With so much being made of current practitioners of the Kosmiche/New Age vibe here's your opportunity to hear an original. Original copies hardly ever surface and even the 2007 repress (which sounded quite thin) commands quite a fee on internet auction sites. This straight analog pressing sounds as close to the original master tapes as you can get. 500 made. Pressed at RTI."If you have been wondering what all the fuss about "private press new age" is, go here to find out. Your mind shall be subt…
Synthesist is the debut album by Harald Grosskopf, the enigmatic percussionist behind Ash Ra Tempel, Klaus Schulze, and Cosmic Jokers. Originally released by Sky Records in 1980, RVNG Intl. celebrates the 30th year anniversary with this newly mastered and packaged reissue. Berlin, Germany, summer of 1979, Harald Grosskopf, then 30 years old, was at a personal and creative crossroads. His girlfriend just left him, and Ashra (Manuel Göttsching's "solo" project) was on temporary hiatus. Harald …
Opika Pende: Africa At 78 RPM is a 4CD collection featuring 100 tracks taken from rare 78rpm recordings of African music (1909 to mid-1960s), none of which have ever been issued on CD until now. Pan-African in scope and wildly diverse, Opika Pende is a testament to the deep riches found in early recorded music across the continent. 112-page softcover book with 4 CDs in a separate portfolio -- all housed in a deluxe cloth slipcase. Jonathan Ward is a Los Angeles-based collector, researche…
One of the pioneers of Japanese electronic music, Makoto Moroi, composed "Kusabira" for Kyogen (traditional comedy theater) with electronic sound in 1964. "Kusabira" means "mushroom." A strolling Buddhist monk, Yamabushi, tried to exterminate many mushrooms that grew in the garden of a man's home. However, his magic did not take effect on them but also the Mushrooms began to increase. The man and Yamabushi were driven out of the home by a large Mushroom, finally. In this work, Moroi used abstrac…
At the EXPO '70 in Osaka, many avant-garde artists contributed architectural, space, environmental design and sound works. In the Textile Pavillion ("Sen-i Kan" in Japanese), Japanese composer Joji Yuasa and filmmaker Toshio Matsumoto presented a remarkable experimental event, "Space Projection 'Ako'" for multi-channel tape music and image projection. Also included in the presentation at the Pavillion was background sound for several spaces and objects, composed by Joji Yuasa, mainly. This…
Em Records presents a slice of lost history unearthed for your enjoyment and delight. A first-ever reissue, on limited edition 7" vinyl of Choju Gigaku (Play On Animals), an ultra-rare 33rpm 7" flexi-disc by esteemed sound designer Matsuo Ohno, the legend behind the soundtracks for anime classics Astro Boy (1963-1966), Submarine Cassiopeia (1964) and Space Battleship Yamato (1974-1975). The original flexi-disc was released as a souvenir during the famed World Expo '70 in Osaka (think Stockhaus…
Smalltown Superjazzz is proud to to rerelase the debut album by Diskaholics Anonymous Trio. The album was released 10 years ago on the now defunct Crazy Wisdom/Universal label, and the album has been unavailable since then. The trio creates a pulsing, massive and monumental sound. Free-jazz, noise, electronic ambience, drone music and punk all mixed. The result of these three titans clashing together is an intense blow-out. Raw, grandiose and brutally beautiful. The album features three l…
Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…
A previously unissued 1972 concert by the original version of Iskra 1903 - Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass) - extraordinary performances, plus 2 short extracts from another concert. "Iskra 1903 was one of my favourite groups. I cannot remember hearing a performance that I did not enjoy, although inevitably some were better than others. The previously unissued concert on this CD was arguably one of their best.I first heard this recording about ten year…
Tremendous 5xLP box by one of the highest acclaimed minimal synth bands active during our favorite decade. The Snowy Red project started as a one-man band by Micky Mike. With a few synthesizers, a 12/2 mixing desk and a 2-track reel to reel recorder he created repetitive synth masterpieces in the vein of Suicide and Polyphonic Size. These black synthetic pearls were spread over two albums: the self-titled "Snowy Red" and "The Right To Die", both are included in this box, officially rem…
The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…
Human Flesh is a long lived project of Alain Neffe. The tracks presented here are all unreleased songs recorded in the mid 80s. With a wide range of unconventional instruments Neffe & his compadres create their own dark & twisted world. WIth a lot of improvisation & cracked up minimal synth going on this makes up a great album. Besides synths & rythm boxes we hear zither, bells, strings, tarang, ocarina, Yugoslavian voice, reel to reel tape scratch & more. Limited edition of 400 copies. …
Beside the usual noise- and experimental-projects there were also great new-wave-bands like The Misz. Eddy Merckz is a good example for the extreme high quality of the 80′s cassette-culture-scene. Their very catchy sound is comparable to early Virgin Prunes with some more pop-appeal; fine harmonies and male/female singer made this band to remarkable milestone in european new-wave, although they unfortunately never reached a bigger audience. And “Eddy Merckz” is in my eyes their best wo…
Very cool compilation of unreleased BeNe GeSSeRiT tracks. The husband & wife duo of Alain Neffe & Nadine Bal counted as one of the most frivolous & quite impressive live acts around during the eighties. On top of a catchy but minimal synth basis created by B GHoLa (Alain Neffe) runs the strange, & playfull voice by BeNeDiCT G (Nadine Ball). This is minimal synth pop for the crazy ones among us, but aren't we all a bit mad? Limited edition of 400 copies. Cover sleeve & insert by B GHoLa
Kuruki was a Belgian minimal synth-pop band project spearheaded by Ghent-based musician Gerry D’Haeyer and Alain Bureau. The band was founded early 1980’s and shortly after it’s conception a first release was recorded. The single “Crocodile tears” immediately hit the charts and became a hit.
