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On Embrace 4: Orakelstücke/Aquin, Polwechsel open their rigorously quiet universe to two singular composers, Peter Ablinger and Klaus Lang, yielding a diptych where struck objects, voices and long, glowing tones summon an almost liturgical sense of m…
On Embrace 3: Magnetron/Quarz/Obsidian, Polwechsel with Andrea Neumann turn acousmatic tape, simulated multitracks and graphic notation into an intricate laboratory of cause and effect, where elevator doors, room ghosts and painstakingly negotiated s…
On Embrace 2: Chains and Grain, Polwechsel distil their chamber‑improv logic into a score grown from their own playing: a tense, breathing matrix of repeated figures, frayed textures and in‑the‑moment reactions that is rebuilt afresh every time it’s …
On Embrace 1: Jupiter Storm/Partial Intersect, Polwechsel with Magda Mayas and John Butcher fold fixed media, stopwatch scores and free low‑string improvisation into a dense, shifting topology of resonance and friction, pushing their chamber‑reductio…
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon al…
Tip! Edition of 300 copies. François Tusques needs no introduction to serious listeners of European free jazz. His 1965 Free Jazz album - recorded with Bernard Vitet, Michel Portal, Beb Guérin, and François Jeanneau - helped establish Paris as a vita…
Tip! Welcome to the 20th Century: "My point of departure for the octet was to treat the ensemble as a flock of clarinets and develop swarm-like scenarios. At the same time, I thought of the 8 players as a kind of acoustic 8-channel-installation with …
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a drea…
"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a sin…
Tip! *300 copies limited edition* Collaboration has always been at the core of Beins’s artistic practice. Reducing the line-up for the project at Morphine Raum to the duo format had pragmatic as well as creative reasons, allowing Beins more flexibili…
John Butcher is interested in particular people and their personalities. He prefers not to work in a generic situation, where there's an agreement in advance to play a certain kind of thing, and the music cannot swerve in a sudden fresh direction.
As…
The record can be considered a sort of farewell note to one of London’s most crucial venues for improvised music and sound art after its unexpected closure in late 2023 due to gentrification. John Butcher had previously collaborated with these three …
Graveyard Processions is the first joint recording by Kai Fagaschinski and Yan Jun. The Berlin-based clarinettist and the sound artist and vocalist from Beijing blur the lines between improvisation on the one hand and record production as well as com…
It all started with a crashed computer and it certainly didn’t end there. »Cinnte le Dia« is the third collaborative album by Hanno Leichtmann and Valerio Tricoli, their first entry into Ni Vu Ni Connu’s duo series that focuses on Berlin’s Echtzeitmu…
Mega tip! *300 copies limited edition* ‘This celebration of the group’s 30th anniversary is composed entirely of recent works, but each will move around in time as well as in form, in ways that belong to traditions of both improvised and composed mus…
Second edition. 300 copies, all parts identical to the first edition For the past decade, Mats Gustafsson has fastidiously produced and compiled the most thorough and comprehensive collection of archival solo recordings of the late legendary Swedish …
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Her…
Rüdiger Carl and Sven-Åke Johansson are two fellow travelers on the path of experimental music who have worked together since the late 1960s in many formations, most notably as the wild-card Fluxus pranksters on Peter Brötzmann’s legendary 1969 recor…
* 75 copies limited edition * In times of vinyl shortage and production backlog, resourcefulness is key. In keeping with his well-established practice of replacing original materials with surrogates to generate new sonic experiences, Sven-Åke Johanss…