Reissues
Crystal
Maggi Payne's musical imagination is vivid: she is interested in the surreal, the inward, the micro, and the accumulation of physical and psychological tension. Periods of silence gently evolve into flowing drones of complex resonances. Oozing drones evolve into dense and powerful peaks of short duration. On one cut, multi-tracked voices shift in and out of phase, creating alternately shimmering and percussive patterns; on another, digital delay and 32 separate flute tracks create a rain forest …
A I A : Alien Observer
**2019 small repress on Kranky** The tools Liz Harris uses to make music as Grouper tend to be pretty basic: piano, guitar, synths, drones, hiss, and lots of reverb. If you've been following along with the twists and turns of noisy ambient music these last few years, this collection of elements may sound familiar, possibly bordering on cliché. But it's all in how you fit the pieces together. Despite sharing characteristics with a lot of other current music, Harris' has a distinctive sound that s…
A I A : Dream Loss
'This sound / synapse transposition is as haunting as it is beautiful -- surely Grouper's best.' --Tiny Mix Tapes. 'If past Grouper releases have inhabited abyssal trenches and damp backwoods, here Liz Harris takes us journeying across constellations and stars. Two of the most beguiling albums of the year, exquisitely realized and singularly evocative.' --The Quietus. 'This music feels both spacey and expansive and also oddly intimate and grounded, the work of someone who has mastered her tools …
Fastness / Coagulation
When we talk about Tullio de Piscopo (Naples, 1946) we’re talking of a living legend of drums, whose career dates back to 1969. In 1971, tired of commuting from Naples to Milan, he moved to Milan for good where he joined as a drummer the group of Gianni Basso and Oscar Valdambrini. Shortly after, he recorded his very first single on a 45 under the moniker of Jujuy, for Aldo Pagani’s label Analogy, with cat. number 'TRE 0'.Recorded in 1971, but only published in 1973, Fastness and Coagulation are…
Cosmic Bondage
Hospital Productions present a reissue of Smell & Quim's Cosmic Bandage, originally released in 1995 on their notorious Stinky Horse Fuck imprint. Cosmic Bondage stands as a monument to the universal perversion inside us all. Birthed into the world with an auto-asphyxiated doll complete with toy packaging and overgrown pubic hair in an edition of 100, despite its limitation the material within has become a staple of the groups live performances to this day. The dark humor enforced by truly maste…
Shinsen Na Clitoris
Hospital Productions present a reissue of Masonna's first full-length CD from 1990, Shinsen Na Clitoris, originally on Vanilla Records. The supreme voice of Japanese noise here on vinyl for the first time with audio preparation by Kris Lapke. What would become an inimitable explosion of energy and vision from Japan heralded in the glory days of '90s alternative rock, death metal, and psychedelic synth music, Masonna surpassed all extremes with a full frequency violence that was as fast as it was…
Stupid Is Stupid
**350 copies** Hospital Productions present a reissue of Incapacitants' Stupid Is Stupid, originally released in 1993. In 1993, founding fathers of Japan noise T. Mikawa and F. Kosokai revealed Stupid Is Stupid, one of the most classic titles to emerge from the criminally underrated and revered Incapacitants. A seminal document already over a decade into the duo's unrelenting path of pure chaos after their formation in 1981, Stupid Is Stupid was released as a double cassette on the equally influ…
Environments
**Edition limited to 200 numbered copies, printed in one-colour Risograph**Eleven environments released over eleven years, starting with the ocean surf in 1969 and ending with a blizzard in 1979. This was the first record series to successfully market ambient sound recordings to a broad audience in the United States, with the purpose of being used as a mood enhancer and stress reliever. This publication brings together all the liner notes to the albums (from the 'The Music Of The Future / The Ma…
Quiet Music 3
Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.After Structures From Silence…
Quiet Music 2
Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.After Structures From Silence…
Quiet Music 1
Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.After Structures From Silence…
Sitting Still Within / Sitting Still Without
Primarily utilizing Tibetan bells, and singing bowls, Karma Moffett crafted sounds that led the listener on an inward journey. 1982's Sitting Still Within / Sitting Still Without is Karma Moffett's earliest triumph. "Sound has the ability to heal. This is the primary tenet that has been driving Karma Moffett for over 35 years. Pure tones, resonant harmonics, the sounds of the earth. At the dawn of the 80's, as the burgeoning movement of privately-issued New Age was taking hold, Karma Moffett was…
Lady Maid
CD version. WRWTFWW Records present the reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain. Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru's fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance), Lady Maid is a testament to the creativity of the early '80s Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore so…
Conversations With the Anthony Burgess Cassette Archives
Double CD version. Includes color insert. Double LP/CD curated by Alan Dunn in collaboration with the International Anthony Burgess Foundation and Sub Rosa. Anthony Burgess's second wife Liana carried a cassette recorder with her at all times to capture her life with the author and their son Andrew. This extraordinarily intimate audio archive of over 1,000 cassettes now sits with the International Anthony Burgess Foundation and artist Alan Dunn has been granted access to select excerpts from it …
Phosphorescent Dreams
CD version. Available for the first time outside Japan, and on LP and CD, Phosphorescent Dreams is another epic album of symphonic schizophrenic avant-rock from Univers Zero, originally released in 2014 -- only on CD -- on the Japanese label Arcàngelo. Phosphorescent Dreams presents at the same time, in the same track, even on a single moment, the complex musical schemes and ways of Univers Zero, ranging from maximalism to minimalism, classical avant-garde with a 2020 vibe in a constant flux. In…
From Somewhere Invisible
**Limited edition LP on marbled vinyl, includes printed inner sleeve and poster.** Edited and mixed between Montreal and Paris, From Somewhere Invisible summons the fever of experimentation and the powerful sound of the game coming together in the service of a luxuriant and psychedelic drift. Synthetic brass meets hammered rhythms, string electrics with cracked electronics, saxophone cries and laughter at a pulsing and seminal bass. Created in 2012 by multi-instrumentalists Frédéric D. Oberland …
Anthology of Contemporary Music From Middle East
**Small repress available** Following the Anthology of Contemporary Music From the African Continent, this new collection released by Unexplained Sounds Group, focuses on experimental and alternative music from the Middle East and includes artists from Egypt, Lebanon, Turkey, Bahrain, Kuwait, Iran, Israel, Iraq, Palestine, Jordan, Afghanistan, Cyprus. A kaleidoscope of sounds by artists rooted in their traditions, but at the same time projected towards the new frontiers of music. The minimal mel…
Dome 4
With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981). A final fourth album, Will You Speak This Word: Dome 4 was released on the Norwegi…
Station
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
2007
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…