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Mary Jane Leach (b 1949) explores the physicality of sound, working very carefully with the timbres of instruments, creating combination, difference, and interference tones. The use of sound phenomena, however, is only a means to an end, the ultimate goal being musicality.
Early music, with its imitative polyphony and modal harmonies, is the primary source of inspiration for the compositions on this disc, four of which are part of an ongoing project focusing on the myth of Ariadne-Ariadnes Lam…
restocked: The music comprising John Bischoff’s new CD ‘Audio Combine’, just released on New World Records, is beautiful, fascinating, thoroughly enjoyable. Philip Perkins’s engineering and production values are superb.The five tracks on the disc are diverse, representing Bischoff compositions from 2004 to mid-2011. The third track ‘Local Color’ evokes traditional chinese zhong bells, but also especially calls into question the ‘who’ of music performance [in asmuch as some of the bells are compu…
This double-CD set combines two of the key titles of Columbia Records's
legendary "Music of Our Time" series curated by David Behrman. Jeanne
Kirstein's recording of Cage's early keyboard works remains a touchstone
of Cagean interpretation notwithstanding the passage of time. Christian
Wolff recalls, "I remember Cage saying that Jeanne Kirstein's playing
caught the spirit in which the pieces were written at the time he wrote
them-a kind of simple excitement and enthusiasm (also, surely, ou…
Lou Harrison believed fervently in music’s power to create cultural bridges. To this end he applied his prodigious skills and creative energies to creating syncretic works that link diverse musical languages. Faulted at times for his eclecticism, Harrison responded with a vibrant defense of hybridity, cultivating a musical multiculturalism long before that term—or even the concept—held the currency it now enjoys. Harrison’s major contributions to twentieth-century American music lie in three mai…
This long-awaited reissue of the CRI recording of Earle Brown’s (1926–2002) music is the best overview of his seminal early works. “It is obviously a great pleasure for me that Cri is re-releasing its 1974 recording of my work, and an even greater pleasure that I am able to add to the repertoire. The performance of Times Five and Novara still seem very fine representations of the works and are performed brilliantly by the Dutch musicians. December 1952 as realized by the late, brilliant pianist …
Harry Partch’s compositions of the 1940s have remained until recently an unwritten chapter in the history of American music. And yet it was these very pieces—the collection of four works he would later collectively entitle The Wayward—that brought him to the attention of the New York musical world. His concert of these pieces for the League of Composers established for him a small but permanent reputation as a musical maverick who had wandered off well-worn tracks and had developed a sort of lat…
Meticulously remastered from the original mono master tapes! The Bewitched was Harry Partch’s first work solely intended for dance (and mime-dance at that; he was not overly enamored in his lifetime of so-called “modern dance”). Drawing heavily from his deep affection for the music-theatrical performance traditions of Greek theater, as well as those from Africa, Bali, and Chinese opera, Partch conceived of a contemporary American music ritual-theater where musicians not only play, but also funct…
Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes.
Noguès, deeply rooted in Breton music y…
2025 stock Divine Madness is a captivating archival release from the visionary Russian composer and pianist Sergey Kuryokhin, presented by Old Heaven Books. This collection spans four tapes, offering a rare glimpse into Kuryokhin’s experimental genius, where avant-garde jazz, improvisation, and electronic experimentation collide. Known for his fearless creativity and theatrical performances, Kuryokhin’s work here embodies the raw, unbridled energy of his artistry—sometimes chaotic, always mesmer…
2025 stock "The Box" is a collection of the earliest and perhaps most cherished recordings by UK producer Dennis Huddleston, better known as 36. Written between 2005 and 2012, it compiles the albums Hypersona (2009), Hollow (2010) and Lithea (2012) into a 6LP boxset, alongside a bonus LP of exclusive and unreleased tracks titled Orphans. Originally written as a triptych, The Box showcases an incredibly eclectic, deeply emotional range of tracks, bridged together by that optimistic melancholy, wh…
*2025 stock* Born in 1945, Guo Yongzhang has performed zhuizi, a traditional Chinese style of narrative singing, for half a century. An artform whose history spans over a century, zhuizi originated in Henan province. Its main musical instruments are the zhuihu, a two-stringed bowed lute, and the zhuibang, a wooden percussion played with foot tapping. Almost completely blind, Guo Yongzhang is known for his peculiar, resounding yet smooth vocal style. He sings with deep feelings and great verve. L…
2025 stock After his self imposed exile from the global world music niche, Mamer found his stage at Shenzhen’s two annual music festivals – Tomorrow Festival and OCT-LOFT Jazz Festival – curated by his loyal friend and supporter Tu Fei, who would always reserve at least one set for Mamer’s newest sonic experimentations. Mamer’s most recent album Faintish Radiation documents his full performances of solo improvisation at the seventh (2017) and eighth (2018) OCT-LOFT Jazz Festivals, in which he pe…
2025 stock Deng Boyu is a drummer originally from Inner Mongolia whose work covers a wide range of different styles including rock, jazz, noise and free improvisation. Since the late-1990s, Deng Boyu has been active in the Chinese music underground, participating in numerous bands and projects, notably Dawanggang, Wu Tiao Ren, Yerboli, and Hai Qing. One of China’s most prominent improvisers on the drums, Deng Boyu has performed with musicians both in and out of China, including Xiao He, Wu Na, M…
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
2025 stock Ben Bo Er Ba & Ba Bo Er Ben(BBB & BBB)is an ever-changing, fascinating duo. Quirky Pipa and spiritual flute are the backbone, the two artists also randomly utilize all kinds of instrument they like, wandering freely in the musical realm, breaking and reconstructing the atmosphere. Their music may be a spell, a password, or perhaps a tongue-twister: ben ben bo bo, bo ben, bo ben bo, ben ba, bo ba, bo ba... Feel free to carry on “ben bo”ing.
Tip! Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused. I was and still am in memory, …
*2025 stock* These are live recordings of Nikhil Banerjee at KPFA Radio in Berkeley, California, on the 9th of July, 1967. It is for the first time they are made into vinyl record and published in China. The original recordings were on two reel-to-reel tapes. In 1988, American record label Raga Records released the recordings on both CD and cassette. Until a few years ago, it was by chance that producer Tu Fei got hold of these reel-to-reel tapes and decided to release this vinyl version, hoping…
Huge Tip! Deluxe LP edition, comes with a 8-page insert .This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered exceptional mixi…
2025 stock “Regarding the title of the album what I found by looking further is ‘Inside Out’. To explain in a few words from Hungarian: at the base, there is ‘itt’ = ‘here’, and ‘ott’ = ‘there’. From ‘itt’ derives ‘ide’ = ‘from there to here’, from ‘ott’ follows ‘oda’ = ‘from here to there’, so there is a dynamic in ‘ide’, which there is not in ‘itt’, which is stable. ‘Kint’ is ‘outside’. ‘Idekint' therefore means, that we are outside and we invite to be outside (while ‘Odakint’ would mean that …
Originally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by Lupo.
These evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, …