Pisaro’s “Hearing Metal” series is a multipart lecture of the above, now on its third rendition. Each is in dedication to the sculptor Constantin Brâncuşi, with track names and piece subtitles littered with Brâncuşi references (Sleeping Muse, The Endless Column, Prometheus, 1911). Although the orchestration differs across each entry, each piece is primarily composed of electronic (sine tones, field recordings, a guitar, etc.) and percussive (cymbals, tam-tams, ‘surfaces,’ almglocken, etc.) elements, with every rendition performed by Michael Pisaro (electronics) and Greg Stuart (percussion, a frequent interpreter of Michael’s compositions).

Hearing Metal 2 opens with lush field recordings (from Big Sur, California; Neufelden, Austria; and Haan, Germany) whose depth alone seems endless. Soon coupled with an organ sample of sine tones, the piece reaches an unbounded mass, which when played at high volumes is laden with idiosyncrasies — a near-fractal level of complexity. As well, the second part of Hearing Metal 2 closely pitches sine tones against percussion reverberations to generate an exquisite drone of infinite scope that is nonetheless atomic when examined at extreme volumes. (excerpt from Tinymixtapes review)