Reissues

Known as the 'King of the Witches', Alex Sanders was known during the 60's and 70's on the occult circles.  This is a recording of a witch's initiation ritual.

Alice, an inhibited young woman who, after diving into Wonderland, had a series of sexual experiences that emancipated her. Fantasy, music and sex.

* Comes with a set of 20 postcards * Movie trailers from the golden age of Horror cinema: guttural voices, screams, spine-tingling violins, sinister noises, suggestive titles and more to punch fear.

During the 51-day siege of the Davidians by the FBI and due to the deadlock in negotiations, the authorities cut power to the cult complex and bombarded them with music to disrupt sleep. However the Davidians went to the window and responded with their own songs.

** Remastered edition, with new standard glossy jacket ** Originally released in 1974. German trio Sand's first album, Golem, is a legendary work of cosmic psychedelic genius. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenomena. Storytellers, musicians, shamans, geniuses -- Sand were known, at the end of the '60s, as P.O.T. (Part of Time). Then Sand -- Ludwig Papenberg, his brother Ulrich Papenberg, and Johannes Vester -- developed a m…

*300 copies limited edition* In 2001 Artur Żmijewski created the first part of the project "Singing Lesson" in the Augsburg Evangelical Holy Trinity church in Warsaw. Accompanied by an organ a choir of 'deaf-mute' children sang the "Kyrie" from the "Polish Mass" by Jan Maklakiewicz (1899-1954). Among the cacophony of sounds uttered by them you can hear the words of the confession of faith: "In this holy place, in this holiest place, our voice rises to you and erupts as the sea roars from the dee…

Last Copies Recorded during the first few periods of lockdown and originally released as a cassette midway through 2021, O Yuki Conjugate's A Tension of Opposites Vol. 1 & 2 is now to be released as a limited edition, double-disc gatefold LP via World of Echo on 1st April. The enforced conditions of its creation represented a new way of working for O Yuki Conjugate founders, Andrew Hulme and Roger Horberry, a pioneering duo who have worked as close collaborators on multiple projects for almost …

2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predeterm…

*2022 repress* Three years have passed since the world first learned of Ursula Bogner's work. Since then, her identity has been surrounded by rumours, her graphic work have been exhibited (CEACC, Strasbourg, France, 2011 and elsewhere) and her compositional instructions have been performed (by Mo Loschelder, Andrew Pekler, Kassian Troyer, Holger Zapf, Jan Jelinek among others). The release of Sonne = Blackbox brings together all of these aspects and attempts to locate Ursula Bogner, the sound ex…

Includes five albums:    etat16 - Various - I.D. Art #2 (LP)    etat17 - Le Forte Four / Doo-Dooettes - Live at the Brand (2xLP)    etat18 - Various - Blorp Esette Volume One (LP)    etat19 - Smegma - Glamour Girl 1941 (LP)    etat20 - Various - Sound (LP)

Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…

That Alexandre Manuel Thiago de Mello (aka Manduka), born in Petrópolis, a city in the south-east Brazil, isn’t a bigger name in the annals of Brazilian music is surely largely down to the unforgiving vagaries of politics rather than talent. This debut album, originally released in 1972, is up there with anything recorded contemporaneously by the big name post-tropicalistas. In figuring out its relative obscurity you have to factor in the unusual and febrile context in which it was composed, ami…

When Harry Belfonte’s Calypso became the first LP to sell over a million copies, it stimulated an unprecedented calypso craze Stateside, with myriad musical and cultural repercussions. Of all the calypso oddities to appear in its wake, Robert Mitchum’s Calypso Is Like So is certainly the most curious, as well as the most enduring. On this debut LP as a singer, actor Mitchum tackles Sparrow’s ‘Jean And Dinah,’ King Radio’s ‘Not Me,’ Wilmouth Houdini’s ‘Cocount Water’ and other Trinidadian anthems…

A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on sa…

In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.

Welcomed reissue of the rare 1972 Progressive Rock album "Is a Friend?" by The Parlour Band. Issued by Decca's Deram imprint in 1972, this highly sought after release has been finally delivered on the vinyl format again. Featuring Craig Anders (guitar, vocals), Mark Anders (bass, vocals), Peter Filleul (keyboards, guitar, vocals), Pix (lead vocals) and Jerry Robins (drums), The Parlour band was a melodic Progressive outfit who excelled vocally and toured extensively as support act to bands such …

**Limited Clear Vinyl edition, 300 copies** Recorded live in Bremen - Germany, on 27th September 1966, and originally broadcasted on Nordwestradio, this fine recording captures the young genius of Paul Bley at the head of his trio featuring bassist Mark Levinson and drummer Barry Altschul. A highly interactive piano trio whose peculiar instrumental interplay became a model for generations to come. The music played by Paul Bley with this line up stands as one of the most advanced statements among…

**45th Anniversary Edition, red vinyl, 500 copies numbered** During the 1970s, Italy was one of the most exciting and fascinating musical contexts in Europe, birthing seminal projects and artists like Franco Battiato, Aktuala, Lino 'Capra ' Vaccina, Giusto Pio, Roberto Cacciapaglia, Futuro Antico, and so many more. Defining the scene was an ethos that rigorously pursued creative freedom and experimentation, with its artists fluidly moving between popular music - rock, prog, jazz, etc. - and more…

* Gatefold die-cut sleeve, replica of the original on Vertigo * "Essential debut and a defining moment of jazz-rock - this was recorded only a few months later than Miles Davis's Bitches Brew and obviously Ian Carr was very impressed (and a unconditional fan of Miles as he wrote two books about his life on top of other jazz encyclopediae) and he formed this band with amongst other Jenkins, Marshal and the chameleon of rock Chris Spedding after he left psych-blues group Pete Brown's Battered Orna…

