Reissues

Formed in the early 1970s, The Residents have been charting a unique path through the musical landscape for over 45 years. From far-out, experimental recordings to highly conceptual, innovative multi-platform projects, the band has refused to stand still, and continues to move in several different directions at once. But you probably already knew that. Produced with The Cryptic Corporation using archival tapes supplied by The Residents themselves, this package explores and expands the cla…

Produced with The Cryptic Corporation using archival tapes supplied by The Residents themselves, this package explores and expands the classic 1979 album -- the record which brought The Residents to a wider, international audience. Including an acapella suite, live in the studio recordings, related unreleased recordings, the 'Goosebump' and 'Replacement' projects and live tracks, this is The Residents as we've always wanted to hear them. Bonus material includes unheard 1978 Demo, album acapellas…

William Engelen (born 1964 in Weert, The Netherlands) is a sound and visual artist living and working in Berlin. After having studied visual arts, his focus shifted over time from solely visual to multi-disciplinary works that oscillate between sound and visual arts, between exhibition and performance, and incorporate installation, sculptural, and compositional elements. He now considers himself a conceptual artist who works with sound. Many of his works are site-specific and have been presented…

A 42-minute composition for improvising sextet by Austrian double bassist and composer Werner Dafeldecker. The score divides six players into two virtual trios, shifting constellations every three minutes - one player always serving as "dynamic leader" whose volume the others cannot exceed. A structure that forces deep listening without curtailing individual qualities. Conceptually rigorous, sonically stunning!

**Edition of 300. LP picture disc replicating the multi-colored circular scores; housed in a black die-cut sleeve with liner notes on the rear side** Robin Hayward (b. 1969 in Brighton, England) is a tuba player and composer based in Berlin. Since the 1990s, he has been concerning himself with experimental and radical playing techniques on brass instruments, initially through the discovery of the "noise-valve", later through development of the first fully microtonal tuba in 2009. In 2012, he inv…

In Fa is an enchanting meeting of phantasmagorical improvisation, a dialogue between two generations that makes every expressive boundary overcome. Riccardo Sinigaglia (Futuro Antico) remains faithful to the idea of a collective work, where musicians are only instruments crossed by musical energy. He provides his pioneering experience, with excellent control of electronic sounds, realized with the eternal cosmic Farfisa and the synths (Moog Sonic Six, Synthi EMS). Their lysergic fluidity support…

Back in 2017, Black Sweat produced a lovely reissue of DSR Lines Spoel. It was easily one of our favorite records of that year. Continuing their dedication to its creator, the label now brings us yet another stunner - a reissue of a little heard tape only release from 2013, Venndiagram. Like its predecessor, we can already tell that this one is going to top our year end lists.  DSR Lines is the moniker of David Edren, an artist based in Antwerp, who, since coming into view during the late 90’s, …

In London, in the fall of 1965, a group of four musicians dissatisfied with the constrictions they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created, rejecting rules firmly in place then (and still today) among even the most forward-looking of musicians: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. Keith Rowe was one of the founding members. They called themselves …

 "Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…

 “Volume 2” is the 2nd and rarest album which had been recorded by the French Jazz-Funk band legend, Cortex. The obscure French jazz group that's been a favorite of jazz collectors for years! Reissued last in 2002 by Follow Me Records, it’s now back in stock in a final limited repressing of 500 copies, reissued by Trad Vibe Records under official license from Alain Mion. It really is another absolute killer album of dope Jazz-Groove tracks! Unlike their first album it's all instrumental (save fo…

The Manifesto Of Futurism by Italian poet Filippo Marinetti, published in 1909, still has an intoxicating force. "We want to glorify war . . . to destroy museums, libraries, and academies of all kinds," wrote Marinetti. "We shall sing to the great crowds excited by work, pleasure or rioting, the multicoloured, many-voiced tides of revolution in modern capitals." Color was as important as force to the movement, and it was a search for new sound colors that fired the ambitions of artist and instru…

Two long tracks from reknowned sculptor Walter De Maria featuring a tribal drumming pattern and the sounds of nature. The two pieces included were originally recorded in 1964 and 1968. Produced by Estate of Walter De Maria in association with Gagosian Gallery in 2016. In the case of Walter De Maria, a seminal figure in the history of environmental art, these recordings from the 1960s signal the role of sound in his early practice. Cricket Music (1963) and Ocean Music (1968), were made during an …

Artists on Hanne Darboven is the first installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural Artists on Artists title is published in conjunction with the opening of Darboven’s 1980–83 installation Kulturgeschichte 1880–1983 (Cultural History 1880–1983, 1…

Artists on Walter De Maria is the second installment in a series culled from Dia Art Foundation’s Artists on Artists lectures, focused on the work of artist Walter De Maria. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. This Artists on Artists title marks the fortieth anniversary of De Maria’s The Lightning Field, The New York Earth Room, and The Vertical Earth Kilometer. It features contribution…

This video and book are based on Dan Graham’s Rooftop Urban Park Project, which opened as an extended exhibition at Dia Center for the Arts in 1991. Re-released as a DVD and packaged with the original 1992 publication, this title includes an essay by the artist and a 20-minute video.

