Reissues

Le Raccourci is a welcome introduction to the world of Sebastian Gandera. The impressionist landscapes of a sensitive soul self-reflecting, these miniature compositions alternate across a rudimentary set up of piano, field recorder, sampler and four-track recorder, melancholic utterings hastily captured some 100km east of Paris. Classically trained by the same teacher as his parents, Gandera first began recording in the confines of his university dorm room, inspired by a C60 from friend an…

Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint a…

** Limited Edition of 200 copies. This is the second album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Here’s the *real* Santana! This is a vibrant and exciting album – a lively document of early free music. Drummer Pierre Favre was interested in space and jagged rhythms at the time, with Irene Schweizer adding creative lyricism and Peter Kowald’s fat bass lines pulsing…

** Edition of 300 copies. All handmade sleeve in full coloured papers tipped on. Colour lined inner. Japanese obi With full colour insert ** For more than three decades, Andrew Chalk has been quietly defining the outer reaches of the British electronic music - as much an anomaly as a snapshot of his generation’s ideas and arching concerns.Singular in its vision - an illumination of rewards gained by pluming the unknown, his work, stretching across dozens of releases, treads its own path - a remi…

** Edition of 300 copies only. All handmade sleeve in full coloured papers tipped on. Colour lined inner. Japanese obi With full colour insert ** Elodie’s sublime second album presented on vinyl for the first time. Originally issued on CD in 2011 ‘La Lumiere Parfumee’ finds Andrew Chalk and Timo Van Luijk’s duo hovering into the languid, spectral forms that have charmed us ever since.  Impossibly delicate and floaty, ‘La Lumiere Parfumee’ is a like a slow motion, weightless ballet written for ke…

Dark Companion come up roses again with dazzling, never-before-heard haunting compositions and songs by Jeanette Sollén, compiled from her archive specifically for this album. 300 individually handnumbered transparent emerald green audiophile vinyl. "My first recordings were on an old tape recorder in my childhood bedroom. I spent a lot of time with that machine. Listening to the radio and pressing the green and red buttons when something I liked came on. And I seemed to have liked a lot. One ta…

Some of the most gorgeous, little heard DIY music of the early ‘80s finally surfaces with Rimarimba’s ‘Below The Horizon’, the first in Freedom To Spend’s reissue series of work by Suffolk, UK’s Robert Cox - all massively recommended to followers of Colin Potter, Woo, General Strike, Konrad Sprenger and homespun electro-acoustic music of all stripes! Committing its first appearance on vinyl, ‘Below The Horizon’ documents Robert Cox in freehand exploration of his modestly built, four-octave Marim…

Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…

Double album by Miles Davis compiling studio recordings made in New York between 1970 and 1974, with Michael Henderson, Al Foster, Mtume, Pete Cosey and Reggie Lucas, produced by Teo Macero and first issued by Columbia in 1974.

"Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of In a Silent Way, it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not ev…

An outstanding lbirary CD (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …

O YAMA O explores a certain domestic and democratic quality of everyday life, born through associations to folk music of Japan and a folding of myth, tradition, and routine; the non-spectacular and the sublime. Formed of musician and artist Rie Nakajima and Cafe OTO co-founder Keiko Yamamoto, the group has performed since 2014 at venues and festivals such as noshowspace, Ikon Gallery, Wysing Arts Centre, Supernormal, Borealis Festival, Mayhem, and allEars Festival.Nakajima’s performance often fo…

Mana is pleased to finally present Pomegranates by Nicolas Jaar as a double LP, with new mastering by D&M. The sleeve is designed by David Rudnick, with labels by Stéphane Jourdan and a new insert created by Jaar collaborator and friend Maziyar Pahlevan. Longer and slower-releasing than his other albums, Pomegranates often parallels the cinematic epic on which it's based (Նռան գույնը), with ideas pursued over long timelines and across dark landscapes, assembling elements and moods from the aest…

**small repress available** Gamelan and Capoeira in dub. The collective behind this doesn't like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years. They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all deli…

Strategic Structures unites Kat Epple, Bob Stohl, and Robert Rauschenberg in a 1989 suite where metallic sculptures and lush electronics intertwine. The album’s twenty-nine-minute arc traverses foreboding and angelic timbres, forging a resonant dialogue between new age ambience and avant-garde architectural sound.​

The histrionic Swedish artist Isak Sundström (Pascal and Skriet) embraces the fascinating sound world of the "spoken word", infusing new expressive perspectives to this genre with original sensitivity. These five vocal dramas are based on the subtitles of some films by Douglas Kirk, texts that describe the sound effects and events that occur outside the screen. But the result is rather that of a new dissolved narrative, of another space that explores the boundaries of emotional imagination. In t…

Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…

The 1972 masterpiece by Chicago singer-songwriter and guitarist Terry Callier, returning here in the Music On Vinyl 180g audiophile edition. Cut at the heart of Callier's tenure on Cadet, the jazz imprint of Chess Records, What Color Is Love stands as the artistic peak of his collaboration with arranger and producer Charles Stepney, captured across three Cadet albums, Occasional Rain (1972), What Color Is Love and I Just Can't Help Myself (1974), plus a fourth project that was cut short by Stepn…

2016 remastered edition, clear vinyl edition of 500 copies. "For several years major labels had been issuing records in both mono and stereo formats. By 1967 Takoma was doing well enough financially to justify the recording of John Fahey's first and second albums for the burgeoning stereo market. Thus Vol.1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey…

500 copies. Orange vinyl Originally released in 1966. John Fahey's never recorded an album that was more thoroughly of its moment. From the groovy flute and twangy sitar accompaniment to the backwards guitar, this Birthday Party is a charmingly trippy 60s time capsule. But it isn't a two dimensional one. The album gains immense depth from the tension between his sweeping, fingerpicked melodies and discordant string-battery. It's the audible battle between yearned for rose colored luminescence a…

2016 remastered edition, green color vinyl edition of 500 copies.Originally released in 1964, Dance of Death offers a glimpse of an artist in transformation. More than half the album's titles draw from the traditional blues and country repertoire Fahey had spent his teen years and young adulthood collecting, listening to, and learning to play, yet the recordings proved once and for all that his interests lay in musical transfigurations rather than preservation -- John Fahey was not afraid to use…

2016 remastered edition, blue color vinyl edition of 500 copies. "Death Chants is John Fahey's second album, following the brilliantly apocryphal Blind Joe Death. As massive as that earlier work was, it represented only a tentative first step towards the fields of hodologic splendor that our hero would go on to create. Death Chants represents a much more fully realized syncretism of the modernist and primitive poles between which John Fahey wobbled. It is also the first album he deigned to relea…

2016 remastered edition, gold color vinyl edition of 500 copies. Originally released in 1967. The Transfiguration of Blind Joe Death is John Fahey's classic fifth album from the mid-1960s and is one of his most influential. This album has an amazing variety of styles, moods, and influences, and John has a compositional and playing style that is totally unique. "A strange man, John Fahey, with an unusual set of guitar styles. This album, originally released on Riverboat Records and later reissued…

Edition of 300 copies. Official reissue of this experimental industrial electronic classic originally released by Discos Esplendor Geométrico in 1987. "After 41 years you should know De Fabriek means The Factory, a name not chosen because of a love for Andy Warhol or the UK label of the same name (which hardly existed at the time De Fabriek started), but because of what a factory represents; there are workers, creating a small portion of the final product. In the early days these workers were a …

Edition of 300 copies. Reissue of the first De Fabriek album originally self-released in 1982. A masterpiece of minimal experimental music. It has been remastered and includes a new artwork done by the band. The digital download includes 2 songs that have been removed from the vinyl edition due to the actual lenght limits.De Fabriek (The Factory) hails from the Dutch City of Zwolle and started in december 1977 as a collective project. Their goal was to do minimal experimental music and you could…

*Edition of 300 copies* The Joy Of Disease: Demos And Remixes showcases the initial recordings in preparation for The Joy Of Disease album, released in 1995 on John Zorn's Japanese Avant label. These early home-recorded instrumental versions are supplemented by unreleased remixes from Plotkin and co-producer Mick Harris of Napalm Death/Scorn. The remixes were done during the original album sessions at Mick Harris' Black Box studio in the Custard Factory in Birmingham, UK"Progression and creativi…

Recorded at Oregon State Penitentiary in the earlu 2000. A deeply personal musical statement from the enigmatic Bobby BeauSoleil, a 2-disk concept album featuring a mix of vocal and instrumental tracks tracking the meandering path of his journey to spiritual understanding. Among the vocal tracks performed by BeauSoleil are both covers and original songs, some with guest performances by Annabel Lee Moynihan, Michael Moynihan, Robert Ferbrache, and Mike Behrenhausen. A lavish triple gatefold cover…

Re-issue on Everland of an overlooked Dutch Jazz LP 'A Safe Return' by the Surinam jazz flutist Ronald Snijders. Recorded in 1980, flute-centered, spacious as it is soulful, which makes for a perfect mix with the album's use of keyboards and other electric instrumentation .'Lenox' the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approa…