Afterwards the band released 12 inches including maxi single “Such a liar”. After intensive touring a new single “Just a cat” was spawned in 1983. As a live band at that time Alan Gevaert, from dEUS, and Chr…
This deluxe 3 CD set presents Floating Frequencies/Intuitive Synthesis in its completed three part entirety. Intuitive Synthesis/Floating Frequencies takes full advantage of the low noise floor and clarity provided by the digital medium. Mastered by Eleh specifically for the digital environment. This box is not intended to be a replacement of the analog records but an entirely different experience. Each disc contains two to three tracks, and the packaging is a silver print on matt black jac…
Complete set, originally published between 1965 and 1967, the Great Bear contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on v…
Cien Fuegos presents live recordings circa 1970 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brötzmann and Dutch jazz drummer and percussionist Han Bennink and pianist Fred Van Hove. Instrumentation: Peter Brötzmann (tenor saxophone), Fred Van Hove (piano), Han Bennink (drums, gachi, shell, voice). Recording: Recorded by Wolfgang Bukatz on August 17th, 1970 in Berlin. Supervision by Hans-Dieter Frankenberg. Produced by Jost Gebers. This album was origi…
Cien Fuegos presents live recordings circa 1975 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brötzmann, Dutch jazz drummer and percussionist Han Bennink and pianist/accordionist Fred Van Hove. Instrumentation: Peter Brötzmann (clarinets, alto, tenor & bass saxophone, vocals), Fred Van Hove: (piano, accordion), Han Bennink: (drums, cymbals, Schwirrholz, accordion, clarinets, floor, walls, megaphone, etc.). Recorded by Jost Gebers on Sunday afternoon, September 14…
Mindblowing 1971 Nuova Consonanza unpublished work from the legendary ensemble, here with a series of lengthy improvisations haunting whirls of electronic glitch, skronky horns, pounded piano and weird tape experiments to droney spaced/drugged out free jazz. A timeless masterpiece, I'd say...Unfortunately it is strictly limited to 500 copies only."Describing the feelings is a constant challenge that, we regret to say, is almost never successful. The description of the topic that we are dealing w…
De Stijl's excavation of The Parasites Of The Western World turns up the lead single for their second album in the form of an exact reissue. Originally released circa 1980-81, 'Politico' opened the B-side to Substrata with a rippin' new wave roller full of glam stomp, proggy arrangement and punky attitude. The synth-fueled instrumental B-side was exclusive to the single, and as tradition dictates, far more interesting, featuring Terry Censky and Patrick Burke in an ebullient symphony of s…
Stellar release!! ""The first disc features "Conduction No. 43: The Cloth". The first thing I noticed about this disc is how well it is recorded and perfectly balanced. We can hear Zeena Parkins's acoustic harp, the strings, guitar, oboe, vibes and other assorted percussion just right. You can tell that Butch Morris has rehearsed with this ensemble as the swirling lines they play together are so tight and instantly connected. Certain solos, like the oboe, rise above the rest of the ensemble like…
Subtitled: The Fonotone Years 1958-1965. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and '70s, John Fahey. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from Joe Bussard's reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includ…
Black Phoenix Blues is the third Roaratorio collection of the best of Rodd Keith’s vast output. Dating from 1966 to 1974, the sixteen previously unreissued songs showcase the scope of his work: the should’ve-been-a-hit “You And I”; the elegant exotica of “I Love Lovely Chinese Gal”; the history lesson of “The Explosion Of Holden 22 Mine”; the harrowing psychokiller musings of the title track; “I’m Proud To Be A Hippie From Mississippi,” the stoner’s answer to Merle Haggard’s “Okie From Mu…
Recorded in 1978, Grosses Wasser was the fifth album by kosmische musik pioneers Cluster (their seventh if you include the two Eno collaborations). At this stage in the band's lifespan Cluster was a duo, manned by Hans-Joachim Roedelius and Dieter Moebius, although Tangerine Dream's Peter Baumann acts as co-producer, helping craft some of the group's most experimental material since they swapped their 'K' for a 'C' in the early seventies. Nowhere is this air of sonic exploration more apparent th…
