★Mode

First recording of Peter Ablinger's 33-127 (2002) for electric guitar and CD, played by Seth Josel: 95 pieces in which a descending scale meets recorded street noise, in just under an hour.

John Cage's Five Stone Wind (1988) and Cartridge Music (1960), both written for Merce Cunningham dances, played by David Tudor, Takehisa Kosugi and Michael Pugliese. 2008 remaster of the 1991 release, Cage Edition volume 4.

Thirteen first recordings of early Feldman works from 1950 to 1953, including Intersection for magnetic tape, the Music for Jackson Pollock film score with Pollock's narration, Nature Pieces and Variations, played by pianist Philipp Vandré and the Tu…

The first complete recording of Giacinto Scelsi's music for double bass, played by Robert Black with guests on cello, harp, tam-tam and second bass, including Ko-Tha in Fernando Grillo's transcription.

DVD of two films by Evans Chan on pianist Margaret Leng Tan: the documentary Sorceress of the New Piano (2004) and the bonus film The Maverick Piano (2007), with performances of Cage, Ge Gan-ru, Satie and Twining and toy piano.

Four recent works by Frank Denyer for very quiet voices and rarely combined instruments, including muted strings, flute, clarinet and percussion, played by The Barton Workshop under Denyer and James Fulkerson.

First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.

A complete video realization of John Cage's 49 Waltzes for the Five Boroughs by Don Gillespie, Roberta Friedman and Gene Caprioglio, filmed at 147 New York City locations in 1994-95 with durations set by the I-Ching.

Chamber music by Hans Werner Henze, weighted toward pieces drawn from his theatre works, played by the Naples-based Ensemble Dissonanzen: Ein kleines Potpourri from Boulevard Solitude, Toccata Mistica, Drei Tentos and Neue Volkslieder und Hirtengesän…

Two multi-channel electronic works by Iannis Xenakis from the 1970s, Hibiki Hana Ma and Polytope de Cluny, restored from the original tapes and mixed for 5.1 surround and stereo by Gerard Pape.

Chamber works by Earle Brown from 1952 to 1999, from Folio and Four Systems to Tracer, with Christian Wolff and Joan La Barbara among the performers and the tape piece Octet in a new transfer.

Vocal works by Luciano Berio, among them Folk Songs, Sequenza III, Chamber Music, O King and Circles, sung by Christine Schadeberg with Musicians Accord, reissued with the first recording of Quattro Canzoni Popolari.

Early works by Gavin Bryars from 1969-71: first recordings of Pre-Mediaeval Metrics and Made in Hong Kong, plus 1, 2, 1-2-3-4 and The Squirrel and The Ricketty Racketty Bridge, played by Ulrich Kreiger, Seth Josel and others.

Four films on John Cage by Frank Scheffer and Andrew Culver, gathered as From Zero: 19 Questions, Fourteen with the Ives Ensemble, Paying Attention and Overpopulation and Art with Ryoanji, plus extras.

First recordings of James Tenney's Poem, Monody, Seegersong #1 and #2 and the Ergodos series for computer music, with string, instrumental and percussion responses, played by the Barton Workshop and soloists.

Five works by Alvin Lucier for solos and trios on beating tones and microtones: Piper for bagpipe, Fan for four kotos, 947 for flute, Silver Streetcar for triangle and Ever Present for flute, piano and alto saxophone.

Aldo Clementi's works with guitar, the first complete CD devoted to them, played by Geoffrey Morris and the ELISION Ensemble: Serenata, Dodici Variazioni, Albumblatt, The Plaint and others, most of them first recordings.

First recording of Maria de Alvear's Asking (2001), a 53-minute open-structure work for solo piano composed for and performed by Eve Egoyan.

First recording of John Cage's Chess Pieces (1944), rediscovered in a painting and transcribed by Margaret Leng Tan, with her recording of Sonatas and Interludes and the first recording of Vittorio Rieti's Chess Serenade.

Three orchestral works by Giacinto Scelsi recorded in Vienna in 2005: Quattro Pezzi (su una nota sola), Uaxuctum, and the first recording of La Nascita del Verbo, with the Vienna Radio Symphony Orchestra and choirs.

Chamber works by Luigi Dallapiccola and Goffredo Petrassi, alternated for comparison, played by Naples-based Ensemble Dissonanzen: Quaderno musicale di Annalibera, Tartiniana seconda, Parole di S. Paolo, Sestina d'autunno and Seconda serenata-Trio.

