New Arrivals
Restless In Pieces
* 2021 Stock * Instant Composers Pool presents Restless In Pieces, a studio session performed by ICP Orchestra. Recorded October 21 & 22, 2015 by Kasper Frenkel, Electric Monkey Studio, Amsterdam. Mixed and Mastered February 9th, 2016 by Micha de Kanter, Mideka Music, the Hague. Ab Baars clarinet, saxophones; Michael Moore clarinet, saxophones; Tobias Delius clarinet, tenor saxophone; Thomas Heberer cornet, trumpet; Wolter Wierbos trombone; Mary Oliver violin, viola; Tristan Honsinger cello, voc…
Goede Reis !
Instant Composers Pool presents Goede Reis !. All music composed by Oscar Jan Hoogland and Han Bennink except Hornin’ In, Epistrophy and Ugly Beauty by Thelonious Monk, Peer’s Counting Song by Misha Mengelberg, Aanhanghuis by Oscar Jan Hoogland, Rhythm Three by Cor Fuhler and Fleruette Africaine by Duke Ellington. Recorded & Mixed by Marc Schots at Bimhuis, Amsterdam August 13th 2020. Artwork by Han Bennink. Photo artwork by Pieter Boersma. Graphic Design by Emma Fischer.
Flute and Bass
Kairos presents Flute and Bass, a Bernhard Lang's composition performed by Manuel Zurria on Flute and Dario Calderone on double-bass. Recording Date: 4 Nov 2018 & 16 May 2020. Recording Venue: tudioZ, Amsterdam/Netherlands. The work of Austrian composer Bernhard Lang (b. 1957) is difficult to fit into any one musical category. His oeuvre references a wide variety of musical styles and genres, ranging from free jazz and improvisation to hip hop and DJ culture. The three works on this release show…
PM016 - 2020 Remaster
* Edition of 300 * Arbitrary presents the 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson. Originally released as limited edition C30 tape on Plant Migration Records in 2014, the four pieces on Nielsen’s first solo release are based on short orchestral and percussive samples manipulated by various synthesizer modules and effects processors. Variations are created by emphasizing different f…
In This Lingering Twilight Sparkle
* Edition of 500. Pink vinyl, with printed inner sleeve * ‘In This Lingering Twilight Sparkle’ finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror that will make you question... stuff. “In the Age before These Times I’d been reading lots of folklore about Fairies, and Changelings and the …
Monkey Cop
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
Snowcone
** 2021 Stock ** Caracol Carnívoro make nightmare music on acoustic instruments. The modified alto saxophone and double bass make for an extremely unbalanced duo with a twisted sense of humor. Both natives of Los Angeles, Martín Escalante and Oliver Steinberg met online through a craig's list want ad. Martín has lived most of his life in Guanajuato, Mexico, working on film and photography jobs, while Oliver lives and works as a professional musician in LA. Their music is cathartic, ritualistic, …
Torn Ham 01212019
Sploosh Records presents Torn Ham 01212019 by Caracol Carnívoro. Mastered by Weasel Walter. Art by Ian Steele.
Jesse Ward – GuitarOliver Steinberg – BassMartín Escalante – Sax
Knuttel House
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
Ftarri
Sploosh Records presents Ftarri by Riuichi Daijo, Martín Escalante and Yuma Takeshita. Recorded live at Ftarri on 06/08/19. Special thanks to Toshimaru Nakamura. Art and design by Everardo Felipe. Mastered by Skaset.
Riuichi Daijo: guitarYuma Takeshita: electro-bassMartín Escalante: sax
Martín Escalante and Eloe Omoe
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
Succession of Timbres With one Partial in Common
Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition. In 2016, Sébastien Roux presents Succession of timbres with one partial in common as part of the exhibition Max Feed – Work and Heritage of Max Neuhaus, organized by Daniele Balit at Frac Franche-Comté. The title refers to and summarizes two sentences written by Neuhaus in the text that accompanies the drawing, and thus immediately reveals the influence of the Southwest St…
Thèses/Voix
* French Edition * A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.
Alessandro Bosetti (born 1973 in Milan, lives and works in Marseille) is a composer and sound artist who focuses is in the fringe area between spoken language and music, working on the musicality of spoken words and unusual aspects of spoken communication, producing te…
I Belong To A World That's Destroying Itself
* 2021 Stock * Ironic Records presents I Belong To A World That's Destroying Itself (Aka Revenge) by Annette Peacock. Recorded simultaneously live at various studios in New York, 1968. Annette Peacock gets it right again. In the lyric booklet here she writes "This is my first record. It was the right album, in the wrong century." Startling but true. An earlier version of I Belong to a World That's Destroying Itself was released as Revenge by Polydor in 1971 - the same year as her classic I'm the…
No Love is Sorrow
ESP Disk presents the third solo album 'No Love Is Sorrow' by Buck Curran (of the duo Arborea). Buck Curran - vocals, acoustic and electric guitars, Ebow, piano. Adele Pappalardo - additional vocals. Dipak Kumar Chakraborty - Tabla on Blue Raga. Mastered by Harris Newman at Grey Market Mastering, Montreal. Album cover photo and layout - Sarp Tuncer.
Whistling Kettle Quartet
* 2021 Stock. Last copies. * A singularly brilliant work for baritone, tenor, contralto & soprano whistling kettles from this unpredictable Argentinian collective Reynols seems to be more active than ever. Responsible for a bunch of highly conceptual projects such as the '10.000-chicken Symphony', 'BlanTapes', 'Fire Music', 'Reynols Plays the Eiffel Tower', etc. this sound-art piece redefines a traditional format in classical music, 'the quartet', in order to expand its boundaries and possibilit…
Namely
If an artists’ work is a composite of influences from others, Beth Anderson’s Namely inverts that notion, creating a work from the names themselves of her influencers. The album consists of 65 short pieces, each using the name of one of Anderson’s varied influences as source material. Anderson applies a generative procedure to each name to create a text-sound poem that is performed as a vocal piece by the composer.
The collection of names reveals the intermedia nature of Anderson’s work — from t…
SMDSii
** Edition of 150. 2021 Stock ** There are two ways to use sound: in one way sound is close to music, however, it is also close to sculpture. In fact, it is not the medium that’s important but that you have a beginning and an end and that you can move around in the space. Noise is a material aspect of sound. SMDSii is an exploration of noise, space and time - as they are constituted formally through sound as well as through the tangential relations within and between audiences and the practice o…
Voor Harmonium
** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
Temidden Laaghangende Wolken
** Edition of 250 ** The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions. On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum duri…