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*2022 stock* An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory’s latest release. This two track 12” highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.
Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found…
*In process of stocking* It takes several different record labels just to release the incredible amount of material Bryn Jones recorded in his lifetime. This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixs of tracks from Systemwide's "Sirius" cd (see also Systemwide meets Muslimgauze "at the City of the Dead" 12"). Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is…
*120 copies limited edition. In process of stocking* Produced & assembled by Jean Néant: SP-404 x tsss tapes 1-29 (& a few other samples). Dedicated to beloved drummer, Joni Sadler. Thank you to Francesco & the label's artistsss
*100 copies limited edition. In process of stocking* Declan Synnott is a Wexford-born, Cork-based musician, prodigiously active in the Irish underground since the mid-2000's. Current activities include noise/dirge-rock Band of Synnotts Síoraí Geimhreadh, hardcore arm wrestling champions Horse, synth noise project Mvestle, insurrectionary electronic duo Bodycam, and no-fi noise trio Power Acoustics. In his solo guise, he makes primarily analogue synthesiser based music with an emphasis on low res…
*In process of stocking* Recording of the premiere performance of the "Weihnachtsoratorium" (Christmas Oratorio), an organ concert composed and played by the four hands of Daniel Löwenbrück & Fabian Löwenbrück. Performed December 26th, 2006 on the Hugo Meyer organ of the Evangelische Kirche in Lebach, Germany.
*In process of stocking* "I go out every day with a tape recorder and a new tape all the time, i record daily things, but i also give it a little break every now and again and switch tools to my super 8 camera or drawing or collages etc, and come back to tape recording with fresh perspective and new ideas etc, for this album its a mix of different things, the first two tracks were part of a five song recording i made in june 2022 using an amp and sk-1 keyboard, and microphone, i came up with lyr…
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…
*In process of stocking* Anti-counter culture loner folk from a teenage attic in the heart of rural Northern hippiedom. "This is music that can confidently hold its own with pioneers such as Davey Graham, Michael Chapman, Bert Jansch and Jackson C Frank, as influenced by jazz, blues and steel guitar as any of the old songbook classics from ancient Albion.” - Benjamin Myers
Today the valley town of Hebden Bridge in West Yorkshire is world-renowned as something of a bohemian backwater. It wasn’t l…
This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…
*In process of stocking* Mauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin. Grande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said: “...In the beginning of the pandemic we decided to take a turn a…
From a research work started in full lockdown three years ago, finally sees the light (or darkness) Echi Senza Fine, a remastered collection of sound material by Tasaday.
*2022 stock* "Avant-garde jazz fans should immediately press play below; trust me, you’ll thank me later." - Scott Murphy
Valerio Zucca Paul: ElectronicsCristina Trotto Gatta: VoiceDiego Rosso: DrumsAndrea Chiuni: Bass and VoiceAlessandro Cartolari: Baritone and Alto Sax
Music by Masche Lyrics by Cristina Trotto Gatta Recorded live on 16 December 2017 in Perosa Canavese (TO) by Alessandro Cartolari and Valerio Zucca Paul. Mixed by Valerio Zucca Paul These record sessions have been inspired by "l…
*2022 stock* 'He took off his earphones. Around him only fog and no sound. Where had the countryside gone? In his ears the music he had been listening to persisted. The final exploration on the piano tailpiece in search of rhythm and resonance still dilated time and space. In that music the grey that now surrounded him was not there. He had 'heard' and glimpsed yellow, red, sometimes ochre, blue, black (the shiny black of the piano, to be precise). He resumed walking, and with his steps, his tho…
*2022 stock* 'Massimo Giuntoli often combines classical and popular music in a way that remains accessible while clearly being avant-garde. On his latest album, he has set poems from American Paris expatriate Gertrude Stein’s 1914 collection “Tender Buttons” to music. Or maybe I should say: to piano. There is really not much else here than a rather harsh sounding piano (although there are a few other keyboard sounds) and Massimo’s voice, sometimes in splendid solitude; sometimes in dialogue with…
Tip! *Silkscreen printed cover. Limited edition of 200 copies. Totally sold out at source * Choking hazard: An extra heavy portion of greasy & salty vegetarian freedom music! Ho Chi Moon breaks free from all jazz tradition, including the free jazz tradition. Psychedelic, poetic, ass-kicking, soothing, painful, ecstatic & inconsolable. Tasty & nutritious. Too unhealthy for everyday consumption, yet perfect for special occasions of self-indulgence. Killer stuff!
‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug W…
*2022 stock. In process of stocking* 'It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well-known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well-known in European jazz circles. With Lewis on piano, Distel on guitar…
*2022 stock. In process of stocking* “One of the first true moments of genius from saxophonist Nathan Davis – originally released in the mid 60s for the tiny SFP label – and a record that’s even rarer than his early classics for MPS! The sound here is similar to the MPS sides – a mixture of soul jazz and modal jazz – served up with a bit more freedoms than Davis might have gotten on the US scene, and featuring a lineup that includes Woody Shaw on trumpet, Jean-Louis Chautemps on baritone sax, Re…