New Arrivals
Remiscence
Studio Mule present a re-recording of Motohiko Hamase's Remiscence, originally issued in 1986. Remiscence scores a decent prize at online vinyl-selling platforms and it is worth every penny! It's a perfect "refuge from nasty reality", as the glorious British 20jazzfunkgreats blog once said. And it comes from a man that knows his trade: bass playing. An artisan on his instrument, Hamase also wrote many theoretical books in his more than four decades-long career. In the 1970's Hamase was no strang…
Electronic Music from York
On the Creel Pone short-list for easily as long as #200's William S. Fischer title, this 1973 compilation of music, all composed at York University's Electronic Music Studio during the late 60s & early 70s has been a real white whale for ages & ages, until composer Martin Wesley-Smith's personal copy landed (literally) in the lap of the core C.P. cognoscenti earlier this year. Consisting of three sides (1, 3, 5, appearing here as disc one) of music by resident composers, staff, and hangers-on at…
The New Folk Sound Of Terry Callier
Deluxe edition of two180g LP's stored within a glossy gatefold sleeve. Terry Callier conveys the promise and power in The New Folk Sound of Terry Callier. This capturing a young man in his element, his voice and soul, jazz and folk-infused songs timeless. This new version includes five previously unreleased alternate takes(“900 Miles,” “Promenade In Green,” “It’s About Time” and “Be My Woman”) along with two tracks making their vinyl debut (“Jack O’Diamonds” and “Golden Apples of the Sun”), as…
Inside Out
Of all the musicians who attempted to marry modern jazz/rock ideas with
traditional British folk in the late '60s/early '70s, John Martyn was
the most challenging and aggressive. He had others giving him a run for
his money, sure -- Richard Thompson attacked the guitar with Sufi focus
and clarity; Bert Jansch often employed a sharp, metallic edge in his
work; and John Renbourn was capable of guitar maelstroms -- but when it
came down to it, no one was as out-there as Martyn, as experiment…
Bless The Weather
Though his earlier albums had merit, John Martyn truly came into his own with 1971’s Bless the Weather. The bittersweet grace of “Go Easy,” “Back Down the River,” and “Head and Heart” showcase Martyn’s agile folk-blues guitar touch as well as his delicate vocal shadings and sparse lyric style. A brooding Celtic atmosphere hangs over these tracks, reflected in the mellow fatalism of the title tune and the regretful yet accepting outlook of “Let the Good Things Come.” Whatever the feelings express…
Unaccompanied Acoustic Guitar Improvisations Vol. 10 (Art Editio
**Art edition of 100 copies, hand-painted and -drawn by Loren Connors** Before the spectral, romantic electric guitar miniatures for which he is celebrated today, Loren Connors recorded a string of nine solo acoustic guitar improvisations under the name of Loren Mazzacane between 1979 and 1980. The records feature Loren's contorted impressions of Delta and country blues, persistently kneaded into sidelong guitar excursions entangled with wordless, mournful vocal utterances, hummed and moaned in …
Voices of the Air
Voices of the Air offers a fresh songwriting approach from a musician who’s experimentation has been a core aspect of his artistic development. After formally studying piano in his youth, Jon Porras discovered grassroots experimental music and conceptual art during frequent visits to New York in the early 2000s. As half of the duo Barn Owl, Porras composed intricate dual guitar improvisations that would shift and shimmer through multiple mutations within any singular piece. At the same time, his…
Messiah of Evil
**One-off edition of 200 copies. Heavyweight 7" EP** Unreleased before music from the cult 1973 horror film 'Messiah of Evil'. One of the earliest fully electronic feature-film scores, Phillan Bishop's Moog-y mood music for Messiah of Evil is an avant garde suite of modulated shrieks, drones and pulses which whirl a discordant vortex around the bizarre on-screen images. With only three early-70's budget horror movies to his credit, this represents the first release of music by the mysterious Ph…
The Complete Album Collection
An eight-CD box set that brings together the body of music the singer-songwriter recorded between 1966 and 1972. This set includes all seven of Buckley's studio albums from that era, as well as Works In Progress, the 1999's compilation of his 1967/68 recordings. Covering Tim Buckley's brilliant transition from folk to jazz styled material, the Tim Buckley Complete Album Collection (not exactly true as he did two more studio albums after leaving Elektra) gathers Buckley's best material with remas…
Moving Pictures
Inspired by "non-existing atmospheric disturbance" films, Motion Pictures is actually Holger Czukay's quasi-sequel to Movies, his classic 1979 LP. Long recognized as perhaps the oddest and most adventurously minded member of Can, Czukay has created a broad solo catalogue of unfamiliar, adjunct music with a sorcerer's touch. Besides his trusty bass, Czukay has a fascination with--and a master's understanding of--the studio as instrument. His most provocative audio collages are designed via tape s…
