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Recorded live in Birmingham during a Contemporary Music Network tour in 2002, Tramonto finds UK pianist John Taylor (1942-2015) in celebratory, outgoing mood, fronting one of his most dynamic and quick-witted groups, with US musicians Marc Johnson …
*2025 stock* A cross-generation and cross-genre collaboration bringing together two musicians who share a common city of origin and who find a common music thread in their distinct backgrounds. This beautifully recorded set of piano and bass duets an…
*2025 stock* The spark for this project was the release of the newly discovered 1965 Hasaan recording Metaphysics (Omnivore, 2021). Upon hearing these beautiful compositions by Hasaan, I immediately felt the need to transcribe and understand them. Fo…
Wrong Filament embodies Robert Piotrowicz’s creation of fictional traditional music — not studied but invented, a utopian and oniric construct that becomes tangible in sound. These imagined traditions act as communal forces of music-making, resisting…
The influence of Alvin Lucier’s work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier’s music is marked by…
Urpa i musell feel very fortunate to announce the reissue of Àlbum by Joan Saura (1954-2012), originally released on compact disc by Nova Era – Música Secreta in 1998.
Water can retain or wash away memory; flowing or freezing. It gives life and shapes earth, while frozen imprints of an ancient past are waiting to melt – back into sound or fluid motion, or simply to dissipate and disappear. For their split release, …
There's a moment, early in Two Lonely Space Pilots, when time seems to stop. Not pause - stop. The saxophone sustains a note that hovers somewhere between breath and pure tone, while scattered percussion marks territory in the emptiness like footprin…
Over the past few months, five young musicians performing under the name Omasta have taken the Polish and European jazz scenes by storm. Having gained recognition for their intense live shows, they are now ready to deliver their debut studio effort. …
Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of Wamono music, Yoshizawa has published in 2015 the now-classic Wamono A to…
*200 copies limited edition* You are probably familiar with the pop-psych Nirvana from the 70s and almost certainly with the renowned outfit of the same name from the 90s Seattle grunge scene. However, somewhere in between the above emerged in Buenos…
Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and mo…
Frode Gjerstad, Alexander von Schlippenbach, and Dag Magnus Narvesen's first trio recording is powerful convergence of avant-garde improvisation and deep jazz sensibilities. Gjerstad’s fearless saxophone work, Schlippenbach’s adventurous piano explor…
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in…
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The piece…
"I had the privilege of meeting Wadada Leo Smith after a show, ‘Everyone thinks the trumpet is made out of brass — it’s really made out of air.' This recording is my exploration of that concept."
“Looking back I remember still” is a graffito I saw on an electrical box near my house and as I prepared for this recording I reflected on my time living in New York and my involvement in the improvised music scene there. My decision to include the …
I recorded Open Space with in a single continuous take: my cello, an amp, and a distortion pedal. I was watching a film that was a static shot across a very large canyon, the light slowly shifting. I hope it offers the listener room to breathe and dr…
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans in…