New Arrivals
Stray Voltage
These tracks capture Ra's electronic peregrinations during the 1970s and '80s. The Arkestra occasionally makes a cameo appearance but Ra commands the spotlight, not so much composing music as painting soundscapes with electronic keyboards. In the collection we've titled Stray Voltage, Ra is not so much composing music as painting soundscapes with electronic keyboards. Ra doesn't simply play these consoles — he attacks, cajoles, and pounds them. He upends and transports them where they weren't bu…
Noising Sheng
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, harmony, and conciliation. In the family of Chinese wind instruments, the sheng is a rare member who is able to fix to a certain tune unaffected by playing, and to play multiple notes at the same time. In an ensemble setting, it often functions on the o…
Taipei, Beijing
*60 copies limited edition* Xu Shaoyang makes music about the fragmented beauty of everyday life. Over the years, he has sustained a fresh spirit of amateurism by travelling and performing in many different parts of the world, occasionally as a member of the avant-pop group Maher Shalal Hash Baz. His songs are made of simple tunes, sometimes silly sometimes smart, sometimes delivered with a “backing band” of improvising musicians who he met and collected along the way. Sometimes the karaoke work…
All My Circles Run
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
Barons Court
A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s singular vision reshapes the boundaries of minimalism and ambient music
Let Night Come On Bells End The Day
A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity and a dreamlike sense of presence-minimalism at its most intimate and immersive
Gym Douce
* 200 copies limited edition. Comes with a Risograph pamphlet insert. * Permanent Draft founders Valentina Magaletti and Fanny Chiarello return with Gym Douce, a playful and surreal suite of percussion and spoken word that reimagines the gym as a space for sonic exploration. Across seven inventive tracks, the duo transforms everyday movement into a series of charming, oddball vignettes: “Reverse Fly” is an earworm of processed voice and unruly drum machine claps, while “Curtsy Lounges” veers fro…
Music Written For Monterey 1965, Not Heard, Played In Its Entirety At UCLA
** Rare original copies. Second pressing on Jazz Workshop from the mid '70s (estimated) of this impossible to obtain album, the original issue being available only as a mail-order release. Unplayed copies from a dead-stock, possible wear due to ageing on covers ** On September 25, 1965, at UCLA’s Royce Hall, Charles Mingus took the stage with an octet of some of the most forward-thinking jazz musicians of the era. The occasion was not just any concert, but a determined response to an earlier set…
Ostranenie
Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flatte…
The Might Of Stars Sublime
*300 copies limited edition* The Might of Stars Sublime is Dirk Serries' debut on German label Audiophob. Drawing from his oeuvre and experience in ambient and experimental music, projects like his Microphonics project, "The Might Of Stars Sublime" feels familiar, close to home, but simultaneously creates another dimension in his realm of ambient music. This album leads the listener through a trip of minimalism, a sense of grandeur, a specific harmonic quality and beautiful ambient music which b…
Nuits Sans Nuit
Pierre Bastien and Michel Banabila return with Nuits Sans Nuit, their second collaboration following their Baba Soirée debut from 2023.
Extensions
"Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's "classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz sty…
Night Dreamer
“Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his remaining career. It’s a talented, and somewhat unusual ensemble that Shorter has assembled here. McCoy Tyner and Elvin Jones, at that time, were mostly known for their famous work with Coltrane, but in 1964, when this album was recorded, Tyner and Jon…
Fuchsia Swing Song
"One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron Carter on bass, and Anthony Williams on drums – coming together in a sound that's got lots of sharp edges, yet which also beats with an undeniably swinging heart. Rivers blows incredibly on the session – held in check…
Schizophrenia
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals like ‘Tom Thumb’, ‘Go’, and ‘Miyako’. Recorded on March 10, 1967, at Van Gelder Studios, Englewood Cliffs, New Jersey." - HHV
Poly-Currents (Blue Note Tone Poet Series)
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
Rivbea Live! Series, Volume 3
Track 1 recorded May 21, 1976 at the Wildflowers festival
Track 2 recorded June 20, 1974
Jimmy Lyons - alto saxophone
Karen Borca - bassoon
Hayes Burnett - bass
Henry Letcher - drums
Syd Smart - drums
The Lost Session, Paris 1979
Recorded August 22, 1979 at Campagne Premiere, Paris, France
All compositions by Dave Burrell and Monica Larsson, unless otherwise noted
Dave Burrell - piano
Sam Woodyard - drums
Way of the Breeze
Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan
Motoharu Yoshizawa - homemade electric vertical five strings bass
Kim Dae Hwan - percussion
The Analects Of Confucius
Recorded on 21st October, 2000 at Aoshima Hall, Shizuoka City, Japan
Misha Mengelberg - pianoSabu Toyozumi - drums