New Arrivals

Related to Paradise Square (Never Thought I'd See the Day, SOMM 020LP), Cair Paravel was the second project of singer/songwriter Pete Ryder, a key player on two of the most rare and sought-after private folk albums from the UK. This time, the band recorded at a real studio and the result was Some Other Morning, released in 1976 on the Koala label as a tiny edition of 250 copies. Hans Pokora rated this album at four stars, and it's easy to hear why: gorgeous, atmospheric folk with ethereal male-f…

Phil Maggi is a composer, a vocalist and a film maker from Belgium. Known as the lead singer of heavy-rock combo Ultraphallus, Phil Maggi develops an extensive body of work as a solo musician for several years. This new album Animal Wrath is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh,Tom Malmendier, Gabriel Séve…

**Limited edition of 500 coloured LP** « It's stressfull! It's shocking! It's everything a disturbed mind can imagine! » A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directe…

Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…

Novaks Kapelle were one of the most legendary bands of the Austrian underground, famous and feared for their wild live performances and strict anti-establishment/music-business/audience/everything attitude. They went from raw psychedelic rock in the late '60s to proto-punk to some kind of weird glam/hard rock at the end. 1978 saw later jazz-star guitarist and Gipsy Love member Harri Stojka joining. Beside some bootlegs available on the internet, many labels tried over the years to release …

Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…

**Edition of 300** Luciano Lamanna 'Sottrazione' hems to the shadows with suggestive, half-heard mutters and the silhouettes of writhing, druggy rhythms illuminated by flashes of Carpenter-style synth and splashed with salty guitar distortion. A masterwork in fluid, groovewise techno reduction and atmospheric rendering 

Ricochet Screen is the first proper LP from New York based Tint (aka Zane Morris). Encompassed as an overview of his solo recordings dating as far back as 2007, Ricochet Screen unfolds as a storied arc on the obsessiveness of composition, conception and mechanism. Culled from ad hoc recordings in vacant industrial buildings, lunchroom cafeterias and bedroom studios, the record functions as a meditative associative collage regarding a rebounding from omnipresent glass monitors, intrusive s…

Muddersten was established as a trio in 2015, and released their first album, Karpatklokke, on SOFA in January 2017. Their highly unique trio have been presented at festivals like Le Guess Who? and All Ears. While the music from their first album was developed during a tour in Russia in February 2016, the music on Playmates was recorded during four intense days at the SOFA studio in Oslo in September 2017. The front cover of the Scandinavian trio Mudderstens new release “Playmates” give as…

2016 Release. All instruments, machines, effects, trash, vocals, tapes, samples, loops, overdubs, lyrics and non-lyrics by Nils Herzogenrath. Recorded, produced and mixed in various homes, bedrooms and basements between late 2008 and 2015 using cheap equiptment.

2016 Release. Léonore Boulanger sings in French, German, improvises some unknown languages. The voice searches the lines and colors in an extra-European vegetation. Synesthesia. Impediment. Anomaly. Restart. Primitivism.

**2018 edition, this time as double CD (not CD-R) in a six panels digipack** Amuleto is Francesco Dillon and Riccardo Wanke. Amuleto takes its name from Roberto Bolaño’s novel. Our desire is to trace invisibile links among distant geographical and cultural spaces, words and sounds that influence our imagination. Good part of the inspiration for this record came from works by Manuel Scorza, Julio Ramón Ribeyro and Bolaño himself. More ideas from travelling together (or not) in various sides of th…

New Giuseppe Ielasi full lenght album. Music for whistling, microphone and digital degradation. Recorded in november 2016 and august 2017. to be played at low volume.

Further departing from both the cinematic abstraction of Piteous Gate (PAN 066CD/LP, 2015) and the hectic drums of Damaged Merc (2016), Berlin producer M.E.S.H.'s new full-length, Hesaitix, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces. The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hes…

From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums. Proto-techno/industrial/minimal synth galore...