Edition of 200. Uniquely fruitful duo, John Wall and Alex Rodgers beguile again with a brilliant batch of oily glitch-hop and processed vocals in ’Soar’, a book and CD from Antwerp’s finest publishing house, Entr’acte  Just as we were caught out by their ‘Rafia Longer’ 7” in 2015, ’Soar’ finds pivotal London-based artist Wall recalling everyone from Lorenzo Senni to Vladislav Delay and Jay Glass Dubs in the piece’s viscous contours and pinched percussion, while Alex Rodgers supplies the pointed …

Sultry Tjader jazz! Vibraphone legend Cal Tjader’s fusion of different genres and styles was an acute influence on Carlos Santana (and Latin rock as a whole). On Solar Heat he stirs in tastes of Exotica, Funk, and of course Latin and Jazz elements on this 1968 set of jazzed-up pop chestnuts and original bossas like the delicious “Fried Bananas.” Pressed at RTI, on colored vinyl

Gatefold cover vinyl reissue of 1968 psych record originally released on the Musicor label. Sgt. Pepper taught a lot of bands to play in 1967, including New York's Paper Garden, whose absorption of the Fab Four's Summer of Love statement came out on Musicor Records the following year. What Paper Garden can't match in terms of the Beatles sophistication they make up for in ambition, as exhibited on the harpsichord-enhanced pop genius of 'Lady's Man', orchestrated gems like 'Way Up High', the fuzz…

**First ever CD reissue, containing three Pathways session recordings left off the original, one never before issued** Intrinsic energies of mythic worlds! Pathways was originally issued on LP in 1975 as part of Sun Ra’s ill-fated and short-lived ABC/Impulse! partnership. This Modern Harmonic edition has been exquisitely mastered from the four-track session reel. The Impulse! LP was formatted as “Quad Compatible”—short for “quadraphonic”—which you could enjoy if you had four speakers, a custom q…

Something weird, and something very cool too – a set that brings together a whole host of strange and unusual tunes from the glory days of exploitation cinema! These cuts are all from a time when the b-movie underground was playing it fast and loose – trying to get more folks into the theaters with some ultra-sleazy themes – which resulted in wilder music than you might have heard in movies just a few short years before! The package is presented by Something Weird – the video company wh…

The Millennium looms large in the hearts of fans of the '60s sunshine pop genre. The studio group was the creation of legendary tunesmith/studio genius Curt Boettcher, who had previously been instrumental in the formation of the fabled '60s cult acts the Ballroom and Sagittarius. In 1968, Boettcher assembled a group of talented California singers and musicians (including singer/guitarists Lee Mallory, Sandy Salisbury, Joey Stec and Michael Fennelly and Music Machine drummer Ron Edgar) to record …

After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…

Blue Cheer's second album, Outsideinside, fully matches its predecessor's primal power. The last Blue Cheer release to feature the beloved lineup of Stephens, Peterson and Whaley, Outsideinside is a bracing orgy of volume, distortion and aggression, with such highlights as "Just a Little Bit," "Come and Get It," the instrumental "Magnolia Caboose Babyfinger" and the band's distinctive take on the Rolling Stones' "Satisfaction." Like its predecessor, Outsideinside has been out of print on vinyl f…

Blue Cheer looms large in the annals of hard rock, laying down the sonic foundations of heavy metal, and serving as a crucial influence on the birth of punk, grunge and stoner rock. While the rest of the rock world was mellowing out and embracing the spirit of the Summer of Love, the seminal San Francisco power trio was churning out ballsy blues-rock anthems whose fuzz-heavy, adrenaline-charged intensity helped to alter the course of contemporary music.Vincebus Eruptum, Blue Cheer's landmark 196…

This beautiful, deluxe boxed set gathers the rare mono versions of the band's first three studio albums along with the superior mono version of Nico's Chelsea Girl and a definitive edition of the band's unfinished fourth album! Mastered by Bob Irwin, cut by Kevin Gray, and pressed at RTI, this collection is an essential purchase for the discerning vinyl devotee. For all tomorrow's parties, this is your soundtrack. At a time when the Rolling Stones were forbidden from singing about spending the n…

Home-taped minimal synthesis from the German cassette underground, 1980-86. Alu's austere drum machines, cheap keyboards and deadpan Deutsch build a private, hypnotic little world. A lost minimal-wave gem exhumed by Bureau B.

