Reissues

180 gram vinyl, originally released in 1979 on the FMP label. Peter Brötzmann on soprano, alto, tenor saxophone, clarinet, bass clarinet; Harry Miller on double bass, and Louis Moholo on drums. Recorded by Jost Gebers on August 27th, 1979 at the FMP-Studio in Berlin. Produced by Peter Brötzmann and Jost Gebers. "Brötzmann is a musician of character, who has been blazing his own trail for several years now, and it's true to say that he and his companions have created their own musical environment…

180 gram vinyl reissue of this LP, originally released by FMP in 1977. Peter Brötzmann and Han Bennink -- e-flat clarinet, b-flat clarinet, bass clarinet, soprano saxophone, alto saxophone, birdcalls, viola, banjo, cymbals, wood, trees, sand, land, water, air. Recorded open air on a Stellavox recorder by Peter Brötzmann and Han Bennink from May 9th to 11th, 1977 in the Black Forest near Aufen and the Schwarzenbach Talsperre. Produced by Peter Brötzmann and Jost Gebers.

2012 repress, originally issued pre-9/11. "Astounding 1975 Radio Bremen session from Germany -- never before released, by one of the greatest working bands in the history of European improvised music is offered for your consideration on Hunting The Snake. How can you lose? This all-star ensemble features Alexander von Schlippenbach on piano, Evan Parker on saxophones, Peter Kowald on bass, and Paul Lovens on drums and singing saw. A brilliant, previously unreleased 77 minute program fr…

180 gram vinyl version. Imagine finding a message in a bottle, forty years after it was dispatched. That is what it feels like when you listen to Kluster's Klopfzeichen for the first time, mysterious, hard to decipher, a relic of a time long since passed. The handwriting is archaic, barely legible, the complex contents only falling into place when examined through the light of historical context. Klopfzeichen is an incredibly important release for the time in which it appeared (1971), an …

Der Plan's riotous debut, a founding shot of Neue Deutsche Welle. 'Geri Reig' is anarchic, homemade electronic pop: dime-store keyboards, Dada humour and pure Ata Tak irreverence. NDW at its most inventive and unhinged.

Long deleted, few copies available for this 1977 album with Gruppo di Improvvisazione Nuova Consonanza members and associates "This is another fine date in Mario Schiano's deeply slung bag of atonal tricks. This date, an improv suite with various attachments, features our fearless Italian leader coming to arms with a quartet whose members carry with them not only most of the instruments in the orchestra, but an arsenal of noisemakers and percussion instruments and an endless round of techniques …

First Ever Official Reissue Remastered from the Original Master Tapes!I talian avant-garde and film composer Egisto Macchi (1928-1992) produced a large and largely forgotten catalog of astounding music during the 1960s and 1970s. At the crest of that incredible body of work stands Voix, an LP of intense contrasts; haunting, dissonant choirs collide with dexterous ‘musique concrete’ manipulations and other worldly soundscapes, while guitars buzz and strings scrape violently. The world of V…

Finally available on CD, “Tomografia Assiale Computerizzata” is the debut album of the band of the same name, then better known by the acronym T.A.C. The LP was originally published in 1983 as the first release of the defunct Azteco Records, a label run by the band itself. Founded in Parma in 1981 by Andrea Azzali, Simon Balestrazzi, Giorgio Barbuti, Fabio Cortesi and Giampaolo Terenziani, in its first incarnation the band used to crossbreed rock and experimental music, combining tape-loo…

2010 release. With Vandalia Walter Marchetti focuses his concrete and radical themes. Also including is an homage to John Cage. Action Music! Vandalia includes "Perpetuum mobile" (1981), "Song for John Cage" (1985) and "Le secche del delirio" (1989). The 8-page booklet presents the photo of the "Perpetuum mobile" performance at Musicalia in 1981, the score of "Song for John Cage," the photos of two "Musica Da Camera" installations, as well as the reproduction of the original Vandalia CD layo…

LP version, previously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). It’s abundance is a foil to the hauntingly minimal musical piece. A very simple sequence of piano accidents, according to Robert Ashley one of the most beautiful piano pieces ever recorded. Natura Morta includes the piece with the same title from 1980. "The LP sleeve reproduces a photo of the performance at Milanopoesia in 1988, as well as the text In My Music. The full color inner sleeve reproduces a photo of t…

LP version, previously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). "Includes the same materials as the original 1974 Cramps LP titled La Caccia (1965). The LP sleeve reproduces the original scores, photos of both the 1965 ZAJ performances and of Walter Marchetti recording La Caccia. The full-color inner sleeve reproduces the original La Caccia LP layout.

Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).

Iancu Dumitrescu 'Liminal involvement' for ensemble. 'Le silence d'or' (Israel version) for ensemble and computer sounds. Ana-Maria Avram 'Lux animae XII' for ensemble and computer sounds. 'Telesma' (Israel version) for bass clarinet, ensemble and computer sounds. Contemporary Music Ensemble from Tel Aviv under direction Ilan Volkov with special guest Stephen O'Malley.

