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Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
Four Flies Records is proud to present the first vinyl reissue of the original soundtrack to Io Emanuelle, Cesare Canavari’s 1969 erotic-drama starring Italian scream-queen Erika Blanc.The score was composed and arranged by maestro Gianni Ferrio, who created one of his most famous and iconic soundtracks ever, with music that perfectly follows the neurotic character of the young protagonist – from moments of intimacy and introspection, to those of insanity and madness.The result is a terrific coc…
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly underground music, almost entirely unknown beyond the borders of the country from which it sprang. Across the ensuing decades, this scene - among the most ambitious, rebellious, and experimental of its day, has offered an unparalleled wealth of inspirat…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…
Dee Brown's Bury My Heart at Wounded Knee, published in 1970, was the first major history of the American West written from the perspective of its Native peoples. Its impact across Europe was considerable - a generation reading it not as distant history but as a mirror turned on the mechanisms of power still very much in operation. In Germany, where the mythology of the American frontier had deep and complicated roots, it landed with particular force. Wolf Conrad "Conny" Veit read it, and made a…
With deluxe four-page insert. Limited to 1000 hand numbered Picture Discs. Top sound quality. Nobody liked it at the time. Alfred Kersten, owner of the Kerston label, had discovered Gäa at one of their early gigs in the Saarland and promised them a record. By the time the band arrived at his Stuttgart studio in the summer of 1973 - with almost no money, camping in tents outside the building for days until Kersten relented - his enthusiasm had curdled into obligation. The sessions were rushed. No…
What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band had dissolved. The title, Alraunes Alptraum - Alraune's Nightmare - reaches into German earth mythology: the Alraune, or mandrake root, is an earth spirit pulled unwillingly from the ground. The name mirrors that of the band itself, named after Gaia…
Some records exist outside of time not by design but by circumstance. Magic Theatre was recorded in the spring of 1972 in the Stuttgart studio of pianist Horst Jankowski, submitted to MPS, and promptly shelved. It sat untouched for three decades, until Jankowski - shortly before his death - returned the tapes to their rightful owner. What emerged was one of the most genuinely unclassifiable documents of the European underground.
Drum Circus were a Swiss percussion ensemble anchored by Peter Gige…
The name is the first clue. Clark Ashton Smith - poet, sculptor, and author of cosmic horror fiction, a peer of Lovecraft and one of the strangest imaginations ever committed to the pages of Weird Tales - populated his stories with invented worlds full of unpronounceable proper nouns. Ejwuusl Wessahqqan is one of them. So are the titles of every track on this record: "Die geborstenen Kuppeln von Yethlyreom," "Die orangefarbene Wüste südwestlich von Ignarh," "Hobbl-di-wobbl." A band that names it…
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
Transport rushes through all sorts of unholy rituals and improvised excesses – from Tanz um den Melkeimer to the Ekelzentrum and on to the Traumbaum. A Space Odyssey without rules or certainties, apart from the filthy power of an uproar of etheric synthesizer washes and motoric drum pulses. On their Milchreise, they boldly stimulate cosmic regions of your brain that no band has stimulated before (probably apart from Amon Düül, Ash Ra Tempel and Boredoms). Milchreise is their thundering, …
Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…
From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums. Proto-techno/industrial/minimal synth galore...
Reissue on 180-gram opaque white vinyl. Originally released in 1965. The transitional "Bells" was just under 20 minutes, released originally as one side of a clear vinyl LP with the other side empty of music. It was recorded at a May 1, 1965, Town Hall concert of ESP artists, displaying Albert Ayler's new group, which added Albert's brother Donald and Charles Tyler. The denser sound of "Bells" shows Ayler moving towards the bigger sonic statement made on Spirits Rejoice (ESPDISK 1020CD/LP), h…
When Oscar Peterson moved from Montréal to New York in 1949, then-17-year-old Paul Bley took over Peterson's residency at the Alberta Lounge on Peterson's recommendation; in his 20s, Bley played with Charlie Parker. Bley incorporated maverick pianist Lennie Tristano's approach to improvisation and collaborated with Charles Mingus, and in 1958 in Los Angeles famously put together a band with Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins. His move into free improvisation in the gro…
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
Limited Edition of 100 copies.
It started again the CDR series, with a historical name of the ANTS catalog: Albert Mayr. This work dates back, like the previous "Suono Ambiente" of the same series, to 1978.A research project on a hypothesis of a "community rhythm" well described by Gillo Dorfles in his notes of the time:"The time-space musical analysis performed by Albert Mayr in February 1978 in the tiny village of Brdo, in Istria, is the result of long meditations and deep practical experiment…
"In the third volume of the Same Animal, Different Cages series, American composer David First does a 180 from the purely sound-for-sound's sake explorations of the first two volumes and gives eleven emotional outpourings performed exclusively on solo harmonica. Despite this minimalist single-instrument approach, First makes each of these songs sound fully realized; anything more would simply be crowding the sonic space. First has produced perhaps one of the first folk-music responses to …
Corbett Vs. Dempsey present The Lost Eddie Chatterbox Session, a reissue of Eugene Chadbourne's album, first released as a cassette on No Prestige Records in 1988. Dateline: Christmas Day, 1977, San Francisco. On an ailing quarter-track tape deck, in a marathon session, Eugene Chadbourne recorded a series of slide guitar solos playing compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, along with a few standards and originals. Although the record…