New Arrivals
Bruder Luzifer
23 Track CD Anthology. For three decades Hamburg's Felix Kubin operated as an undercover Sci-Fi pop visionary. Lurching from seasick electronics to dramatic outsider songcraft, the highlights of Kubin's engaging teenage experiments (Krematorien) and later pop masterworks (Lightning Strikes) mingle here with electrified spaghetti-western romps (Sabàta) and terminal noise-spasms (Dead End Brain). Lovingly curated, this deluxe collector's edition features exclusive liner notes, unpublished p…
Dispersal Patterns
Collaborating since 2004, Dispersal Patterns is Bach and Kannenberg's second joint project. Departing from their earlier emphasis on systems and graphic notation, they here rely on intuitive communication as they weave two improvised soundscapes from quiet field recordings, analogue instrumentation, digital synthesis, found sounds and minimal signal manipulations. Bach and Kannenberg have previously explored concepts of place, soundscape and transmission in their first collaboration, Two …
Huge
Following the critical acclaim which has greeted EP 1 Bloom, Die Stadt and Janet Records are proud to announce that Huge EP 2 in the 'Neither Speak Nor Remain Silent' limited edition series by Fovea Hex is out. Fovea Hex continues to shape-shift and to evade & confound those who bray 'what exactly IS it?,' and 'where does it BELONG exactly?,' and 'who exactly belongs to IT?'. If you must bang on the table like that, you won't hear a thing. If this music can be described as 'up-to-the-momen…
Rastakraut Pasta
1st release from the duo of Dieter Moebius & Conny Plank, originally released on Sky Records in 1980. As the title suggests, this album is heavily influenced by dug & reggae & those rhythms are incorporated into the ambient space-rock one would expect from these German pioneers of Kosmische musik.
Boca Negra
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
Protocol
Released October 2012. Chip Shop Music (Erik Carlsson, percussion, Martin Küchen, baritone & alto saxophones, radio, David Lacey, percussion, electronics, Paul Vogel: computer, clarinet) + Toshimaru Nakamura (no-input mixing board). Live 2009 in Ireland.
Luminous Night
CD edition: Luminous Night is the first set of new Six Organs Of Admittance material to leap forth from Ben Chasnys' cerebral cortex in 18 months, and what a joy it is. With the release of odds-and-sods collection RTZ earlier in the year there to bridge the gap between 2007s Shelter From The Ash it doesn't seem like he's been away for long per se but for serious Chasny-heads a new album is something to get pretty excited about and with his other musical outlet Comets On Fire either on extended h…
Hunting the Snake
2012 repress, originally issued pre-9/11. "Astounding 1975 Radio Bremen session from Germany -- never before released, by one of the greatest working bands in the history of European improvised music is offered for your consideration on Hunting The Snake. How can you lose? This all-star ensemble features Alexander von Schlippenbach on piano, Evan Parker on saxophones, Peter Kowald on bass, and Paul Lovens on drums and singing saw. A brilliant, previously unreleased 77 minute program fr…
Field
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
Cherlokalate
Effervescent songbird JANE WEAVE unveils a canon of femme-folk, laden with finger picked meandering melodies, ethereal harmonies and wistful leanings. In the same vei as acid folk such as Linda Perhacs and Karen Dalton, this decade spanning collection traces a line between the acid-soaked protest rumblings of yesteryear and the forward/backward facing revivalists of today.
Simple Psychedelic Pleasures
I love the Tadpoles, a quintessential American psych band, so chances are I was going to be all over David Max’s solo platter when I heard about it. And I am. I don’t want to go on and on with endless comparisons with his work with the Tadpoles because much of that is obvious. Let me just say that maybe its sort of another tentacle from the body of the Tadpoles; sprung from it, indebted to it, but operating with a mind of its own. And name-checking all of David’s influences, though tempting and …
Port Out Starboard Home
Some bands produce a CD every week; by now it seems 'normal' to have three year gaps in releasing records for Beequeen, which is a fresh antidote to the music business of more = more. For Beequeen, like good wine, things mature given more time. Whereas 'Sandancing' (2008) featured Olga Wallis a guest singer, on this new album she's a fully fledged bandmember, adding her beautiful voice to Beequeen's off beat songs. 'Port Out Starboard Home' features surreal dream-pop, but always with that unique…
New Music For Old Instruments
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …
Point Break
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
Book Of Angels Volume 13
Four exotic and talented women doing the Book of Angels. A capella. “Mycale” is definitely not my favorite entry in the already 13 albums long series (even though I only have half of those yet), but it is an entirely new approach to the material and therefore about as fresh and original as I suspect it can get after versions over versions of these kind of compositions. But mainly it’s just a lot of fun.
City of Straw
On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …
Courants des Vents
An intense, meditative journey through the sound of stone, one continuous piece of more than three quarters of an hour during which the normal rules of time and flow are suspended by this master of lithophones.
Musiki
Reissue of a very obscure free music document, recorded in Cambridge, MA, sometime in 1970. Notable for it's Saturn-esque paste-on cover artwork (eloquently reconstructed here), and general cosmic vibe, this record harkens back to days when "out" was merely a place people went to buy a sandwich. A trio, led by drummer Ertunc, with Michael Cosmic (as, cl, fl, bcl, sop, piccolo, organ, perc.) & Phill Musra (ts, ss, fl, zurna, cl, perc.). The albums features long tracks: "The Creator Spaces"…
Few and far between
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
Tetralogy (1978-1982)
'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without; a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'