Reissues
Broken Music: Artists' Recordworks
**Facsimile edition of the definitive (and legendary) guide to records by artists. Comes with flexi 7"** Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Lasz…
A Cordes et a Cris
In the continuity of the two previous albums "Amir" and "Varech", Henri Texier records in 1979 the album : "A Cordes et à Cris" but with some guest for some titles musicians such as pianist Gordon Beck and violinist Didier Lockwood. While A Cordes et à Cris represents the third element in the trilogy of albums begun by Amir and Varech, it is was his first working with JMS, making it all that much more noteworthy as it reemerges in the imprint’s hands today. Recorded and released in 1979, it enc…
On One Of These Bends
By 1981, after four years of DIY electronics, it was time for a change. For Philip Sanderson that change came in the form of film. At first, requests came from friends for soundtrack work, and by the end of the decade he was making short experimental 8mm films himself. On One Of These Bends is a collection of unreleased songs, soundtrack work and obscure cassette-only pieces from the 80’s which reflect Philip’s shift in focus. It was a departure from the industrial music he had been making with …
Iceland
Originally released in 1979, Iceland is Richard Pinhas' third solo album and his first following the breakup of Heldon. While moving away from the maximalism of his old band, paring down Heldon's hybrid of otherworldly sci-fi imagery and pummeling psych-prog riffs, the journey through Iceland is decidedly more inward. Consisting of longer, brooding synth-based pieces as well as short proto-industrial études and interstitial sketches, Iceland features Pinhas' delay-ridden electric guitar, pulsat…
The Judson Years
It’s hard to overstate the importance of Philip Corner. For more than half a century he has been a cornerstone of the American musical avant-garde. A once student of Otto Leuning, Henry Cowell, Olivier Messiaen, and Dorothy Taubman, who went on to inherit John Cage’s legendary Modern Music class at the New School for Social Research. A founding member of Fluxus, Corner made waves fast, creating a body of singular work, both on his own and within ensembles like Gamelan Son of Lion and Tone Roads,…
The South of the East
The South of the East is the debut album from Tenggara Trio, comprising of improvisors from Indonesia, Malaysia and Singapore. Like previous Lao Ban Records releases it has Yong Yandsen gargling, screeching, skronking and more on the tenor saxophone, but unlike previous releases, "The South of the East" is the most rocking (read: loud, aggressive, driving) release from Lao Ban Records hitherto. The other two members, Ikbal S. Lubys and Dharma both play electric guitar (with efx and objects), but…
Guts Magnet Sea
Chik White is the moniker of Darcy Spidle, jaw harpist,
tape collagist, non-institutional locally-sourced field recordist, and
founder of the OBEY Convention festival. Spidle was part of the Canadian
crust-punk scene in his younger years, but he eventually evolved
towards more adventurous sides of music. In 2009, after obtaining a
collection of jaw harps, his musical output took its most dramatic turn.
Since then, he has released a string of tapes and records on seminal
underground labels…
Benzedrine Bonanza
Where spring LP Omelette Of Disease was an orgy in painfully hard driven feedback, and the early summer cassette Overdrive focused on rumbling low-end, Benzedrine Bonanza brings a live all-at-once approach. Not unlike Schakalens Bror's earliest cassette excretions, yet now more refined and with the energy of his later live shows successfully transferred to tape. Fully fledged free form guitar noise in a league of its own.
Embedded
AMK & Willie Zarate bring you a noisy collection that steals liberally from Leonard Cohen, Witold Lutosławski, Borbatomagus and Gary Numan, combining it with overzealous use of string instruments, record players, distortion boxes, junk electronics and birds.
Voices of Mississippi
This watershed release represents the life's work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that …
The Early Films of William Ferris 1968-75
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the roots of the blues. This DVD features seven films made by Ferris between 1968 and 1975. In addition to being a groundbreaking documentarian of the American South, Ferris is Joel R. Williamson Eminent Professor of History and senior associate director of the Center for the Study of…
The Return Of The Incredible Bongo Band
Re-released for the first time since 1974, this is the sequel to the classic 1973 ‘Bongo Rock’, which became a foundation of rap and popular music, up to the present day. Reproduced on heavyweight 180g vinyl and in top-quality Japanese sleeves. The Incredible Bongo Band is a blend of many multi-talented people. Jim Gordon is one of the featured musicians. Ringo Starr has said "Jim is one of the finest drummers in the world". Gordon composed 'Layla' in association with Eric Clapton. King Errisso…
Pop Espontáneo
“Pop Espontáneo” includes a selection of previously unreleased recordings by Joern and Dirk Wenger’s duo Jodi, registered at their state-of the-art 8-track home studio in Asunción, Paraguay. Living in their own isolated world and free from any commercial pressure, Joern Wenger, a kind of Paraguayan Brian Wilson or R. Stevie Moore, created a particular, ahead of its time sound, using electric guitars, fuzz boxes, Moog, Mellotron, Clavinet, Farfisa… *Superb sound taken from the original master tap…
Night Kaledoscope
Alec Cheer's Night Kaleidescope is an incredible modern techno-based score to an underground psychedelic detective vampire indie drama. So there. There is little history here as this is a new release, but this is simply an amazing modern score to a 2017 film one may never have heard about (directed by Grant McPhee). What sets this score apart is its clinical post-modern feel, with influences including Mica, John Carpenter, Brian Eno, Goblin, Fabio Frizzi, even whispers of the 1980s, as well as a…
Baba Yaga
The music composed by Piero Umiliani for Baba Yaga / Devil Witch (1973, Corrado Farina) – the film inspired by the ultra pop comic books of Guido Crepax, Valentina – is one of the most mysterious and fascinating works to be found in the corpus of the Maestro. Of this maudit work that experts considered lost only two tracks survived, those that we present here for the first time in a single 45 RPM: Open Space, a blazing up-tempo acid jazz with psychedelic insets and galloping bass tones that was …
Dopo di che..Uccide il Maschio e lo Divora
For the first time in a single 7’’ the gorgeous soul ballads that Piero Piccioni composed for the title credits of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Two pop-downtempo gems shining with the power of their melodies and the quality of their proto- hip hop arrangements that immediately carry us into the dreamlike, mellow atmosphere of the early 1970’s European thriller cinema. This music is characterised by timeless, unbounded elegance, poised b…
Background Disco
This 12" EP contains unreleased music composed and produced by Alessandro Alessandroni in the 70s, taken from a dusty tape found in his vault. taken from an obscure Italian sexy-comedy in 1976, presented here in a new edit on 12'' designed for the dancefloor. Just say Background Disco and you’re quickly reminded of the super-groovy sound that pervaded certain sequences of 1970’s Italian films, generally set in discos or clubs with a strong presence of music. Soul, disco, and funk tracks playing …
Luminous
Two giants of improvised music Barry Guy and Gerry Hemingway joining pianist/composer Simon Nabatov, for a concert recorded live in Loft, Cologne, Germany on 30-31st October. Simon Nabatov - piano, Barry Guy - double bass Gerry Hemingway - drums, marimba
Live in the Usa, 1976
Lovely live album that collects material recorded during Howard Riley 1976 tour in the US (taken from concerts held in New York and Buffalo, in the fall of that year). A work of deep musical contemplation, freedom and lyricism.
Live at the Black Musicians' Conference, 1981
Completely wonderful album from pianist Dave Burrell and reedman genius Marion Brown on alto. Recorded at the Black Musicians’ Conference, University of Massachusetts Amherst, Massachusetts, 10th April, 1981.