New Arrivals
Extra space, extra time
'Six tracks. Recorded at the studio of Extrapool in Nijmegen for a series of 'Brombron' project in October 2009. Mixed and produced by Kazuyuki Kishino at Prima Natura Studio.' label info
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands. For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
Grisp
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
Post
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…
Civiltà Paleospaziale
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
Crwth (Chorus Redux)
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier. Loveslies…
Moss
Moss, is a live recording from a unique collaboration by sound artists/musicians Molly Berg, Olivia Block, Steve Roden and Stephen Vitiello. This was a midnight concert at the beautiful Trinity Cathedral in San Jose, CA which was part of the 01SJ Biennial. Olivia and Steve had performed solo sets on the previous nights. The final night was meant to be a duo with Molly and Stephen but the opportunity to play with musicians/friends who we admire so much called out for an invitation to play …
Cubic Yellow
early solo album of Luigi Archetti (GURU GURU, TIERE DER NACHT). Featuring; Dieter Moebius (CLUSTER),and HUBL.G! Japan press only. ".. this exceptional downtempo electronica album with hoovering swells that sound like Dom & Roland played at 33 1/3 rpm instead of 45 along with skittering breakbeats not unlike a stripped down Amon Tobin. Fans of Biosphere or The Orb should definitely take note of this one!!!" - aquarius.
Rastakraut Pasta
1st release from the duo of Dieter Moebius & Conny Plank, originally released on Sky Records in 1980. As the title suggests, this album is heavily influenced by dug & reggae & those rhythms are incorporated into the ambient space-rock one would expect from these German pioneers of Kosmische musik.
The 4th world
"The 4th World is The Work's long-lost, never before issued, very last album, from 1994. Succeeding See by some two years, it shares that album's aesthetics and approach - an economy of means, and superior song-writing/ playing - even when compared to their earlier albums. One wouldn't guess it was recorded live at a gig in Breisgau, because the sound is, quite honestly, superlative, and is even better than any of their studio albums. The original, mono recordings (by Volkmar Miedtke) were metic…
The Ominous
Jacob is the new project by David Cordero (Úrsula) and Marco Serrato (Orthodox). The duo first collaborated on the arrangements that would become the Emma soundtrack. With a mutual love for sci fi and horror films, Jacob push their dark sonics further on The Ominous, a piece for el cine de la mente. Atonal, dissonant string scrapes meld together in discomforting walls of noise, while hidden forces project an ambiguous malignance lurking in the deep fog. Bleak atmospheres and an abyss of s…
Luz Azul
Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
Postepeno
poSTepeno is inspired by a multi-part collage created circa 1890 by an anonymous schizophrenic patient (known only as Frau ST) at the Viennese Oberdöbling asylum. The compositions (for piano and sine tones) morph musicalthemes through continual microtonal modifications. Sine tones are unstable, but nevertheless they consistently keep their individual frequency direction (up or down). In the chordal sense, the distance between the tones is subject to alteration. In this way the harmonic indicatio…
Townsville
The Necks in quiet mood recorded at a concert recording in Townsville, Thuringowa, Northern Queensland. Though many Necks' pieces open with - or eventually arrive at - some discernable groove, Townsville just floats in a state of suspension from beginning to end. It's like watching the ocean as wave follows wave follows wave: each the same; each different; assymetric. Bassist Lloyd Swanton who, on this occasion, provides the motif that set Townsville running says he had had no idea where it woul…
Kuopio
With “Kuopio”, Raster-Noton releases the second full length album by Vladislav Delay aka Sasu Ripatti. The record features eight new songs which allow the listener to dive into Delay’s cosmos of deep and likewise organic sounds. Subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density. Progressive and energetic rhythms play an important role as already indicated in hi…
Asleep On The Floodplain
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
The beauty is the thing
The trio of pianist Aki Takase, guitarist/daxophonist Kazuhisa Uchihashi, and trumpeter Axel Dorner in an exploration of informed and exquisite dialog in acoustic and electric improvisation. This trio's musical inspirations give birth to an amazing, extraordinary, mind-boggling mandala of sound. It's an extreme sound that could only be achieved by people engaged in the ultimate sonic and musical explorations. Surrender yourself to the joyful sounds coming out of the left and right speaker…
Folk Roots, New Routes
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Critical Path
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…
New Music For Old Instruments
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …