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2025 stock Cobham's debut record after making a name for himself collaborating with Miles Davis and the Mahavishnu Orchestra remains a remarkable moment in progressive jazz. "Stratus" would later be sampled on Massive Attack's "Safe From Harm" and featured in Grand Theft Auto IV radio.
Laurie Anderson and Kronos Quartet's Landfall, inspired by her experience of Hurricane Sandy, is the first collaboration between the iconic storyteller/musician and the groundbreaking string quartet, who perform together on the recording. Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson\'s powerful descriptions of loss, from water-logged pianos to disappearing animal species to Dutch karaoke bars. The Washington Post calls it "riveting, gorgeous."
*Comes with Obi strip* “Next Millennium Vibrations” drifts through warped tape loops, ambient zones and sampled oriental percussion with comical electronics, conjuring a surreal, meditative and disorienting atmosphere. Mako weaves fractured beats with ethereal melodies, blending kosmische, lo-fi psychedelia, and avant-garde experimentation.
More Eaze and Claire Rousay’s collaborations are effortlessly joyful, their music evoking the warmth and respect they have for each other. Their bond goes back to their youthful hometown of San Antonio, Texas where they played in country outfits and noise rock bands respectively, and each pushed their music to extend beyond the traditions and conventions of genre. more eaze (the moniker of violinist/multi-instrumentalist mari maurice) and rousay have spent the past decade pushing boundaries, sta…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Return of the great American jazz trio that delivered the poll-topping "Nothing Ever Was, Anyway" in 1997. Material heard on "Amaryllis" is by turns thoughtful, touching, joyous and viscerally exciting. Some of the songs are well known – almost classics of new jazz – including Crispell’s "Rounds", Peacock’s "Requiem" and "December Wings, Motian’s "Conception Vessel". There are also a number of startlingly effective free improvised ballads. As leader Marilyn Crispell says, "There’s a great depth …
From the very first note, Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum (the Icelandic word for “write”) takes things a step further. With the aid of electronic audio tool the Spektrafon, which he helped develop, Balke is now able to directly manipulate ambient audio sound from the piano while playing –…
Pianist François Couturier and violinist Dominique Pifarély, major figures in French improvisation, have played together in many projects over the last 30 years, including their duo, which made its recording debut for ECM with the remarkable Poros in 1997. Preludes and Songs, carries the story forward, with its programme including music by both players as well as pieces by Jacques Brel, Duke Ellington, George Gershwin and J.J. Johnson. With sensibilities informed by jazz and contemporary composi…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
*2025 stock * A holy grail! This is one of Marcos Valle's best-ever albums – and it's certainly the one to best realize the larger scope he was heading for in the years after the bossa – that sublime mix of jazz and more expansive arrangements – a perfect fit for the growing sophistication of Valle's songwriting. The record is fantastic – done with a sweeping sound that still leaves us breathless after all these years – and put together with an approach to composition that is virtually indescrib…
*2025 stock* A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots of great Brazilian bits mixed up with funk and jazz touches – including a range of great keyboards handled by Donato himself! Drums are by the mighty Wilson Das Neves – who brings in some breaks at a few poi…
Invictam represents Olivia Font’s solo debut, an album co-produced with producer and composer Pedro Vian, set to be released in early 2025 under his label, Modern Obscure Music. This work explores themes of resilience and adaptation after loss, developing these ideas through a sonic journey that blends strings, analog synthesizers, electronics, and experimental percussion. The narrative is guided by a female voice, which, although not the central element, appears intermittently throughout the al…
Tip! *100 copies limited edition* Created in 2021-2022 at ‘mobile messor’ (Bologna, Tenerife, Dalvik, Den Haag, Bangkok), ‘Dune Studio’ (Loosduinen), and ‘Hundred Islands Studios’ (Rosclave enclave). Pieces created with original environmental sound matter recorded in: - untitled #398: Macizo de Teno and Macizo de Anaga (Tenerife, Spain), 2020. - untitled #412: Mlawula Nature Reserve (Eswatini - former Swaziland), 2011. - untitled #411: Negev Desert, Dead Sea and Golan Heights (Israel), 2008-2009…
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
*199 copies limited edition* Originally released in 1987, this album stands as a defining statement of the Japanese noise and industrial music scene - an unrelenting fusion of harsh and heavy electronics paired with mechanized rhythms. The brainchild of Ichiro Tsuji, Dissecting Table’s sonic assault exists in the same lineage as the dystopian brutality of Whitehouse, the mechanical terror of early SPK and the raw sonic deconstruction of early Einstürzende Neubauten. At the crossroads of noise, i…
2025 stock To mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series. A 1-LP mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-LP stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl…
*100 copies limited edition* Totally concentrated, this album captures the birth of new ideas almost every minute – each emerging, disappearing instantly, and making way for the next. Reminiscent of Elliott Sharp’s 'Phlogiston' and the works of Roland Kayn, it balances mystique with accessibility. A masterpiece and a true classic of electronic music.