Harry Partch
The Harry Partch Collection Volume 3
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The four works on this newly remastered CD are eloquent testimony to Harry Partch’s aesthetic of corporeality. The music he composed for The Dreamer That Remains, for Rotate the Body in All Its Planes, for Windsong, and for Water! Water!, was intended as only one component in the total artistic experience. In these works music joins with drama, with film, with dance, even with gymnastics, as integral parts of the composer’s vision.
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New World's The Harry Partch Collection, Vol. 3, as was the CRI disc on which it is based, contains the odds and ends in Harry Partch's recorded canon, pieces that do not really fit into a comfortably cohesive contextual relationship with the rest of his work cycles. Of the four works included, Rotate the Body in All Its Planes is the most unusual and precious. Scored for soprano, gymnasts, the University of Illinois marching band, and a clutch of Partch instruments, it celebrates the spirit of gymnastic athleticism, but also sounds a bit like a wild collegiate party. The Dreamer That Remains is Partch's bitterest musical statement this side of Bitter Music and brings full circle many of Partch's key themes; loneliness, leisure, indigence, and the inevitability of death. Windsong is the 1958 audio track of Madeleine Tourtelot's film that Partch re-recorded in 1968 for CBS Records as Daphne of the Dunes. It is easy to see why Partch wanted to revisit Windsong; the original tape, recorded by Partch himself playing all parts and edited to fit the film, is choppy and not well recorded in spots. Nonetheless, it's a prime example of Partch as virtuoso performer on his own instruments, something Partch no longer felt he was in 1968. Water! Water! is sort of like Partch's answer to Spike Jones' movie Fireman, Save My Child!, complete with silly one-liners, slapstick routines, and musical non-sequiturs. Partch regarded Water! Water! as a failure, and yet it is one of his most appealing and amusing creations, a rare instance where Partch directly quotes or parrots ideas drawn from popular music.
The New World booklet runs to 20 pages as opposed to CRI's 16, and the sound is far better and louder on New World than on CRI, an aspect that is crucial in the case of Windsong. Wisely, Water! Water! is here divided into 12 separate tracks. As with the other volumes, The Harry Partch Collection, Vol. 3, is still very much worth seeking out, even if one bought the earlier CRI CDs.. AllMusicGuide
| 1 | The Dreamer That Remains - A Study In Loving (1972) | 10:29 | |
| 2 | Rotate The Body In All Its Planes - Ballad For Gymnasts (1961) | 8:51 | |
| 3 | Windsong (1958) | 11:36 | |
| Water! Water! - An Intermission With Prologues And Epilogues (1961) (Excerpts Selected By The Composer) | |||
| 4 | The Opening Prologue, And The Second Prologue, In Which The Instruments Attack The Producer | 2:59 | |
| 5 | Water Criers And Lead-In Lines, O What Could He Do But Pick Her Up? (Jazzmen) | 4:04 | |
| 6 | Water Criers And Lead-In Lines, Witch For Water (Witches) / The Aldermen’s Fugue On No. Wanda The Water Witch (Jazzmen) | 5:59 | |
| 7 | Santa Mystiana The Beautiful (Her Honor And Conductor) | 2:39 | |
| 8 | Water Criers. Visitors From Strange And Foreign Places: The Singer From Spoleto, And An Alabama Mockingbird - Dear Old Alabama | 2:02 | |
| 9 | We Really Love Each Other. In 43 Whines To The Octave (Aldermen, Ladies’ Auxiliary, Jazzmen, Witches) | 1:41 | |
| 10 | Water Criers. The Baseball Game Is Called On Account Of Rain! | 3:17 | |
| 11 | To Hell With The Game! Rain! Rain! The Highest Goodness Is Like Water (Whole Ensemble) | 2:26 | |
| 12 | Opening Epilogue (After Three Days Of Rain). Ghosts, Undele, Oomph! / (The Indian Ghosts Dance Over Clarence’s Body And Play On Liquor Bottles) | 2:56 | |
| 13 | Water Criers. Intervening Dialogue. We’ll Sue You For A Million! (Her Honor And Jazzmen) | 3:03 | |
| 14 | Do-Lo-Do-Lo --- Doom! (Aldermen, Ladies, And Ghosts) / Phoebus Bids Farewell. The Indian Runners Bring News. The Final Song And Dance, Gone, Man, Gone! (Whole Ensemble). With The Descending Moan Of The Siren Phoebus Plunges Wildly Into Nothingness. | 4:55 | |
