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Tip! Autonomie Minérale is the apex of a triptych that sprang up in less than three years, with a feeling of urgency. There is nothing fortuitous about this name, “Tachycardie.” Jean-Baptiste Geoffroy, is a musician and a composer (Pneu, I N S T I T U T R I C E, La Colonie de vacances) as well as a plastic artist (InfraOrdinaire), and in this project he continues his very singular exploration of the depths of sonic matter.
After Probables (2019) and Sommé-e (2020), his previous intuitions have developed into goldsmithery: this piece resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a home-made synthesiser. Thus, no one can tell where synthesis starts and where sonic naturalism ends. Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
After Probables (2019) and Sommé-e (2020), his previous intuitions have developed into goldsmithery: this piece resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a home-made synthesiser. Thus, no one can tell where synthesis starts and where sonic naturalism ends. Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
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