Eliane Radigue - L'ecoute virtuose
Eliane Radigue - Virtuoso listening. A film directed by Anaïs Prosaïc. A portrait of Eliane Radigue, the 'Grande Dame' of long duration music. Between 1967 and 2000, Eliane Radigue composed more than twenty pieces of electronic music. She stopped working with the analogic synthesizer in 2001, and now devotes herself to instrumental music, still remaining faithful to the same aesthetics. For a composer who mostly worked alone, to collaborate closely with musicians during the compositional process…
Ultra
**Edition of 200 hand numbered black vinyl copies** Sci-fi soundtrack styles from Swedish synth-fondler Johan Öhman Sollin, landing square between the styles of early 0PN, Hype Williams, and James Ferraro. Marking his debut for iDEAL after more than a decade of trading as Johan Rohbau, Time Deleters, Knife and Ape, Minimen, and Sphinxes for a handful of secretive labels, J.Ö.S. draws from classic pulpy ‘80s cyber-goth and video nasty horror soundtracks for a personalised and totally immersive su…
In Love With The Extreme
Joachim Nordwall and Henrik Rylander pound out a powerful new Saturn And The Sun album on the former’s iDEAL Recordings, following up an album for The Tapeworm and the death of their band, The Skull Defekts, with a monotonous, harsh missive from the cold North. Recorded at the legendary Gothenburg Sound Experiment in 2017, ‘In Love With The Extreme’ finds the duo explorating core influences, consolidating everything from ‘60s minimalism to early techno and tribal musics into a densely textured,…
The 4th Demention
** Edition of 300. Includes an insert with archival photos and a letter from Virgin Records on the cover** Plexi Gladz’s sole available recording — 1981’s Mind Control 7" — spawned a cult hit (Verveling [Boredom]) and over 35 years of intrigue. Who are these people? Rumours circulated that Jo Bogaert (of Technotronic fame) was involved; and artist Harald Thys. But not Siobhan Fahey. In a classic case of Chinese Whispers, Jo Bogaert turned out to be Brussels-based Paul Bogaert who together with J…
Bazuingeschal
Edition of 300. One night, a few years ago, Danish saxophonist Mette Rasmussen blew so extremely hard on her instrument that Dennis Tyfus –– in bed in Belgium, fending off animals in his sleep – woke up with permanent ear and brain damage.Sometime later, Rasmussen travelled to Belgium to record with the afflicted Tyfus. The result is a fruit cake, kneaded with the bloodied hands of a butcher. It sounds like a room but it's pitted with chewy rubber, spat onto a cassette recorder that is playing a…
Oren Ambarchi, crys cole, Leif Elggren
Edition of 300. The only thing Australia, Canada and Sweden have in common is taking in an abstract position in a vague situation! In July 2016, a strong arctic wind blew open the windows that separate the mean streets of Stockholm from the city's legendary EMS Studios. Oren Ambarchi, Crys Cole and Leif Elggren were the only folks present in the studio at that point; not much could be done besides making the best out of a bad situation. Ambarchi burned the studio carpet to stay warm; Cole made a…
We Can’t Be That Far From The Beginning
Tom Halstead and Joe Andrews finally inaugurate their long-in-the-making RR label with this deadly new Raime 12”, a precision-tooled exploration of negative space, sinogrime, found Youtube dialogue and colossal subs. The ghosts of grime, jungle, dub, and industrial musicks run deep with this one, here rendered with perhaps the most shockingly pristine, eye-catching production of their career to date.Following on from ‘Am I Using Content Or Is Content Using Me?’, their 2nd EP of 2018 locates Raim…
Perfekt Termisk
2015 Release, edition of 300. The sound material on this record is made with recordings of internal
sounds found in obsolete media, and sound generators. Sound sources:
Revox reel to reel recorder, Beocord reel to reel
recorder, oscillator, Leader
LFG function generator, metronome, electromagnetic microphones.Perfekt Termisk by Sandra Boss is full of "carefully placed cracks and peeps over a wobbly tape adding another level of transformation. All of the seven pieces are rather sparsely orch…
Test
2015 Release. Jonas Olesen is a Danish experimental composer and the coordinator of the Scandinavian education plan on sound art at Nordic Sound Art. He is back again with the home label BIN and his new album, which it might be defined as “analog-anthological”. Test features some source material, taken from a number of historical test records, and some psycho-acoustical demonstration recordings, including additional parts generated with a LEADER LFG-1300S Function Generator, and processed by an …
EE Head
On EE HEAD Dean Spunt (No Age, Wives, C.R.A.S.H.) presents a musique concrete dish served in four parts. Anchored by the occasional pounding kick drum and microphone feedback, Dean gently weaves a through line across four separate (but eerily familiar) tracks by employing a motion sensor to trigger samples at random. Themes begin to emerge and reverberate out across side A and B like heavily toasted versions of an original song that has been lost or buried by time.The inspiration for this record…