpani, recorded in Brooklyn in summer 2022 and mixed by David Torn.

George is John Hollenbeck's quartet with Anna Webber, Aurora Nealand and Chiquita Magic: voices, saxophones, flute, keyboards and drums, recorded in Montreal in January 2022. 180g black vinyl, limited to 400 copies.

Debut album by Abenaki bassist, singer and composer Mali Obomsawin, built on songs and stories of her family, with Savannah Harris, Miriam Elhajli, Allison Burik, Noah Campbell and Taylor Ho Bynum. First pressing on black vinyl.

Nick Dunston's trio with Kalia Vandever on trombone and DoYeon Kim on gayageum: open structures between song and soundscape for bass, trombone and Korean zither, with liner notes by Wendy Eisenberg.

A composition by saxophonist Travis Laplante for a nine-piece ensemble, dedicated to the muse of Miles Davis and recorded live at the Yellow Barn Music Festival in Putney, Vermont, in July 2021.

Debut of the trio Secret People: Nathaniel Morgan on alto saxophone, Dustin Carlson on guitar and Bass VI, Kate Gentile on drums and vibraphone, recorded in August 2019.

Wendy Eisenberg performs her own long-form text score, memorised and played from memory: one disc of solo guitar and one of solo banjo, recorded at Firehouse 12 in New Haven in March 2019.

Debut album by alto saxophonist David Leon with Sonya Belaya on piano, Florian Herzog on bass and Stephen Boegehold on drums, recorded in Brooklyn in February 2020, with liner notes by Kris Davis.

The final recording by bassist Mario Pavone, made in March 2021 two months before his death, with his Dialect Trio of Matt Mitchell and Tyshawn Sorey and Dave Ballou on trumpet and arrangements.

Cellist Christopher Hoffman's quartet with Bryan Carrott on vibraphone, Rashaan Carter on bass and Craig Weinrib on drums, plus David Virelles on one track. Translucent red vinyl, limited to 200 copies.

Father and son duo: Michael Formanek on double bass and Peter Formanek on tenor saxophone and clarinet, recorded in December 2019 after their first tour together, with pieces by each of them and by both.

Solo record by drummer and percussionist Scott Clark, also on harmonica, recorded live in Richmond, Virginia, in May 2019 and named after Rilke's poem Let This Darkness Be a Bell Tower.

The complete first concert of the two-trumpet quartet of Herb Robertson and Dave Ballou with Drew Gress and Tom Rainey, recorded at The Stone NYC in June 2007: the first set reissued, the second issued for the first time.

First vinyl edition of Nick Dunston's 2019 debut Atlantic Extraction, on translucent yellow vinyl limited to 200 copies: a quintet of double bass, flutes, violin and viola, guitar and drums.

Michaël Attias' first solo album, recorded in one session with no overdubs: alto saxophone played with the left hand and piano with the right, the saxophone setting the piano strings into sympathetic resonance.

Guitarist Dustin Carlson's septet with Nathaniel Morgan, Eric Trudel, Danny Gouker, Matt Mitchell on Prophet 6, Adam Hopkins and Kate Gentile, recorded in 2017 and mixed and mastered by David Torn.

Fifth anniversary LP of Adam Hopkins' 2018 debut Crickets, the first Out Of Your Head release, on 180g black vinyl with redesigned TJ Huff artwork and the extra track Grounded, recorded remotely by the sextet in winter 2020-2021.

A new LP by JJ Whitefield (Poets of Rhythm, Whitefield Brothers etc) and Gonçalo Mortágua on Ultraääni Records.

Janel Leppin - The Realist (OOYH 048), featuring the incredible new trio of Janel with Devra Hoff (Sharon Van Etten, Nels Cline, Xiu Xiu) on bass, and Chad Taylor (Chicago Underground Duo, Marc Ribot, jaimie Branch) on drums, which Phil Overeem called "the freshest sounds from one of the most fascinating artists in creative improvisation."

Caprice returns to the Öppet series, their curatorial collaboration with Mats Gustafsson and Roger Bergner, with Fyra, Öppet number four, dedicated to the Norwegian vocalist Karin Krog. Two never before released sessions made in 1970 in Germany: raging radical experiments, hard blown free jazz fire, and thrilling reconstructions of vocal based jazz.

Pharoah Sanders' 1996 Verve album with Bill Laswell producing, Foday Musa Suso, Hamid Drake, Bernie Worrell and Charnett Moffett: hip-hop pulse, Gambian kora and the full-cry tenor on one record. Back on vinyl for the first time since the rare French original, on 180g black vinyl