Two sonic extremes united by their dedication to frequency as consciousness-altering substance. Richard Hoffman strips bass down to its molecular essence on "RRH1" - eight meditations where looping patterns create labyrinthine psychedelic potency, each track targeting different anatomical pressure points with teeth-rattling precision.
Samara Lubelski charts the opposite trajectory on "Vol 1 & 2" - constructing delicate violin architectures of "webbed and sugary filigree" before deliberately dismantling them. Where Hoffman locks into obsessive cycles, Lubelski creates entire cosmologies in perpetual transformation, her bow acting as both creator and destroyer.
Together, these releases represent Daksina's complete vision: bass frequencies that perform surgery on consciousness itself, violin techniques that build and dissolve imagined worlds. One artist compresses ambient traditions into claustrophobic loops stripped to skeletal essence, the other explores sonic liminality where acoustic properties are most beautiful yet most dangerous.