Insides suggests a need for now, not some heavy, heady accumulation of then. (though you can rest reassured this publication is assembled by heads, but not just for heads) In that accumulation, we lose track of our intimate effort and subtle progress. We’ve assembled several events (both past and present) from RVNG and surrounding enterprises to explore and experience beyond the catalogued accomplishment. A reexamination of RVNG with a myriad of mechanics under the hood. Inside the debut i…

Kallabris is the project of Michael Anacker. Active since 1986, its work has been described as ‘electro-acoustic chamber music’ — a description which should be taken literally. Anacker’s main interest is a reflection on the electro-mechanical conditions of sound recording presented in everyday recording devices such as cheap home computers, dictaphones and answering machines. Thus, he is not interested in the limits of musical styles but in the limitations of sound (re)production. “Songs. The fi…

It’s been five years since Ftarri, an online CD shop and record label specializing in improvised music, opened a physical store of the same name in Suidobashi, Tokyo. This is the fourth title in a four-CD series celebrating the store's fifth anniversary. "Scores 1200," the CD's 60-minute track, is a composed work by Hiroyuki Ura based on a sculpture by Kenichi Kanazawa. A live performance by the trio of Kanazawa (steel square tubes, hammer), Ura (VSS-30 sampling keyboard, drums) and pianis…

Mad grab of styles from “Athens’ Best Kept Secret”, 2 Katara - including a handful of wicked, mutant disco bits, and an epic, 17 minute piece of prog funk ‘Greek Lady’ that’s practically worth the admission alone for any cosmic nuts.. “‘Break at Home’ is the collected recordings of the mysterious group ‘2 Katara’ which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals). T…

Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom. "Cilantro presents a world full of enigmas, labyrinths, sometimes abrasive, sometimes ecstatic, a complex and delicate subjec…

This is a selection of previously unreleased tracks created at home by Enrico Serotti (fmember of Confusional Quartet and Stupid Set), without any purpose other than the fun of playing with new musical devices. The tracks date from 1983 to 1999. A pretty long time span, coinciding with the transition from analog to digital technology. Cover Art by Alessandro Pessoli.

Blick : voice and texts. Jean-Marc Foussat : AKS Synthi, voice. Recorded in 2016. Voice imprecation and electronic environement, both always in movement.

Christiane Bopp : trombone. Jean-Marc Foussat : Synthi AKS, voice. Jean-Luc Petit : contrabass clarinet & sopranino saxophone. Makoto Sato : drums. 2016

Benoît Kilian, horizontal big drum. Jean-Luc Petit, contrabass clarinet, alto and sopranino saxophones. Recorded by Antonin Rayon, 2016.

Xavier Camarasa : piano. Jean-Marc Foussat : AKS Synthi, voice. 2017.

Music makes my mind drift uncontrollably. When I saw John Chantler and Johs Lunds perform at Copenhagen’s Mayhem venue I had a vision: I awake suddenly to discover that I have been sleeping on a beach. It’s a rainy early morning and I’m laying on my back in the open on the sand, the hood of my jacket blinding my peripheral vision. I have no idea how I got there and only see grey clouds above and hear the waves and wind. I stare into the sky blinking from light speckles of falling rain, my m…

Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…

Richard Scott’s ‘Several Circles’ is a seamless blend of improvised performances and forensically detailed electronic music that bristles, writhes and grows like some mutated living organism. Recorded between 2013 and 2015 in both Manchester and Berlin, this vital new album is a combination of instant, improvised performances and highly structured acousmatic compositions that have been, in Richard’s own words, “microscopically edited, constructed, layered and mixed over many hours in the studio.…

Thomas Müller (b. 1970 in Munich) is a Berlin-based video artist, experimental musician, painter, and photographer. For an exhibition in 2005, he burned three of his oil paintings and displayed the resulting pile of ashes as a sculpture entitled "three of my favourite pictures". These particular ashes were reused in new paintings, some of which have again been burned to produce further ashes for further paintings. Thus began a cycle of ash-based works entitled "not a bird", ranging from large ca…

