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* Edition of 100. Lathe-cut 7" record with laser etching. * Kinematics is the explosive first time collaboration between multi instrumentalist Ka Baird and percussionist Chris Corsano. Side A, Ordinate, is a frenetic weave of bamboo reed pipe, bubbling vocal utterances and drums, sounding much like a cart-full of shimmering dodos on the loose with the wheels flying off. Side B, Abscissa, is a more focused beating drone that mixes layered tones from an Asian battery operated tone generator (used …
Viva freaktronica! For this edition of Electronic Sound cover stars are the legendary Faust, the wildest and weirdest of the 1970s krautrock outfits. We have a transparent vinyl seven-inch featuring two tracks from 'The Faust Tapes', the group's best-selling 1973 album, to accompany the magazine too.
When is a Berlin album not a Berlin album? When it’s ‘Lodger’ by David Bowie. When we talk about Bowie’s Berlin trilogy, what we really mean is ‘Low’ and ‘Heroes’ and, erm, the other one… ‘Lodger’ was the afterthought, the wobbly third wheel, a series of “planned accidents” stitched together into an album.
We've been talking to Steven Wilson about his new album for this issue of Electronic Sound and we have a special limited edition cover based on the artwork concept of the record for our subscribers and our webshop. To accompany the magazine, we also have a red vinyl seven-inch boasting exclusive edits of two tracks from the album.
Live DVD of Trio PAJ, formed in 2007 by percussionist Roland Auzet, Pierre Jodlowski and Michel Portal, recorded at the Grenoble Jazz Festival in 2010 and exploring jazz, improvisation and electronic music.
Ten improvised duets recorded in June 2006 by Joe McPhee on pocket trumpet and alto saxophone and Montreal drummer and painter John Heward on drums, kalimba and percussion.
Steve Lacy on soprano saxophone and percussionist John Heward in a single long improvisation recorded live in Montreal on 20 June 2003, one of Lacy's last recordings, ending with a tribute to Oliver Johnson.
Duo improvisations recorded unedited in Montreal in 2011 by bass clarinettist Lori Freedman and drummer and percussionist John Heward, the third set of duos featuring Heward on Mode/Avant.
Adyton presents At Mu, a live performance by Peter Brötzmann: tenor saxophone, b-flat clarinet, tárogató, and Miklós Szilveszter: drums. Recorded live at 12. újbuda jazz festival at mu theatre, budapest on 2 september 2016. Dedicated to the memory of Johannes Bauer.
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one
*2022 stock.* Italian piano player Giovanni di Domenico and Catalan drummer Oriol Roca, have been musical partners for fifteen years. They started playing in duo in 2010 to explore the sound possibilities of their instruments, focusing on silence, density and space in music, through improvised fragments and some original compositions. Their first studio album is now released on Belgian label Spocus Records.
**CD version** No Right No Left is the first solo album of drummer Andreas Wildhagen. Recorded in Wildhagen's practice room in late July 2016, it explores different expressions and levels of energy. The music is improvised, still certain ideas can be traced throughout the record. In order to eliminate right and left, one has to imagine a view which is not rooted in a subject or object. If we lack a reference point, right and left disappears. Right and left, good and bad permeate society, but mus…
**200 copies ** The first solo release from Danish drummer Anders Vestergaard. The LP documents four pieces executed on a self-made setup of varying acoustic percussion instruments and electronic feedback-chains, with a skeletal yet intricate structure, moving through differing expressions of insectile hyper dynamism and mesmeric equilibrium. The title also designates the instrumentation being part electric part non-electric; and it equally describes the mood, both beautiful and grotesque, convi…
Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.
In the early 1970′s, Brazilian popular music was approaching a high water mark of creativity and popularity. Artists like Elis Regina, Chico Buarque and Milton Nascimento were delivering top-shelf Brazilian pop, while tropicalists Caetano Veloso, Gilberto Gil and Os Mutantes (see World Psychedelic Classics 1) were entertaining the college set with avant-garde fuzz-pop poetry. Enter Tim Maia with a massive cannonball into the pool. It was the only dive Tim knew. Standing just 5’7 (6′ with the Afr…
First solo recording by Mark Sanders, one of the world's great improvisors. Recorded from the drummer's perspective, a beautiful virtuoso performance in 9 parts.
Four-CD box of duo improvisations for saxophones, drums, percussion and electronics by Anthony Braxton and Gerry Hemingway, their first recorded collaboration in twelve years, made at Wesleyan University in August 2007.
Keiji Haino and Masami Akita as Kikuri, live at Victoriaville on 21 May 2007: guitar, voice, strings and drums against electronics and computer, in their first concert together outside Japan.
Song album by Icelandic visual artist Egill Sæbjörnsson, produced by J Tyler Ludwick with drums by Mathias Brendel, released by The Vinyl Factory in 2020. Gatefold vinyl, 500 copies.
Second volume of African Acid Is The Future's Ambiance series: live recordings from a 2018 AAITF party by Les Filles de Illighadad (Niger) and Edmony Krater (Guadeloupe), with remixes by Dauwd, Maryisonacid and DJ Oil.