*In process of stocking. 2022 stock. Limited edition of 60 copies.* A rare example of gamekeeper turned poacher? Lee Pylon is the curator and presenter of the excellent Kites And Pylons radio show, but has recently crossed the barricades to produce a welter of impressive electronica in his own right. And these two new albums showcase differing sides to his take on minimalist, radiophonic composition. So Nagasaki Collapse Team is a measured reaction to the dystopia of 2020, with the bleak austerity of ‘Brutalist’ and ‘Negatives’ countered by the pulsing ambience of the epic, six-minute ‘Whitebeam’.

Meanwhile, Oscilloghost drifts into more otherworldly realms, being the imagined soundtrack to a fictional, spooky TV movie. Pylon claims late 1980s, but some of his creepy, atmospheric vignettes have a whiff of 1960s Delia Derbyshire and suggest ghosts have – indeed – entered his assembled machines. There’s a sense of genuine dread to the likes of ‘Vacuum Tube’ and ‘Calibration’, and the stabbing, staccato synths of the title track are made for late-night BBC2 repeats. Great fun.
- Electronic Sound magazine, Issue 74