Sofa has been following Vilde&Inga since they started playing together back in 2010 and when they contacted us with the music from Silfr, there was no doubt in our minds. On Silfr they continue to develop the remarkable interplay from their first album, Makrofauna (ECM), but this time they turn the level up a couple of notches. On Silfr Vilde&Inga presents chamber music of international caliber. Each piece on the album dives into a microclimate which eventually reveals small musical pearls. The …

Tonal whiplash is a dissonance between tones, a lack of narrative coherence or the evil headache caused by a nonsensical explanation. One might argue that this is the defining characteristic of modern political discourse. Zbeen (Gianluca Favaron and Ennio Mazzon) translates this jarring disconnection into music, daring the listener to locate patterns and linear equations. But the mind is more creative than one might think. The more one plays these tracks, the more one detects some overall…

After crossing wastelands lost in oblivion (Everything Collapse[d], Aagoo, 2014), and being skeptically moved by listening to pulsations of a weak life (Weak Life, Aagoo, 2015), Cristiano Deison and Andrea Gastaldello (aka Mingle) are arriving at their final destination, Innersuface, the last stop on their journey. They suddenly fall into a hole and are trapped in a slimy pit overflowing with mud and industrial liquids. Everything is dense and oppressive. Their physical movement stops, the chaos…

Unsounds is proud to present Anne La Berge’s new piece: RAW. Originally from Stillwater, Minesota and based in Amsterdam, the avant-flutist, improviser and composer has written an open-ended work for ensemble and electronics made up of fragmented gestures and shards of skeletal speech. Ensemble MAZE, of which Anne is a founding member, is performing the piece which was recorded at live at Splendor, in Amsterdam, The Netherlands.“Play noise. Do not play at all. Play melodically.”RAW embraces the …

Wound_Burner is an audio project based on field recordings which took place in various locations in New York, USA, Gotland, Sweden, Rio De Janeiro, Brazil, and the Greek countryside. The project consists of three main parts, and moves along high frequency slow-motion sentimental delirios to heavy bass ambient soundscapes, periodically colored by the voice of the soprano Irini Kyriakidou. Some of the sounds were constructed by using exclusively digital and electronic media. Wound_Burner demo…

A Dutch composer's private synthesizer odyssey, 1977. Andriessen conjures a 'trance symphony' on Minimoog and Rhodes: luminous, minimal and quietly euphoric, drawing on Berlin and Düsseldorf electronics rather than the concert hall.

Bored of working for years on microsounds, crick & crocks, drones and field recordings, Matteo Uggeri launches a new project based on field recordings, drones, crick and crocks, microsounds and ignorant beats. Each of these four tracks is then built using only 1 drone, 1 field recording, 1 sampled drumbeat. Then a lot of effects. Inspired by the letters of Charles Robert Darwin to William Darwin Fox. "I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I…

All songs written & produced by Bi Nostalgia. Recorded & Mixed at the Room, August 1986 excerpt.

Finnish multimedia artist Jan Anderzén returns to Alter in characteristically singular style under his Tomutonttu guise. Kevätjuhla (translated as "Spring Celebration") is his second release for the label following a split 7" with Oneohtrix Point Never in 2010 (ALT02) and his first vinyl long player since 2011. Lately Jan has been busy within visual art, making mosaics, quilts and creating installation work for which the music of Kevätjuhla was initially composed. Inspired by the multitudes of…

Joe McPhee and Ingebrigt Haker Flaten at the Sugar Maple/Okka Fest on Saturday, June 6th, 2015. Joe McPhee - tenor and soprano saxophone. Ingebrigt Haker Flaten - double bass. Recorded live by Dave Zuchowski. Mastered by Martin Siewert in July/August 2016.

Following the death of German trombonist Johannes Bauer in May 2016, Peter Brötzmann decided to pay tribute to the many years of comradery and collaboration he and Bauer shared, from Globe Unity in the '70s to the Peter Brötzmann Group and the Chicago Tentet. This disc presents a previously unreleased recording of a beautiful live duo performance from Osaka, 1997, which had been waiting in Brötzmann's archives for a release. Peter Brötzmann: tenor and alto saxophones, tárogató, B-flat clarinet; …