Reissues

2017 repress, originally released in 2015. Ecstatic resuscitate Daniele Ciullini's "sonic polaroids" of odder '80s pop, drone, and drum machine workouts in the detached dimensions of Domestic Exile: Collected Works 82-86. Compiling the Florentine artist's standout '83 cassette plus a whole other side of compilation obscurities on vinyl for the first time, it presents a series of brilliant, isolated self-portraits by a mail art and tape scene insider (also photographer, zine publisher) who op…

Under the Victory Banner was first published as part of the Lp "Weltanschauung" in February 1982 by Come Organisation, UK.This limited edition box set contains the track Under The Victory Banner on 3 different formats: a 7" pressed on a violet vinyl, a violet cassette and a professionally printed CD-R. Also included is an insert with an unpublished M.B. artwork from 1980. All insert are signed by Maurizio Bianchi / M.B. Limited edition of 30 numbered copies. Ins…

this is Big D jazz live material gets released here for the first time. The players are Marcus Belgrave (trumpet), Vincent York (alto sax), Rick Roe (percussion), Marion Hyden (bass) and Lawrence Williams (drums).. Limited to only 70 copies, so order fast! "A rare live session from Tribe Records legend Marcus Belgrave – a record that has the Detroit trumpeter working strongly here on his home turf with a very well-matched quintet of musicians! The work is maybe a bit more straightforward …

A rare and unique meeting of two master musicians, deep and mysterious at times. Recorded on October 27th, 1979 at Centro Jazz St. Louis in Rome, Italy. The musicians are Mal Waldron (percussion) and Johnny Dyani (bass). Limited to only 70 copies, so order fast! "A fantastic pairing of these two ultra-hip musicians – working together in a very open-ended, stretched-out live setting – with maybe an even freer feel than their better-known album together from a few years later! The music is r…

All the five Spettro groundbreaking library LPs in bundle, color vinyl edition limited to 200 copies.  

First 200 on Mixed Colours Vinyl. Rome was, of course, the pulsing heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening in the library music world, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and …

Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades. Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, John…

First 200 on Transparent/Pink Vinyl. Rome was, of course, the pulsating heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and orchestral tradition, but the musicians in Milan adopted …

First 200 on Green Marbles Vinyl. The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring. Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term “fusion” has become really popular. This the environment in which this album …

First 200 on Red & Orange Colours Vinyl. 1983, in the history of synths, is a key year. During the January edition of Namn(the most important music fair in the US), indeed, Miid – the standard protocol for electronic instruments interaction – was introduced to the world. Until then, programming and making synths work together was something practiced by a restricted elite of “wizards”, explorers armed with cables and analog patches, who …

“Produzione”, originally released in 1973 on Piero Umiliani’s LP “Problemi d’oggi”, is an amazing mix of acoustic percussion and electronic experimentation, considered by some as the first example of techno trance music ever recorded. This song, along with “Attività”, another excerpt from “Problemi d’oggi”, has been ‘reworked’ by Gerardo Frisina, who cleverly extends the original content by mixing it with contemporary electronic sensations. The result, packaged in an artwork inspired by the ori…

One of the rarest and most sought-after Italian holy grail soundtracks ever is finally back from the grave! Originally released in 1966 on Beat Records (45-BT 024), the Kriminal main theme was written by Romano Mussolini (Raymond Full in the opening credits) and Roberto Pregadio for this sleazy crime-pop movie directed by Umberto Lenzi, and based on the cult Italian comic hero. Actually, this could be considered one of the best swinging jazz-beat themes from the 60s, with its wonderful hor…

The Italian funk god Luis Enriquez Bacalov is celebrated here with this unmissable 7-inch record, featuring two of his grooviest tracks ever: on the A-side, the legendary Carrefour is maybe his funkiest soundtrack piece, here released for the first time in its entirety, with an unexpected introduction via a powerful horn section, which was cut from the original 1976 RCA 7’’. Behold an eternal jazz-funk masterpiece with solid drum breaks and hip hop heavy beats, funky congas, wah wah guitar…

