Animistic Resonance marks a new stage for Mexican artist and electronic musician Leslie García (currently based in Berlin through the DAAD Artists Program), as it is her first album under her own name, following several releases as Microhm and her parallel work as founder of the contemporary art studio Interspecifics, where she has developed an extensive body of sonic projects presented in major museums and programs worldwide. The album is the culmination of a profound and extended exploration of sound as language. It is also a statement challenging the classicism of long-form ambient pieces. Narratively, each track is conceived as a finely detailed work that functions as a condensed temporal fragment, each with its own individuality while simultaneously forming part of a broader universe. 

The compositional language of the album draws on minimalist structures, deep listening strategies, and experimental approaches to electronic sound. Each track offers a meditation on repetition, density, and micro-variation, unfolding like a sonic landscape shaped by temporal tension and perceptual ambiguity. Animistic Resonance resists categorization, situating itself between ambient, noise, and abstract rhythm, while grounding its aesthetic in a Latin American sensibility that embraces technological poetics, affective depth, and critical imagination.

The album invites listeners to move beyond the surface and inhabit a world of vibrational and animistic temporalities. It offers a refuge in sound, a suspended space where calm can emerge. In the midst of contemporary turbulence, Animistic Resonance opens the door to imagining new ways of listening and feeling, demanding an embodied and visceral form of engagement.