New Arrivals / Today
If It Pleases The Court
2025 stock "Oh joy, oh rapture! Sweet, sharp noise music by the transcontinental trio, the sound of our men’s small wills writ large. Microscopic made big. I mean, to think it’s been nearly half a decade since we’ve heard from these guys! And is this the end of the road? It's different. While their preceding statement focused on strident bandmember solos, If It Pleases The Court sees Zwangsbeglucktertum finally enjoying each other once again, showcasing an energy that can only manifest through i…
Women In Revolt! Underground Rebellion In British Music — 1977-1985
2025 stock Women In Revolt! is an exhibition of work by over 100 women artists working in the UK during the 1970s and 80s. In a first of its kind showing, it explores how women used radical ideas and rebellious methods to change the face of British culture. With music, painting, sculpture, photography, film, and performance, they forged a path for women's liberation in the UK, against a backdrop of extreme social change.Drawing on the work and experiences of women outside the establishment and o…
Minimal Guitar
2025 stock On the first Monday after the summer holidays Arnold decided to not start the morning with a pile of emails about canceled, rescheduled or possible concerts but instead walk around Amsterdam. Following the Ring road A10, both from the inside and the outside, he walked without a map, tried to keep as close to the highway as possible but got lost several times. When home, he sat down and played what came to mind. The recordings of those sessions will be released in limited edition. Arno…
KANNON
B-STOCK, Tear On Spine Latest release by shakuhachi player Kenji Ikegami, who fuses ancient Japanese ethnic music and ambient/experimental music in a unique worldview. Includes two long pieces with cellist Yasutsugu Seto, who inherits the spirit of Terry Riley, and UtaE, a player of the traditional Ainu instrument mukkuri. Produced by Chee Shimizu.
KENJI IKEGAMI, who digs out madake bamboo from the mountains and plays the jinashi shakuhachi he made himself; the long tones of the shakuhachi layer…