LP version. Bureau B presents a reissue of Bernard Xolotl's fifth album Last Wave, originally released only on cassette in 1982. This is French electronic music from California. He named himself after the Aztec god of lightning and death; his music is influenced by the Berlin school of electronic music. As a teen, Xolotl (b. 1951) was introduced to electronic music through the works of Musique Concrete composers like Pierre Henry and Pierre Schaeffer, although he found the early recordings of Pi…

The story begins in the city of Bordeaux in 1964. Captivated by Hank Marvin's guitar-playing, Jean Pierre Daran teaches himself to play Shadows tunes, working out their intricacies by the unusual method of slowing 45RPM singles down to 33RPM. Jean Pierre joins forces with Yvan Blanl?il, Jean Jacques Pouget, and Serge Blachère to form the band Les Franglais. In 1971, a new musical project takes shape when Jean Pierre and Yvan form Lucie Dans le Ciel with three other students: Francis Ferrer, Chri…

Monster Melodies present Kundalini, an unreleased live recording of Hamsa. This French band with Richard Raux (ex-Magma) at his best in 1976 play an incredible and unique music, groovy, powerful, between funk and spiritual jazz, drawing on roots in African and Indian rhythms. Raux was born in Périgueux in 1945, but would never forget his Creole origins, his family having come from Madagascar. In his early years, Raux was introduced to ethnic music, Django Reinhardt, Brassens, and most importantl…

Recorded in Paris in 2014. Ame Son was a progressive rock band from France. They are notable for being featured on the Nurse With Wound list. Members of Ame Son also were in the band Red Noise and Komintern. Formed by Marc Blanc and Patrick Fontaine. Both were members of the first line-up of Banana Moon (the band that later would become Gong). Their debut album Catalyse was released by BYG in 1970. Ame Son is Marc Blanc, François Garrel, Romeo Blanc, and Bernard Lavialle. Edition of 500.

In process of restock. Dokkiri! tells the history of a remarkable complex of musical subcultures that developed in Japan from the mid-1970s. Starting with a discussion of the earliest rumblings of punk and new wave, all types of independently produced music are covered in more detail than has ever appeared in English before. Punk, Art music, Noise, Psychedelic, experimental and more. "This book fills in the gaps in my own appreciation of the Japanese independent music scene and provides context …

**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…

One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…

The Threat Of Memory 5CD box-set, by Steven Stapleton and David Tibet features all of Steven’s and David’s previously-issued recordings, made under their “Steven Stapleton & David Tibet” faces, on the first four of the CDs, as well as a fifth CD with previously unissued out-takes from the Musical Pumpkin Cottage recording sessions. It does not include the unissued out-take on Side 4 on Side 4 of The Threats Of Memories 2LP. It comes in a hinged box, with new artwork by Babs Santini on the CD’s i…

"The Sadness Of Things" was originally released as side one of Steven Stapleton and David Tibet's The Sadness Of Things (1991). "The Dead Side Of The Moon" and "BubbleHead" were, respectively, sides one and two of Stapleton and Tibet's Musicalische Kürbs Hütte (1996). "DreamBreath" is a previously unreleased outtake from Musical Pumpkin Cottage (1996). Gatefold sleeve; Includes insert with lyrics and credits. Leaders of England’s hidden reverse, Stapleton and Tibet, compile four visionary highli…

Deluxe-edition of 25 ( +10 AP) with new 7″ x 10″ print of Humument page done for this edition, signed and numbered by Tom Phillips. Words and Music is a rare and sought-after album by artist Tom Phillips (b. 1937). Fueled by painting, opera, and concrete poetry, this LP was originally published by the king, Hansjörg Mayer, in 1975 (this LP has never been repressed). Most are familiar with Tom Phillips’ “After Raphael” painting used on the cover of Brian Eno’s Another Green World LP, along with t…

Third CD pressing of the celebrated first album by Daniel Schmidt. No further vinyl editions will be made** Recital is proud to publish the first album of American Gamelan composer Daniel Schmidt (b. 1942). Schmidt, who emerged in the Bay Area music scene in the 1970s, wove the threads of traditional Eastern Gamelan music together with American Minimalism (repetitive music). Schmidt was (and is still) a prime figure in the development of American Gamelan music –  studying and collaborating with …

Premiere release! Two sound compositions discovered at Toshi Ichiyanagi’s home in 2018 to be released for the first time! One is an unknown early work created on a computer and the other is material for an experimental short film by Toshio Matsumoto. Particularly, the former piece was revolutionary. the quirky sound he made on the computer at the time was unheard of especially because a computer could only create simple sounds then. Moreover, it also includes an unknown electronic ambient piece …

** 2020 Stock. Art Edition of 99 copies on white vinyl. LP box with 31 sound recordings of dildos and vibrators - a noble, stamped and numbered binder made of bookcardboard with 31 illustrations by Tabea Blumenschein and 31 reviews by Katrin Kämpf on natural paper - Infotext by Wolfgang Müller in German and English.** Die Tödliche Doris are back, no kiddin': in the sound spectrum of thirty-one contemporary dildos and vibrators, we are residing in 2019 with a resurrection of The Deadly Doris. She…

First released on cassette in 1995. Now available as a 7″  vinyl via VF and Martin Creed’s own label, Telephone Records. The single release coincides with the artist’s hugely popular show, TOAST, at Hauser & Wirth (London) which runs until 09/02/2019 and Artist Rooms  at the Tate Britain until 10/03/2019“It’s got everything in it” – Martin CreedSide A                          All the sounds on a drum machine played one after the other, in their given order, at a speed which makes the piece last …