New Arrivals

Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…

A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…

Essential collection from this strange and obscure early 80s electronic noise project."One-man industrial outfit, Deviation Social left a scar on the face of the American 80′s experimental/noise scene that has mysteriously been left to legend and rumor. Dais previously released the first authorized reissue of Deviation Social's compilation tracks dating back from the early '80s. Here within, Volume 2 compiles the two proper 'studio' releases of Deviation Social's checkered past. The destruct…

It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…

Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…

2014 repress, Recollections GRM presents four "forgotten" and compelling electro-acoustic pieces from the institute's world famous archive. Recollection GRM, a label within the Editions Mego family of labels, offers a second selection from the vast archives of Groupe De Recherches Musicales (GRM). "The idea of the Traces series is to unearth from the GRM Archives short, forgotten, or ignored pieces of music. This second volume, which gathers works prior to 1976, features the 'early' works of f…

PAN's first release of 2013 is an epic plunderphonic simulation recommended to followers of Thought Broadcast, Wanda Group, Ghédalia Tazartès. Mastered and cut by Rashad Becker at D&M, pressed on 140g vinyl and packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas** PAN's first move on 2013 is a psychedelic, plunderphonic concrète collage by Athens-based artist Jar Moff. 'Commercial Mouth' is perhaps best aligned …

Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act. William Hutson began recording and performing as Rale in 2006. He …

'Nocturnes' is William Basinski's first new solo recording release in four years. It comprises two typically sanguine, extended compositions; 'Nocturnes' written between 1979-80 during his post-grad period in San Francisco, and 'The Trail Of Tears' recorded in 2009 for the Robert Wilson opera, 'The Life and Death of Marina Abramovich'. If there's any one way to measure the efficacy of his music, it's by how drowsy one feels after consumption. We could either do with a snooze or a strong c…

Continuing on from last years reissue of the first Aritomo LP, here we have Aritomo's second LP, 'Blooming The Ena' which was previously issued on his own private Hakanairo label in 2007. It was housed in a brown card sleeve with paste on artwork on the front and back with an insert in an edition of only 200 copies. This original pressing is impossible to find now. This reissue has a pro printed cover reproducing the original cover art as the private press edition and a 4 page insert printed ont…

Tape-warped phantom band Rangers finally unleash the lush, soaring, expansive prog-pop opus we always knew was floating inside the fretboard (and imagination) of multi-instrumentalist mystery maestro Joe Knight. The north Dallas-raised, San Fran-residing head Ranger grew up taking classical guitar lessons from a dude who claimed to have 'toured with the Dead,' and some of that brain-wonked jam agenda obviously seeped into the young Knight, who began recording his own loose, lo-fi jangle s…

Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…

Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a form…

M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…

The collaboration between Israeli electronic musician Shay Nassi and German media artist Nicolas Wiese began in 2008, with the exchange of some raw recordings of feedbacks and everyday objects, via internet. During the following years, several compositional sketches have been sent back and forth and so have been refined step by step, in multiple sonic layering and construction processes. The result is a 45-minute-long collection of dense, dynamic, ambiguos and twisted atmospheric pieces which ca…

beatiful single, housed in a deluxe cover, ultra limited

In the early 80s Paolo Bandera was a founder (along with Eraldo Bernocchi) of the monumental collective post-industrial Sigillum S. In 1993 he created his solo project SSHE Retina Stimulants ("Super Sound High Energy" Retina Stimulants), devoting himself to sharpen the edges of concepts and noise extremes. Krionika Soshiki is one of his most representative works of the first period of solo activities. The six tracks run through subliminal arenas, with flows and ideas collapsed to state of …

Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…

few copies available - creen printed & hand numbered mail-order only edition of 500, sold out at source. Weight Of Accumulation contains two long magnifications of a piece that has been performed, in various versions, in Berlin, Amsterdam, Brooklyn and Seattle. This work is based on John Coltrane's composition Living Space. "Moving from minimalism to free jazz for inspiration, this new album by Eleh is inspired by the later period of John Coltrane’s career. Although elements of these two pieces …

"(no thing-ness)" comes hot on the heels of Brian Pyle’s latest highly acclaimed Ensemble Economique album on the Not Not Fun label. While "The Fever Logic L.P." saw him head diving into a sort of ambient goth pop this brand new 12“ appears to be more influenced by industrial, almost EBM-ish textures. The atmosphere seems more aggressive with an almost militaristic touch, and titles like "New Banking System" hint at the source of this anger. Combined with Pyle’s cinematic tension this makes for …