New Arrivals
Pluie Fine
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
Mune
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
In Each Day, Something
Eri Yamamoto released two recording in 2008, each of which—in different ways—demanded attention. In a series of duos with friends such as William Parker and Hamid Drake (Duologue), Yamamoto was expansive and free, readily finding ways to play beyond conventional harmony without sacrificing “beautiful” pianism. With her trio (Redwoods), she was more in the pocket, mining vamps and grooves for what they could say about the blues, but always keeping things intelligently sweet. If you’d barely heard…
Sonic brotherhood - DTFP Israel 2009
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
Recurrence
The latest from microsound pioneer and LINE boss Richard Chartier is a re-imagining of probably his best-known work, 2000s ‘Series’, which incidentally was the inaugural LINE release. Since 2011 Chartier has worked on revisiting elements of ‘Series’ and reworking them into ‘Recurrence’, which was intended to be able to be performed in the live environment. One of the drawbacks of ‘Series’ was that its character left it almost ‘unperformable’, so this re-visitation of the source material was out …
Megafauna
Dispenses a sinister frailty of howling swells in hissing static that combusts into crawling shock heaps, to the effect of Mayhem performing Twin Peaks incidentals in a prairie recorded by The KLF. A brief description casts them as black metal's answer to Throbbing Gristle.
La Maieutique De La Quantique
All new Ilitch studio recording! An horrific grandchild springs from the magma: Ilitch'll itch your progadelic scratch with its well manicured talons of fire. This Ilitchian renaissance zigs deep space experimental and zags full metal Zuehl. Electronics chirp and howl like the opening coda of Susperia, then explode into Weidorje intensity fuzz violence, cheered on by a pecussive force that sounds like Mussolini being kicked to death. The shifting interplay between total rockers and extrat…
13 miniatures for Albert Ayler
Would it be that when everything finishes that everything starts? Rather than a postlude or a coda, the five minutes a cappella by Joe McPhee on the tenor saxophone placed here in thirteenth position, sound like a song of love and hope coloured utopia which condenses the invisibility of lives which are here and then are no longer here.from the effervescence of an aviary where chirpings and warbling intersect (from Raphael Imbert, Urs Leimgruber, McPhee, Evan Parker and John Tchicai each sax seem…
Alberto Boccardi
Soundscapes that alternate unstable vibrations of the earth’s surface to static animal references. Acoustic instruments, electronics, voice and field recordings, in the first work by Alberto Boccardi, tell emotional phases grown from the memories but living in the present. The use of sound is purely functional to instinct, and to the desire to define the boundaries of otherwise ephemeral images.Alberto Boccardi (1980) engineer and electronic musician he go…
Oltre
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
SFU 40: Celebrating Electroacoustic Music 1965-2005
Amazing anthology focused on The Electronic Music Studio at Simon Fraser University (SFU) was founded by R Murray Schafer when the university opened in 1965, the third such studio in Canada, after the University of Toronto and McGill University (Montréal). It was located in the basement of the SFU Theatre as part of the Centre for Communication and the Arts. Composers such as Schafer, Anthony Gnazzo, Peter Huse, …
Omni
Kato Hideki (electric bass with prime number tuning, bass synthesizer). Tetuzi Akiyama (prepared electric guitar, electronics). Toshimaru Nakamura (mixer, headphones, electric guitar). Recorded live by Kato Hideki at SuperDeluxe in Tokyo on November 25, 2008. Concert organized by Noda Shigenori Callithump). Live sound engineering by Noribumi Uchida (SuperDeluxe). Mixed and mastered by Kato Hideki at Shadow World Studio in Brooklyn, NY in 2009. 'Time is an essential subject in music. Conventional…
Amber Sea
Duo of Agnes Szelag & Marielle Jakobsons (aka DARWINSBITCH). They create electroacoustic songs on many instruments such as violin, cello, voice, bass, gezhong, piano, & accordian. Their scores are often conceptually or process-driven, resulting in their unique style of electroacoustic music, reminiscent of Scandinavian free folk, lullabies, dramatic film scores, & electronic improvised music
The Ducks Palace
Duck Baker (guitar), Derek Bailey (guitar), Cyro Baptista (percussion), Roswell Rudd (trombone) and John Zorn (alto saxophone) Tracks Improv 1 & 5 recorded at The Knitting Factory New York 1993. Tracks Improv 2,4 & 6 recorded London 2002. Track 3. The Blues recorded at the Outpost Alberquerque 2004. Track 7 Pavement Blues recorded at Tonic New York 2002.
Out of the past
'Featuring Derek Bailey on electric guitar and Steve Noble on drums & cymbals. Recorded in a London studio in February of 1999 and not released until now.'
Wedding ceremony
In May 2007 the sextet of Lucio Capece, Julia Eckhardt, Christian Kesten, Radu Malfatti, Toshimaru Nakamura and Taku Sugimoto convened in Belgium to work together and play two concerts, one in Gent and one in Brussels. During their time together the group played a mixture of improvisation and their own compositions. A number of exciting tensions were present. The contrast between loud and quiet, activity and inactivity and indeed improvisation and composition. Wedding Ceremony ties together many…
The Pattern Prism
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
Lichtung
Lichtung is a collaborative project centered around an audio-visual installation. Sound artists Steve Roden and Rutger Zuydervelt (aka Machinefabriek) composed the audio, while the video element was provided by the German visual artist Sabine Bürger. The Mindelsee Lake, situated just a few hundred yards away from the gallery, became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden res…
Spielt Noise Boys
This is one of the most essential minimal synth wave projects, originally issued in 1980. After that, Stephan Eicher would form the band Grauzone. As a child, particularly with his little brother Martin, Stephan used a multi-track ("made in Eicher" by connecting several cassette machines together) to record little audio theater pieces. He would later organize Dada happenings and concerts, together with a small group of friends who called themselves the Noise Boys. In addition to Stephan on …
Book from Hell
Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…