Between August 1980 and March 1981, Les Rallizes Dénudés (or The Naked Larryz, as the long-lost acetate they are rumored to have recorded for Virgin Records in the mid-'70s dubbed them) played seven concerts in and around Tokyo. Never officially released, illicit ninth generation cassette copies circulated in Japanese fan circles for many years, attaining a whispered, Holy Grail status amongst initiates to the Rallizes cult. High quality soundboard versions were finally released by the se…
Tone Yasunao's lifework, "Musica Simulacra," planned and produced for 14 years, has finally been completed. ATAK releases a limited edition box set (limited to 500 in the world) including more than 2000 hours of 4516 Manyosyu poems recreated in sound using Tone's original software on CD-ROM, over 60 minutes of 12 pieces extracted from the CD-ROM and edited by Keiichiro Shibuya on audio CD, a 47 pages booklet written by Tone himself and a limited edition autograph. This is the intersection of con…
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…
**restocked, few copies left** Almost sold out in pre-sale, act fast! As this album is a treasure, a minblowing reissue (dated 1972) of an intense, spontaneous droney improvisation and the complex Michael Ranta's chiming rhythms interlaced with trance-alike collective passages. It’s a monster! ""...tomorrow i will send you the CD of a very strange anarcho spontaneously improvised sound tableau. it is one of the very first musical projects with Ranta, when we met in Egypt in 1972. i didn't listen…
Recorded 31 March 1983 at Woodland Pattern, Milwaukee, Wisconsin, USA. 'This was a cassette not officially released on Incus or any other label. It was sold by Derek Bailey at concerts. For a short period in 2010 original copies were sold via the Incus website. Now released on CD & Cassette, restored and transferred from the original cassette. The back story : In 1983 Derek Bailey was due to visit Japan for a concert tour and decided to take with him, for sale at the concerts, a cassette …
Compilation of early Club Moral, DDV, Etat Brut & The Parts-Tracks from 1981-1986. Club Moral was founded by Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV) in Antwerp on January 1st, 1981.The framework to this incredible Box-Set is mainly based on selected tracks by DDV from "4 Sept" (CM02) and "A Sound Atlas of Venerology" (CM18), Club Moral's "Mit neuen Waffen" (CM03), with additional compilation tracks and live recordings by Club Moral. Furthermore Etat Brut's complete "Geometrie d'un …
Incredible release!! This ultra-deluxe leather-bound box set comes in a cross-like holder for the five Vinyl discs and also includes a DVD with two outstanding live-performances from 1982 and 1984 plus a large poster,10 postcards, a metal enamel-badge as well as an extensive 36-page booklet illustrated with archive photos of Laibach's hometown Trbovlje.The Box focusses on Laibach's early years as a provocative performance-music-and-multimedia-group and includes early studio and unreleased…
Fourth J.A. Caesar album, originally issued on Victor in 1978. More crazy theatrical prog, but less bombed than the above, and seemingly more reliant on missing visual imagery. "This is another J. A. Caesar's album. Though we can not find his name on the cover, he composed all the tunes. A recorded live album and the music in the album must be very magical. Now is the time you have to estimate his genius for this unknown Japanese artist."
UK's Michael Chapman began his career on the Cornish folk circuit in 1967. He signed to the Harvest label, home to Pink Floyd, Deep Purple and many others, recording four quasi-legendary albums. The influential Fully Qualified Survivor was John Peel's favorite record of 1970, and featured future Bowie collaborator Mick Ronson. After decades of recording and touring, Chapman remains an obscure figure in the states. His profile was raised by a lengthy interview with big fan Thurston Moore in…
Another classic album reissued by Phage Tapes and R.O.N.F. Records. An early work of Maurizio Bianchi recorded at Mectpyo Studio in 1981 and originally released by Banned Productions (US) back in 1992 as a vinyl LP. CD packaged in beautiful 5 colour screen printed arigato packs. 2 tracks totalling. 50 minutes in length. Limited edition of 300 copies. As with any early 80’s Bianchi this comes highly recommended.