Extracts from the Farewell performance at Kings College, London 1978. Jgjgjgjg formed at the  London Sound Poetry Festival in June 1976. Reissue of tape on Balsam Flex. 200 copiesIn those days a number of British poets were producing works influenced by radical international currents in sound art, conceptual art, visual poetry and performance art. Bob Cobbing (1920-2002) was a central figure in this continuation of the ‘British Poetry Revival’, a rather loose poetry movement of the 1960s an…

Digitally remastered for the first time at 192 khz and 24 bit. Napoli Centrale were formed in Naples in 1974 on the initiative of James Senese (sax, vocals) and Franco Del Prete (drums) after their experience in another band called the Showmen 2. They joined forces with American keyboardist Mark Harris and British bassist Tony Walmsley and in 1975 released an eponymous debut album blending in an original way Mediterranean roots and jazz rock. James Senese’s father was an American soldier who had…

Babils are an atypical Brussels underground band, mixing rock, new wave, psych, kraut, experimental, and repetitive music. Ji Ameeto is the fourth album from Babils. From the duet formed in the late '90s by Gabriel Séverin and Michel Duyck, opening out over the years, the five current members of Babils meet monthly at the Central Laboratory to improvise freely, without any restraint. All the sessions are recorded and archived. The very first album by Babils, The Joint Between, made of a sele…

"This album reissues the final recording (thus far) of the Milstein/Moore duo. It was originally released in 1997 by Chris Corsano's Hot Cars Warp Records label. Chris had a choice of this tape -- recorded December 4, 1996 at the Middle East in Cambridge MA -- or the one from the previous night at the Iron Horse in Northampton (FTR 288LP). He chose this one, and the first volume was scheduled to appear on the Ecstatic Yod label. Why it never happened, who knows? Not me! The set was recorde…

"As I recall, the idea seemed pretty reasonable at the time. It was late 1996. I'd met Fahey a couple of years earlier, and partly as an outgrowth of that meeting he had decided he wanted to meet and play with 'noise musicians.' This resulted in a lot of music that made his olden fans weep, but who was I to argue with The Great Koonaklaster? Anyway, it was late '96 and Fahey wanted to play some gigs on the east coast. He also wanted Thurston to be on the bill with him, and so Mr. Moore asked…

Marc Barreca’s Music Works for Industry is a layered assertion. An economic mantra for the mind to spin, like the many loops on this recording, or churn, as gears of some godhead machine. From the pool of playful compositions, a social subtext appears – a somewhat sardonic riposte to the commercial and cynical abuse of music and musicians. The work profits the listener over industry. Said another way, its motivations are more generative than lucrative. No longer than four minutes, no shor…

At the top of my personal holy grail list for a number of years has been this unobtainable side of Agitprop Musique Concrète by the Composer Ivan Pequeño, composed from 1973-1975 at Paris' Studio de Musique Expérimentale du Centre Americain & at Belgrade's Studio de Musique Electronique du Treci Program-Radio & issued on Aldo Pagani's mythic Eleven label - home of Franco Leprino's "Integrati… Disintegrati", amongst other gems. The A-Side's "¡Ahora!" ("Now!") weaves the Composer's interstitial, c…

A-grade, primal bleep from the Academic sector; Rune Lindblad's first & best record - amazingly never available on disc prior to this replica edition - from 1975, originally issued via the Proprius books & records imprint. Listening to this now, eyes closed, I'm amazed at how little progress there's been in the world of analogue electronic music & the organization & compositional sensibilities offered within; some of the timbres sounds wholly contemporary & their working methods perfectly in li…

The Ventadoorn label was set up in 1970 & released over 100 LPs & EP's over the following decade, all centering in on some facet of Lenga d'Oc / "Old" French language & culture. Some of you may be familiar with the 1980 Henry Fourès / Luc Ferrari "Folclòre Imaginari" set - later reissued on Adda as "Ce Qu'a Vu Le Cers" - as one of the label's final releases, but a year prior they issued this absolute masterpiece of a record, merging Occitan folk forms & instrumentation with extended drone-psych…