Six works by Mexican composers born between 1957 and 1977, for string quartet and solo violin, recorded in 2002 at the first Radar festival in Mexico City by the Arditti Quartet and Irvine Arditti.

First recordings of ten guitar pieces commissioned by Marco Cappelli from New York Downtown composers including Marc Ribot, Ikue Mori, Elliott Sharp and Otomo Yoshihide, played on an amplified classical guitar with sympathetic strings and MIDI contro…

First commercial release of John Cage's only major film, One11 (1992), directed by Henning Lohner, with the orchestral work 103 as soundtrack in two performances (WDR Sinfonieorchester Köln, Spoleto Festival Orchestra), plus a documentary and an inte…

Stefan Wolpe's music from his Jerusalem years, 1934-38, including three world premiere recordings, played by ensemble recherche and the WDR Symphony Orchestra under Werner Herbers and Johannes Kalitzke.

John Luther Adams's Strange and Sacred Noise, a nine-movement work for percussion quartet, in the composer-supervised first recording by Percussion Group Cincinnati, with a 60-minute interview with the composer.

Chamber works by Walter Zimmermann from 1986-89 for piano, cello and piano, bass flute and piano, and violin and piano, played by the HCD Ensemble with cellist Michael Bach and violinist Peter Rundel.

Chamber music by Mexican composer Hilda Paredes, 1998-2001, drawing on Mayan language and culture: works for string quartet, piano quintet, 21 musicians and vocal quartet, with the Arditti Quartet and Ensemble Modern.

Two classic analog electronic works by Morton Subotnick, Sidewinder and Until Spring, in multi-channel surround sound, previously available only on LP, in the second volume of his electronic works.

John Cage's One⁸ (1991), a 43-minute solo for cello with curved bow, in the first recording with the BACH.Bow, played by Michael Bach, for whom it was written. Number Pieces 3, Cage Edition 32.

Composer-supervised first recordings of Joël-François Durand's music on the four elements: La terre et le feu for oboe and ensemble, Les raisons des forces mouvantes for organ, La mesure des choses III and Athanor for orchestra.

The first complete CD of music by New York composer Jason Eckardt: four first recordings, After Serra, Tangled Loops, A Glimpse Retraced and Polarities, played by Ensemble 21, saxophonist Taimur Sullivan and pianist Marilyn Nonken.

Three 22-minute drone works by Phill Niblock: Disseminate Ostrava for orchestra, Kontradictionaries for the Kontra-Trio of contrabass flute, saxophone and tuba, and Disseminate Q-O2 for the Q-O2 Ensemble.

First recordings, supervised by the composer, of two early works by Mauricio Kagel: Transición II (1958-59) for piano, percussion and tapes with live electronics, and Phonophonie (1963-64), four melodramas for two voices and other sound sources.

Two works by Luc Ferrari: Chansons pour le corps, for voice and ensemble, built on interviews with women, and the symphonic tale Et si tout entière maintenant for actress, tapes and orchestra. First release in Mode's Ferrari series.

Four chamber works by Walter Zimmermann, Schatten der Ideen, Ursache und Vorwitz, Distentio and Shadows of Cold Mountain 3, played by Ensemble Recherche. The music reflects the influence of John Cage and Morton Feldman.

Three works by Peter Garland, Another Sunrise, Dreaming of Immortality in a Thatched Cottage and I Have Had to Learn the Simplest Things Last, for pianos, harpsichord, voices and percussion, with Aki Takahashi and Essential Music.

Christian Wolff's complete works for bass, played by Robert Black under the composer's supervision: Look She Said, Jasper (with violin), String Bass Exercise out of Bandiera Rossa, Dark as a Dungeon (with trombone) and Untitled for electric bass-guit…

Cage's late works for saxophones, Four5, Five4 and Hymnkus, with Ulrich Krieger's arrangements of Ryoanji and Five, played by Krieger and German new music performers. Volume 24 of the Complete John Cage Edition.

Electronic works by Morton Subotnick: Touch and A Sky of Cloudless Sulphur, remastered from the analogue tapes with new stereo mixes, and Gestures with vocalist Joan La Barbara. Includes the complete 28-minute version of A Sky of Cloudless Sulphur.