| 15 | Eighth Epilogue - The Producer Finally Silences The Instruments. / Final Epilogue: “The Highest Goodness Is Like Water.” | 1:48 | |
- Elizabeth Krohne
- Cello (4 to 15)
- Alan Gossard
- Chorus (4 to 15)
- Alexis Glatly
- Chorus (1)
- Anthony Zeppetella
- Chorus (2)
- Barbara Baker
- Chorus (2)
- Betty Zinse
- Chorus (2)
- Bruce Foote
- Chorus (2)
- Carolyn Burrill
- Chorus (4 to 15)
- Coryl Crandall
- Chorus (2)
- Cynthia Schwartz
- Chorus (4 to 15)
- Danlee Mitchell
- Chorus (1), Marimba [Diamond] (4 to 15), Strings [Harmonic Canon Ii] (2), Strings [New Kithara I] (1)
- Diamanda Tomaras
- Chorus (2)
- Dianne Layden
- Chorus (4 to 15)
- Elizabeth Coney
- Chorus (4 to 15)
- Elizabeth Hiller
- Chorus (2)
- Geraldyne Jones
- Chorus (4 to 15)
- Harry Partch
- Chorus (1), Guitar [Adapted Guitar Ii] (1), Strings [Harmonic Canon Ii, Kithara Ii, Surrogate Kithara], Viola [Adapted], Organ [Chromelodeon], Percussion [Boo, Diamond Marimba, Cloud Chamber Bowls, Spoils Of War], Marimba [Bass] (3)
- Haven Palmquist
- Chorus (2)
- Helen Curley
- Chorus (4 to 15)
- Jack Bert
- Chorus (2)
- Jane Daily
- Chorus (4 to 15)
- Janet Campbell
- Chorus (2, 4 to 15)
- Jeff Foote
- Chorus (2)
- Joan Platt
- Chorus (2)
- Joel Klein
- Chorus (2)
- John Garvey
- Chorus (4 to 15), Conductor (2, 4 to 15)
- Katherine Bjornson
- Chorus (1)
- Kathleen Roche
- Chorus (4 to 15)
- Keith Davidson
- Chorus (2)
- Lynette Barry
- Chorus (4 to 15)
- Margaret Sprehe
- Chorus (2)
- Mark Hoffman
- Chorus (1)
- Michael Crosier
- Chorus (1)
- Nina Cutler
- Chorus (4 to 15)
- Patrick Ann Eichelberger
- Chorus (2)
- Patrick Day
- Chorus (4 to 15)
- Scott Meland
- Chorus (4 to 15)
- Stephen Farish
- Chorus (4 to 15)
- Steven Allen
- Chorus (4 to 15)
- Eddie Allen
- Clarinet (4 to 15), Drums (2)
- John Ginther
- Clarinet [Bass] (4 to 15)
- Jack Logan
- Conductor (1)
- Edward Krolick
- Double Bass (4 to 15)
- Norbert Cieslewicz
- Double Bass (2)
- James Vandament
- Drums (2)
- Adrienne Kole
- Guitar [Adapted I] (2)
- Jonathan Szanto
- Kalimba [Mbira Bass Dyad] (1), Percussion [Bamboo Marimba Ii] (1), Strings [Ektara] (1)
- Randy Hoffman
- Kalimba [Mbira Bass Dyad] (1), Percussion [Eucal Blossom] (1)
- Michael Combs
- Marimba [Bass] (4 to 15)
- Arthur Schildbach
- Marimba [Eroica] (4 to 15)
- James Stutsman
- Marimba [Eroica] (2)
- Thomas Siwe
- Marimba [Eroica] (2)
- Thomas Turner
- Organ [Chromelodeon I] (2)
- Donald Andrus
- Organ [Chromelodeon Ii] (4 to 15)
- Francis Thumm
- Organ [Chromelodeon Ii] (1)
- James Weaver
- Organ [Chromelodeon Ii] (2)
- William Parsons
- Percussion (4 to 15)
- Emil Richards
- Percussion [Cloud-chamber Bowls] (1)
- Thomas Wardlow
- Percussion [Cloud-chamber Bowls] (2), Strings [Castor And Pollux] (4 to 15)
- Dorcas Ann Newton
- Percussion [Diamond Marimba] (2)
- Ron Caruso
- Percussion [Gourd Tree] (1)
- Jean-Charles François
- Percussion [Quadrangularis Reversum] (1)
- Thomas Hall
- Percussion [Spoils Of War] (2, 4 to 15)
- Frank Bowen
- Piccolo Flute (2)
- Robert Ruckrigel
- Piccolo Flute (2)
- Paul Cooper
- Producer (4 to 15)
- Max Murray
- Soprano Saxophone (4 to 15)
- Freda Pierce
- Soprano Vocals (2)
- Alan Davis
- Strings [Castor And Pollux] (4 to 15)
- Lyndel Davis
- Strings [Crychord] (2), Strings [Kithara Ii] (4 to 15)
- Dennis Dunn
- Strings [Harmonic Canon I, New Harmonic Canon I] (1)
- Jonathan Glasier
- Strings [Harmonic Canon I] (1), Strings [New Harmonic Canon I] (1)
- Mark Johnson
- Strings [Harmonic Canon Ii] (2)
- Duane Thomas
- Strings [Harmonic Canon Iii] (1)
- Michael Ranta
- Strings [Surrogate Kithara] (4 to 15)
- Melaniusz Gienko
- Trombone (2, 4 to 15)
- William Brahms
- Trombone (2)
- Cecil Bridgewater
- Trumpet (4 to 15)
- Kent Hermsmeyer
- Trumpet (2)
- Michael Esselstrom
- Trumpet (2)
- Thomas Knox
- Trumpet (2)
- Aaron Johnson
- Tuba (2, 4 to 15)
- Howard Osborn
- Viola (4 to 15)
- David Dunn
- Viola [Adapted] (1)
- Mark Cleghorn
- Violin (4 to 15)
- Uni Thomas
- Violin (4 to 15)


































