One of the true Musique Concrète Holy Grails - alongside Jacques Lejeune's "Fantasmes Ou L'Histoire De Blanche-Neige" & the Jean Schwarz / Jacques Lejeune / Phillip Beetz "Des Musiques Des Sons" set - is this privately issued 3LP boxed set from the husband & wife team of Françoise Barrière & Christian Clozier, consisting of one extended piece by each; Barrière's "Ritratto di Giovane" & Clozier's "Symphonie Pour Un Enfant Seul." Barrière's six-part "Ritratto Di Giovane" - "Le Vieux Clown, "Et Le…

The only solo outing by "Works of Electronic Music" alumnus Iván Patatich, a collection of six late-70s Electronic works realized at the Institute of Sonology in Utrecht & "H'EAR" - the Electronic Music Studio of the Hungarian Radio, including "Antiphons (Antifonák)" (1977), "Calling sounds (Hivó jelek)" (1977), "Ballade" (1976), "Ludus syntheticus" (1977), "Chinese temple with echo (Kínai templom visszhanggal)" (1979), & "Hommage à l'électronique" (1978). Much like the László Dubrovay "Live Ele…

Closing out a trilogy of releases initially readied by the Harriman, NY powerhouse Spectrum (following the Jack Tamul & William Hoskins titles) is this fantastic set of noisy synthesizer adagios, composed in the late 70s by William Strickland on Moog Modular, Organ, and Four-Channel Tape. Offering a pair of conceptual, side-length suites, a series of exceedingly lo-fi miniatures meets us on the A-Side; "An Electronic Visit to the Zoo" seems to almost ignore its own premise - despite the red-herr…

Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…

Gorgeous, three-part Musique Concrète suite, composed at McGill's Electronic Music studio during 1977 & 78 by Quebecois composer Michel Longtin, timbrally presaging much of the FM synthesis-laden work of the early 80s & onwards, acting a bridge between the two sensibilities.

"Brotzmann Box" is a beautiful box set containing 3 albums by German free jazz master Peter Brötzmann. The first volume of the album is "Full Blast" (JW 1) with Brötzmann (alto and soprano sax, tárogató) playing in a super Swiss-German trio with Marino Pliakas (electric bass), a member of Swiss Steamboat, and Michael Wertmuller (drums), one of the best musiciand of the Berlin music scene and member of the group Alboth. Together these three musicians create a truly unique musical cosmos that lies…

In 1976 the fairly square “Movieplay S.A.” imprint (via their slightly hipper “Serie Gong”) quietly issued this monster of a live-electronic / psych-freakout opus (oddly, alongside canonic titles by Inti-Illimani, Victor Jara, et.al ... all considerably more “Inside”) by the then-unknown composers Eduardo Polonio & Horacio Vaggione, recording under the name It. Predating the latter’s canonic Cramps-label debut “La Maquina Del Cantar” by a couple of years, this is miles away from the controlled g…

Creel Pone reproduction of Randall McClellan's 1975 Opus One LP "Genesis Interruptions," including, as a bonus, his pieces from the Opus One split with Joel Chadabe & one from a later CRI compilation, collecting all of his Early Electronic Music issued formally in the "Classic Era." After a semi-recent Sun Ark 4CS box of his later, more New-Age-leaning productions, it's interesting to hear his "Academic," yet largely drone-centric music made when he was the director of the Electronic Music Studi…

Handy collection of all of Composer James Dashow's early Computer Music issued in the vinyl era, including his 1982 Edipan "Computer Music / Musica Elettronica" LP, plus his track from the "Computer Directions" collection on CRI & the piece "La Pianta Di Livio" tucked onto the end of the soundtrack to the film "Oedipus Orca" released on Cinevox. Dashow started out in the Chicagoland area, studying with J. K. Randall amongst others before heading to Italy on a Fulbright in the late 60s where he s…

Continuing in the Creel Pone "6" Igloo program, here's a picture-perfect reproduction of one of the more obscure & bewitching entrants into the label's early discography, Henry Krutzen's 1981 "Silances" LP; IGL 006. Nestled somewhere between Ghédalia Tazartès' mutant Sound Poetry, Anton Bruhin's acoustic / Alphorn drones & the more "Private" sensibilities of Badouin Oosterlynck, Paul A.R. Timmermans, or latter-day channelers like Raymond Dijkstra, the largely quiet, humble multi-track constructs…