** Edition of 250 copies. Includes 24 page A4 Comic. Originally released on Mother Savage Noise Productions in 1995 ** As all Mother Savage tapes begin their transubstantiation into the new holy relics of Noise, one seldom-heard act still stands at a comfortable distance from the rest of the roster. A collaboration between Andy Bolus (Evil Moisture) and Mark Durgan (Putrefier), Olympic Shit Man divorced itself from the ultra-saturated, no-mind quest for pure filth by combining velocity and densi…

Between 1982 and 1984 Death Magazine 52 played around 20 shows mostly within the Black Country region of the U.K. Sometimes they played under the name Spontaneous Human Combustion which was the moniker they originally started out with. These recordings capture the core group and its floating membership at various stages of their existence. Recordings from the studio sessions and live sets, including playing to a school hall full of teenage girls at 3pm one afternoon, and as the final band to pla…

Atrax Morgue is anxious and psychotic side of the electronic noise. With the help of a analog synth, Marco blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviations. Originally released on cassette under the title of ‘'Nursery Crime'' in a special box limited to 50 copies and later reissued on cd-r in very few copies with the title ‘'I vizi morbosi di una giovane infermiera'', is one of the most introspective and deep Atrax Morgue' s works. ‘'A vision…

Having worked closely with Karlheinz Stockhausen during the late 1950s, the Irish-born Cornelius Cardew became a major figure on the European avant-garde music scene over the following decade. However, by the early 1970s Cardew had become deeply involved in the international communist movement which created a growing rift between himself and his colleagues (particularly after his book Stockhausen Serves Imperialism was published in 1974). As Cardew’s politics changed, so did his mu…

Re-emerging from deep Fluxus celebrations in this 2012 summer, alga marghen realized that Philip Corner “Coldwater Basin” LP was instantly sold out. Could there be a better decision than issuing an alternative version of this masterpieces from the glorious 60s, by master of ecstatic music Philip Corner? If you fluctuated over sonic landscapes with the first version, then “Coldwater Basin No.2” will knock your socks off! More intense that Whitehouse, more liquid than your wildest dreams.  “Rememb…

Ulises Carrión's audio works clearly reflect his passion for language, its structures, sounds and meanings. He greatly enjoyed grammatically dissecting languages and trying to understand and explore their structures. His many initiatives and projects bear witness to his boundless obsessions with communication and circulation of works and ideas as a cultural strategy. This LP includes “Hamlet for Two Voices” (1977) in which two voices read out the names of the characters in the Shakespearean play…

"Mafarka" is the first title in a series of vinyl reissues dedicated to Mauthausen Orchestra that Officina Fonografica Italiana is going to release in the next months. An historic project conducted by Pierpaolo Zoppo, Mauthausen Orchestra is - along with Maurizio Bianchi - the name that best marked out the Italian way to Power-Electronics in the early 80s, producing a considerable amount of publications between 1982 and 1986 whose extreme nature had rarely appeared before in music. Distor…

This 5 Disc Set set covers the years Kevin Ayers was signed to the legendary Harvest label, 1969-1974. The albums included in this release: Joy of a toy (Released Nov 1969) debut solo album from Kevin Ayers, recorded at Abbey Road Studios, London. Was inspired by a gift from Jimi Hendrix – a Gibson J-200 guitar, which Hendrix presented to Ayers after Soft Machine supported The Jimi Hendrix Experience on a tour of the US. Amongst the bonus tracks is Singing a Song in the Morning which featur…

Romitelli was born in 1963 and died tragically in 2004 after a long illness. He studied in Italy with Donatoni, and later at IRCAM with the spectralists. His work blends the sonic experiments of spectralism with psychedelic rock in the kind of hybridization of art and popular music more common of the New York Downtown scene. His work is wild and exciting, and often combines acoustic and electric instruments with other bizarre sound sources creating a hallucinatory atmosphere. The Talea En…

* Special edition with bonus 7". Long out of print, few copies available * Hinterzimmer Records is extremely proud to release one of Ghédalia Tazartès' major works of the last 20 years, Ante-Mortem. Although simply named 1 to 23, the album bears a collection of very diverse tracks, a couple of them connected in a thematical frame, others simply standing for themselves. What holds them all together is first and all Tazartès’ archetypical voice. One could say that Ante-Mortem contains some of his …

Remastered from the original Neuilly/UniDisc/Mondiodis/SM mastertapes 2012. 46 track CD. All original recordings. First Ever Official Reissue. 20 page full colour booklet with exclusive liner notes and rare photos. Ultra-rare French production music workouts that bare comparison to Bernard Herrmann, Jerry Goldsmith and Ennio Morricone at their best. Tracks from 'Percupulsions' Neuilly Ð MC 8002 (1970), 'Gymnorythmies 1' UniDisc (1975), 'Le Vitrail Eparpillé' Mondiodis (1976), 'Imaginations…

