Reissues

One of their best work, released as double LP in 1975 by the French electronic band led by RICHARD PINHAS: If you're looking for really uncompromising and rough music - this is it. Very neurotic and tough, driving electronic drones all over, this is music not for the faint-hearted! It's quite aggressive stuff, usually very alien sounding, with cold and abstract synthetic drive. If you like sweet twittering music for relaxation, you will probably have a heart attack when listening to this.

One of their best work, released as double LP in 1975 by the French electronic band led by RICHARD PINHAS: If you're looking for really uncompromising and rough music - this is it. Very neurotic and tough, driving electronic drones all over, this is music not for the faint-hearted! It's quite aggressive stuff, usually very alien sounding, with cold and abstract synthetic drive. If you like sweet twittering music for relaxation, you will probably have a heart attack when listening to this.

The 2nd Amon Düül I album, of 1969 recordings. This is one that did not come come out on Captain Trip, and hence the most in-demand of the Spalax issues. Short, spectacular trance-out blasts in a similar vein to Disaster.

3 copies available, this box is already sold out at source! The Ultimate DOKUMENT of time of a historical Band. S.P.K., a Myth, a Cult, a Philosophy. After more than 12 months of planing and organising this Momumental release is finally realised. VOD is proud to present a  limited 800 copies Wooden-Box-Set that documents the first 5 years and the first stage of the band. 6-Lp’s with 36-page Booklet documenting the time plus a T-Shirt. Besides the official Tape-Releases such as Wars of Islam, Fro…

Contains earliest Tracks from 77-81 plus Tracks from the Terse-Releases Earbidden, Clean, the long lost Side 3-Tape, Blubberknife,Cheesecake and various other tracks from 83-85. To subscibe this treaure it is best to state what Tom Ellard had to say: "And here we have it - the ultimate produce of the new millennium. A box of vinyl discs with music from as much as thirty years ago. Could something express any less faith in the future? My guess is that we seek to capture some 'purity' that has sin…

The fifth in this superb series covering historical Japanese electronic music from the Nhk studios, the first covering pieces engineered by Tsutomu Kojima (prior volumes dealt in pieces assisted by Shigeru sato and Hirosi Siotani) highlights herein include Jo Kondo’s “never return” (harsh/psychedelic vocal/piano cutups from 1971 !!!), Hifumi Shimoyama’s fumon iv a, and oto no hajimari wo motomete perennial Joji Yuasa’s my blue sky.   1. “Beyond the Clouds” Keiki Okasaka A work was intentionally…

The release of this CD of John Eaton's early music for synthesizers is a major historical event. For one thing, Eaton's music is so personal and powerful that it's an exceptional demonstration of early synthesizers, including the Syn-Ket, built in 1964 in Rome, Italy, by Paolo Ketoff, and an early Moog synthesizer. But there's more to it. What is probably the first live performance with an electronic music synthesizer took place in April 1965 when John Eaton performed his 'Songs for R.P.B.' at t…

As an artist, Sänpäkkilä is someone who transcends conventional boundaries: film, music and visual art each vie for his attention. In fact, these separate areas are integrated in his work to such an extent that he could with equal justification be considered a visual artist, a filmmaker or a musician. His experimental short films are most notably characterised by a certain suspension. For instance, Sänpäkkilä portrays repetitive jumps, trudging through snow or waking up repeatedly. This suspensi…

The classic 1966 film by Phill Niblock featuring Sun Ra & His Solar Arkestra, plus rare & exclusive Sun Ra footage, photos & audio 'proclamations'! Composer, photographer and filmmaker Phill Niblock's classic of experimental underground filmmaking with a sensational soundtrack by pianist Sun Ra and the members of his Solar Arkestra. Shot in the mid '60s, when the Arkestra was based in New York, this film was produced using a unique negative process and ultra-tight close-ups on the moving hands a…

The Branca Ensemble, captured at their biggest & most brutal performing his powerful elegies live in 1995, at NYC's then institution-of-the-moment, The Kitchen. Gorgeous 3-camera live shoot, excellent HEAVY sound courtesy Sir Wharton Tiers, handsome package." NTSC all-region, 70 min., 5.1 surround sound.

Long deleted now, an extraordinarily rare and timeless piece of footage of a legendary and hugely influential band at the peak of their lysergically enhanced powers.Un filmato davvero raro, che cattura in concerto una delle più grande band tedesche degli anni'60/'70, gli Amon Düül II. La pellicola originale è del 1968 e presenta la primissima, leggendaria formazione del gruppo, impegnata in musiche che avrebbero poi visto la luce sul loro album di debutto, pubblicato l'anno seguente. La pellicol…

** LAST COPIES**  The seminal project "Musica per un Anno” (Music for One Year, 1968) was composed and recorded in 1968. Based on a cycle of 360 days, it was conceived as a possible sound track for ambients: the sound events change imperceptibly but continuosly, in relation to months, days, hours and minutes. Every instant of time has its unique music, which merges with the light and the air of the ambient. As this music develops over time, with no clear beginning or end, every minute of it is "…