"I have a soft spot for "Religious" Early Electronic Music outings - secular or not, the "Provocative Electronics" LP is one of my favorites in the C.P. series, as are Ralph Swickard's "Sermons Of Saint Francis" & "Hymn Of Creation," both present on the first "Creelpolation" - so this "Private" 1979 outing, the sole release by Composer Henry Sweitzer of beautifully hand-played advanced synthesizer motifs & home-studio Musique Concrète is a real find. Starting with the side-length title piece, Sw…

Reproducing a trio of mid-late 80s LP titles on the Amadeo label; "30 Jahre Elektroakustik," "Tonband Und...," & "Tape Music," this double-disc set offers an incredibly wide breadth of work either by composers of Austrian origin - or by those closely aligned with the Austrian Electro-Acoustic community - over a 30-year timeframe. The first set includes early work by Roman Haubenstock-Ramati (whose "L'Amen De Verre," composed at the GRM in 1957, opens the set), Max Brand (a 1962 piece, "Die Astro…

The two moldy, water-logged LPs being reproduced here - the particular copies in question were steeped in Italian bog-water for decades, then recently proffered to the Mr. P.C. C.P. brain-trust - cover the self-released early-80s Electronic Free Jazz / Improv diversions of one Robert Aaron - the New York "Jazz Musician" / James Chance sideman who was recently arrested in connection to Philip Seymour Hoffman's death. That aside, let's focus on the music: both LPs - issued via Aaron's Private Arti…

Criminally under-rated set of Early American Moog Modular Synthesizer Music - the sole release by composer William Hoskins, the "Director of Electronic Music and Composer-in-Residence at Jacksonville University in Florida." Issued in 1979 by the Harriman, NY-based Spectrum - a "Division of UNI-PRO Recordings, Inc." the LP consists of a pair of discrete pieces, with each taking up a side of its own. "Galactic Fantasy" lives up to the premise of its title, its far-reaching narratives are concerned…

Privately released as a pair of LPs in 1981 & 1983, respectively, this set covers the early electro-acoustic work of German composer, guitarist, and electronic percussionist Klaus Röder, a student of Milko Kelemen & Günther Becker’s - more on Becker later in the series - member of the free jazz band Synthesis - along w/ Gerhard Illi ... not to be confused w/ the Arthur Blythe / Olu Dara / David Murray group of the same name - who formed an Electronic Music studio in Solingen to realize his idios…

Creel Pone replication of this fascinating, un-Google-able LP offering a largely acoustic take on historically electronically-assembled Musique Concrète, performed by the Collectif Musique Verte in 1982. An associate of Knud Viktor - who took the album's cover photo - and, by proxy, L'Oiseau Musicien boss Jean-Claude Roché, French "Composer and musicologist" Jean-Yves Bosseur was a member of the ensemble GERM - "Groupe d'Etude et Réalisation Musicale" - the same that realized that version of Ter…

Creel Pone reproduction of a pair of LPs released by EGREM - Empresa De Grabaciones Y Ediciones Musicales's - via their Areito imprint in 1984 & 1987, respectively, covering the Cuban Electro-Acoustic scene in the early 80s. Featuring both the work of "Storied" Composers such as Juan Piñera, Edesio Alejandro, Julio Roloff & Juan Marcos Blanco working out of the Estudios EGREM - "using 5 Tape Recorders" - and that of a younger, "Jovenes" generation; Fernando Rodriguez, José Manuel García Suárez, …

Compendium of early German Electronic Music Composer Peter Hübner's first two self-issued releases - via his "Enjoy Records" imprint - covering a series of extended drone forms for Synthesizers & treated vocals composed & executed as his private "Studio für Elektronic Music Cologne / Kassel" between 1967 & 1970.A Student of both Herbert Eimert & Bernd Alois Zimmerman, Hübner studied Electronic Music at the Staatliche Hochschule für Musik in the early 60s before, amongst other things, establishin…