“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental…

****50th Anniversary Edition, blue vinyl, 700 copies numbered**** One of the  Claudio Rocchi's finest albums, included in the Nurse With Wound's influential list. A perfect combination of experiment, progressive music, acoustic foundations with tape collage, singer-songwriting, with lots of inspiration and invention with a good materialisation of it with clear structures, and interesting contemporary ideas. Trippy streched improvisation like tracks, as if the whole album are a kind of (acoustic)…

Repress of Trees Speak 1st album  The music was live in one room with no overdubs or repairs, only using edits to create arrangements. All tracks were written over a 5 day period at Sacred Machine Studio and Dust & Stone Studio

La stanza del vescovo (aka The bishop’s bedroom - La chambre de l’évèque) is a dramatic movie directed in 1977 by Dino Risi and starring Ugo Tognazzi, Ornella Muti and Patrick Dewaere. For this film Armando Trovajoli wrote one of his most intense soundtracks. The romantic, sad and dramatic music and the recurrent use of a moog keyboard perfectly reflect the loneliness of the main characters , all physically close but at the same time so distant from one another. M° Trovajoli arranged the classic…

"Wonderful commentary by Riz Ortolani, author of a romantic and nostalgic theme, Uno Scandalo Perbene (Titoli), for strings and solo trumpet. The second track of the CD released by Cinevox, Amnesia, is along the same lines, with elliptical strings and sudden piano notes that cut through the thick fog of memories. While Vecchia Strada evokes the sound of an accordion, instrumental for the historical connotation of the work, the string section of Turbamento Ambiguo and Bruneri O Canella? overwhelm…

*2022 stock* In this 1989 television remake of La ciociara, the curiosity in the soundtrack is all about the composer. Armando Trovajoli, after having composed the music for the original, has also taken it upon himself to write the score for this new version of the film.Obviously, compared to the masterful version made for the original, this second vision of the film is less articulated and interesting, however, Trovajoli's training, which began his career with the violin, pervades the main them…

*2022 stock* This is an official release of the Goblin soundtrack to Amernia Balducci's film Amo Non Amo. The film, staring Jaqueline Bisset and Terrence Stamp, was released in the U.S.A. under the title Together with a soundtrack by Burt Bacharach. For the Italian prog group Goblin, the commission to rescore the Italian version presented a challenge that would produce some of their most unusual work. There was no spine-chilling horror in this human love story, so Goblin penned the title track, …

*2022 stock* Year 1978. The Italian Prog was beginning to lose ground. They were times of punk and new wave. Area, in that same year, published a disc from the title rather explanatory: Gli Dèi se ne vanno, Gli arrabbiati restano: The Gods go away, The angry remain. The "Gods", at the time, could be understood as the champions of progressive and experimental rock. The "angry" ones, instead, were the "irreducible" protesters who, shortly thereafter, would have given life to other seasons of under…

*2022 stock* The Squadra Antigangsters soundtrack is one of the most unusual and atypical entries in the Goblin canon. Even the most dedicated fans of the group could be excused for not recognizing this album as a Goblin outing: the brash theatrics and heaviness that dominated the likes of Suspiria and Roller are totally absent, replaced by a slick, often jazzy sound that is overtly disco-influenced. The most disco-oriented of the cuts are "The Whip" and "The Sound of Money," both being vocal nu…

**Limited Edition of 199 copies.** Akifumi Nakajima was probably best known for his work under the name Aube, which was one of the more prolific and most interesting noise acts from Japan. He had an impeccable and marvelous sense of design and appreciation for the materials, taking packaging beyond just using regular old paper with his wonderful and unique label G.R.O.S.S., dedicated to releasing experimental music and noise, in addition to his own recordings as Aube. Hiroshi Hasegawa formed the…

Rare CD by this trio comprised of Masayuki Takayanagi (guitar and effects), Peter Kowald (double bass) and Keiki Midorokawa (cello), recorded on April 29, 1983 in Tokyo.

**This version also includes the bonus disc JDR-0011 Endless Final featuring the last recording of Takayanagi** Jinya Disc presents a live concert by New Direction. The album includes the last performance of Action Direct and the last performance of Takayanagi's life. In other words, it is Masayuki Takayanagi's "remaining work".  An astounding force set free upon the world, heaving with life and fire, bound to stop even the most seasoned listener dead in their tracks It’s hard to offer a better …

2026 Re-issue. A cornerstone of postwar Japanese free improvisation, captured before three thousand listeners at the ninth Moers New Jazz Festival on 26 May 1980 and issued later that year as TBM-5023. By this point Masayuki "Jojo" Takayanagi had spent more than a decade refining his theory of mass projection - a model of collective improvisation in which the ensemble operates not as a sequence of soloists but as a single density field, modulating texture rather than line - and the New Direction…

Approdi is a cultural operation involving thirteen composers and numerous other artists from heterogeneous segments of the Neapolitan visual arts. The guest composers of the first volume are Carlo Vignaturo, Enzo Amato, Max Fuschetto, Girolamo De Simone, Giusto Pappacena, Piero Viti, Vito Ranucci, Gabriele Montagano, Patrizio Marrone, Enrico Iannaccone, Alessandro Petrosino, Carlo Mormile and Gaetano Panariello. The album was then joined by the poet Luca Buonaguidi, with a lyric for the late com…

*2022 stock* Argonne Thornton (who in the late '40s changed his name to Sadik Hakim) had a particularly unusual boppish style in the '40s, playing dissonant lines, using repetition to build suspense, and certainly standing out from the many Bud Powell impressionists. Later in his career his playing became more conventional. Hakim originally studied music with his grandfather and started performing at local gigs in Minnesota. After a period in Chicago, he was heard by Ben Webster, who hired him t…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…

It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All performed by grea…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…

*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…