**Special edition of 50 including the LP in its regular sleeve and a T-shirt, all housed in a brown paper bag with a sticker (few available)** Released on occasion of the 50th anniversary of the Maciunas Ensemble. Tracks recorded between 1982 and 2012. The Maciunas Ensemble was founded in Eindhoven, The Netherlands, in 1968 as a free improvisational music group that set out to realize the score "Music for Everyman" by Fluxus initiator George Maciunas, which they interpreted as allowing total fre…

** Edition of 300 on blue vinyl ** Edition Telemark presents the ninth album by die ANGEL (pronounced [diː ˈaŋl̩], previously called Angel), an improvisational noise and electro-acoustic project founded in 1999 by Dirk Dresselhaus and Ilpo Väisänen (Pan Sonic). Dresselhaus, a.k.a. Schneider TM, is based in Berlin and has been active in electric and electronic music since the late 1980s in various bands and projects ranging from rock music to electro-acoustic improvisation. Väisänen has been play…

This milestone of the avant-garde music, published in 1974 by the historic Opus One, was a very significant political awareness. With Coming Together and Attica, Frederic Rzewski celebrates in music the famous revolt of the American prison in 1971. The texts of Sam Melville and Richard X. Clark make pulsating and alive the invocations of the prisoners; full of pathos, these fragments of life oscillate between a confessional tone and the hymn to freedom, in a touching emblem of compassion. The fi…

Garrett List’s work for Opus One, in 1972, was a remarkable creative effort, conceived like a celebration of a higher self-consciousness. The context is avant-garde minimalism, but the music is enriched by a deep spiritualism; it echoes the most meditative jazz of the age, taking also advantage from the mystic lesson of La Monte Young. Everything is solved in a free, moderate and brilliant language, pure and elegant. It’s quintessential, in these rare moments of beauty, the instrumentation of th…

** Audiophile pressing (Pure Analogue Cutting, One-Stage Pressing Process, 180 g.) edition of 490 copies ** More than 40 years after its publication, the album Lassa sta 'la me creatura continues to be systematically cited in the stories of Italian music related to the' 70s as a completely unique and innovative event in the music scene of those years. A remarkable Italian folk/ethnic album with experimental tendencies, released in 1974 on the legendary Intingo label, Canzoniere Del Lazio was one…

Special Price. A litlle known but excellent Italian album originally published at the end of the 70s, a few months before Demetrio Stratos’ death, which was honored by the same musicians in the famous concert in his memory at the Parco Lambro in Milan. Although the heyday of Italian progressive rock was already long gone, with this LP Carnascialia demonstrated that it was still possible to make music far from the new trends imposed in the late ‘70s. A unique work, combining world music, folk and…

Sold out at the label, few copies in stock. Originally released in 1972, Zeit would be Tangerine Dream's third full length album, and the first to feature the main trio of Edgar Froese, Peter Baumann, and Chris Fanke. The German electronic group pioneered the entire dark ambient genre with this work, whose title translates to "time," and was based on the philosophy that "time was in fact motionless and only existed in our own minds." Also worth noting is that Popol Vuh's Florian Fricke plays Moo…

2018 release. Burnt Weeny Sandwich is the first of two albums by the Mothers of Invention that Frank Zappa released in 1970, after he had disbanded the original lineup. While Weasels Ripped My Flesh focuses on complex material and improvised stage madness, this collection of studio and live recordings summarizes the leader's various interests and influences at the time. It opens and closes on '50s pop covers, "WPLJ" and "Valarie." "Aybe Sea" is a Zappafied sea shanty, while "Igor's Boogie" is na…

2017 release. We're Only in It for the Money is the third studio album by the Mothers of Invention. Released on March 4, 1968 on Verve Records. As with the band's previous two albums, We're Only in It for the Money is a concept album, and satirizes left and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy…

**Limited 50th Anniversary Sky Blue Vinyl Edition** Sweet Child, released in 1968, at the peak of Pentangle's career, is probably the most representative of their work. A sprawling two-record set, half recorded in the studio and half live at the Royal Festival Hall, showcases just how versatile Pentangle was in their unique brand of English folk, jazz, Celtic, blues, and pop styles. Some of the live covers are easily their finest performances. Furry Lewis' "Turn Your Money Green," sung by the de…

2018 Stock. 180 gram audiophile vinyl, Gatefold sleeve. Cruel Sister was an album recorded in 1970 by Folk Rock band Pentangle. All the tracks are versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of Folk musicians. The whole of side two of the album is taken up with an extended version of the ballad "Jack Orion", previously record…

2018 Stock. 180 gram audiophile vinyl. The Pentangle was the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary song-writing. One of the band's most commercially successful albums, it reached number 21 in the British charts.By the time that the album was produced, the members of Pentangle were already accomplished musicians, in their own f…