Here is the second release from this new archival series brought to you by the combined inquisitive minds behind Pre-Cert Home Entertainment and Finders Keepers as they continue to share the results of some of their most sub-aqueous vinyl, tape and film excavations yet. Dead-Cert takes the combined obsessions of all its collaborators and applies an intensive research model to the annals of vintage outsider music, sound sculpture, spoken word, ethnological documents, art-trash, early compu…

Pioneering American electronic music composer Annea Lockwood presents "In Our Name", based upon two of the many poems written in Guantánamo by detainees, with no expectation that they could ever be heard "outside the wire". Many poems were confiscated by the Pentagon before the writers' lawyers could read them and remain locked away, the Pentagon "arguing that poetry 'presents a special risk' to national security because of its 'content and format.'" Marc Falkoff writes, in his introduction to t…

The sixth and final volume in Wergo's acclaimed series of recordings, Earle Brown - A Life in Music completes the label's reissue of the eighteen LPs of Earle Brown's legendary Contemporary Sound Series, recorded between 1960 and 1973. The first disc in the set contains works by John Cage and Christian Wolff from the early 1960s. Disc two presents violinist Paul Zukofsky accompanied by pianist Gilbert Kalish in works by Crumb, Yun, Wuorinen and Cage. The final disc contains works by South Americ…

* LP version with insert * "California Babylon is a far more sparse and caustic offering than Factrix's debut, Scheintot, documenting their live collaboration with notorious artist Monte Cazazza, who along with recording for Throbbing Gristle's Industrial label also coined its 'Industrial Music for Industrial People' motto. Originally released on the seminal Subterranean Records in 1982, California Babylon remains one of the best collections of violent guitar and primitive machine-noise resonanc…

Last copies of this 2012 release. The music on this LP was originally composed by Maggi Payne from 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. This is the first time these recordings have ever been released on vinyl, and aside from the track "Ahh-Ahh (Ver 2.1)," the first time any of it has ever been officially released. Composed on an Apple II …

2012 repress, LP version. This is Reykjavik-based composer/producer Ben Frost's second release for the Icelandic Bedroom Community label. By The Throat is blood red and cloaked in shadow. Produced in Iceland by Ben Frost and Valgeir Sigurðsson (Björk, CocoRosie, Bonnie "Prince" Billy), this album features performances by Amiina of Sigur Rós fame, Arcade Fire's Jeremy Gara, Swedish metal outfit Crowpath and composer Nico Muhly. Aside from the purely musical language of harmony and melody, there'…

Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…

With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmonia, as well as solo and in numerous collaborations (Brian Eno, Mani Neumeier, Conny Plank, Mayo Thompson and many more), and Tietchens (since 1979) almost exclusively as a solo artist, beginning in the fields of electronic music and musique concrète…

Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain lab…

Deep archeology into a long buried and previously undocumented chapter in the history of the early '70s loft era brings forth the revelatory Father of Origin, Eremite's box set retrospective of percussionist/bassist Juma Sultan's Aboriginal Music Society. Drawn from Sultan's mammoth private archive of recordings, this ground-breaking set includes two audiophile LPs and a CD, a 28 page 12x12' book featuring previously unpublished photographs and ephemera and a detailed historical essay by jazz sc…

Three guys in South Africa obsessed with Can, Red Crayola, Pere Ubu & like sounds, a disdain toward apartheid, & the means to record themselves make one fantastic 200+ press LP in 1981 which disappears in obscurity. S.S. Records gives it a second life. Underground DIY classic which belongs on the NWW list (if they only knew about its existence!). 330 pressed.

The name “Colin Potter” instantly rings bells in the head of experts of Nurse With Wound, Ora, Monos and parallel galaxies, not to mention a clutch of hidden beauties released as a solo artist. Back in the late 70s/early 80s, the man was already producing a sizeable quantity of recorded materials on limited edition tapes, the opening experiments in a route that led him to the above mentioned heights besides fabricating other kinds of sounds for exhibitions and documentaries at his ICR studio. Th…

Hermann Nitsch outstanding performance on the organ, his favorite instrument,  in Pauluskerk, Tilburg... 4 heavy organ drones recorded in a church during the Incubate Festival where Nitsch also did a performance. Comes in a gatefold sleeve with pictures of the performance. Limited to 300 copies

The original LP was released as a sound track on EMI 1975. Improvisation studio recording with LSD and Hashish. Recording member: CYRILLE VERDEAUX, TIM BLAKE (GONG), GILBERT ARTMAN (LARD FREE, URBAN SAX)...etc. Reissue with elaborate miniature paper sleeve of the original LP. 2008 digital remaster version, limited 1,000 copies!

On a rainy night in November 1980 Truus went to see Rhys Chatham's band in her Hometown of Eindhoven. Never suspecting that this evening would change the course of her life ! She met David Linton who played the drums with Rhys. They struck up a whirlwind friendship. Upon their farewell, David mentioned 'come see me in New York'. Fast forward two months later and Truus was in New York. Armed with backing track tapes, David and Truus started jamming around in his loft. Soon his roommate Lee …

For Bunita Marcus has an aura like that which emanates off Rothko’s greatest paintings, an aura that makes the experience, no less than the creation, more than an act of will, an act of devotion. — Art Lange