2024 stock The long awaited CD edition of our first vinyl release ever (2003), will finally give a wider audience the opportunity to listen to some of the most intense compositions of this visionary and uncompromising composer. Minimalist before the Minimalists, pioneer of Computer Music, founder of the Studio of Phonology of Florence, visual artist and hacker ahead of his time. This was Pietro Grossi, a larger-than-life Italian composer who questioned the concept of musical authorship and the i…

The 1969 guitar classic, remastered from the original tapes. With new reflections by Will Ackerman, Max Ochs, Steffan Basho-Junghans, and Pete Townshend. "Robbie Basho released Venus in Cancer in 1969 on the Blue Thumb label. After five albums for the Takoma label in the '60s, Basho had cemented his reputation alongside John Fahey and Leo Kottke as one of the most brilliant guitarists of his generation. His wide range of musical influences from around the globe set him apart from other blues-bas…

An awesome edition by the well-known artist and 'Une anthologie poétique' with 'RH l'optophonétiste' by Isabelle Maunet+ CD with 'RLQS poème en trois cascades' (1947), 'Interview avec les lettristes' (1946), 'Sound-rel' (1919). These works rotate around the notion of synaesthesia, both in the sense of a harmony between the senses, and also, so to speak, in preparation for new sensory environments, of which there were more to come during the twentieth century. In contrast to the alleged revelatio…

Whitehouse remind us what it’s all about with a remastered collection of classics spanning 1998 - 2007: “Look up, look all around you, dump the fucking rubbish, and rise up. Listen to the sound of being alive...”  Assuming that you’ve never heard of them, Whitehouse are thee arch, original power noise unit formed around William Bennett (vocals, electronics, percussion) and Philip Best (vocals, electronics) who met in London around 1982, and the pair would go on to establish one of the most notor…

Official reissue of the 1st Whitehouse album, originally released on the Come Organisation in 1980. Includes William Bennett's original LP design. Includes the warning: "Extreme electronic music: please acquire with due caution." "The place it all began: the seminal first album by Whitehouse. Even to this day, it is a remarkable piece of work created entirely with tone generators and EDP Wasps, and lyrically full of what would be their uncompromising trademark irony. It would prove instrumental …

a very nice reissue of the 1994 studio album recorded by Steve Albini in Chicago and featuring colour artwork by Trevor Brown. One of their few truly 'minimal' and 'meditative' is i can say so...

Malcolm Goldstein has been labeled an “improviser” and a “composer-violinist” (or merely a violinist). What this CD once and for all shows is that he is indeed those things, but encompassing them all is the fact that, profoundly, he is a composer. As he points out, “At the core of Baroque music was the integration of composition and improvisation,” and Goldstein brings the perspective and focus of a seasoned performer to this undertaking. In this way his music represents a further evolution of t…

This double-CD set combines two of the key titles of Columbia Records's legendary "Music of Our Time" series curated by David Behrman. Jeanne Kirstein's recording of Cage's early keyboard works remains a touchstone of Cagean interpretation notwithstanding the passage of time. Christian Wolff recalls, "I remember Cage saying that Jeanne Kirstein's playing caught the spirit in which the pieces were written at the time he wrote them-a kind of simple excitement and enthusiasm (also, surely, ou…

16-page booklet including liner notes in English. This composer portrait is dedicated to Vladimir Ussachevsky (1911–1990), a pioneering figure in electronic and choral music. The album features six of his groundbreaking works in electronic music alongside two significant choral pieces, highlighting the breadth of his creative output. The final two works on the CD, Three Scenes from The Creation (1960; rev. 1973) and Missa Brevis (1972), showcase Ussachevsky’s innovative use of the human voice.Th…

This long-awaited reissue of the CRI recording of Earle Brown’s (1926–2002) music is the best overview of his seminal early works. “It is obviously a great pleasure for me that Cri is re-releasing its 1974 recording of my work, and an even greater pleasure that I am able to add to the repertoire. The performance of Times Five and Novara still seem very fine representations of the works and are performed brilliantly by the Dutch musicians. December 1952 as realized by the late, brilliant pianist …

The Piano Concerto No. 2 is an experiment in classical form. The work contains the same sudden juxtapositions and abrupt contrasts of mood as his futurist music. But the excesses of his recent Ballet mécanique are compensated for by an almost spare, baroque orchestration and motifs that draw on Bach as much as on Stravinsky. In three movements, George Antheil employs a more restrained but still exuberant style. The beautifully meditative slow movement is followed by a virtuosic and compelling to…

Heldon's Live recordings in Paris 1975 to 1979. Disc 1: "Live Electronic Guerilla," live 1976 (featuring: Richard Pinhas (g, moog), Patrick Gauthier (mini-moog, moog bass), Francois Auger (drums). Disc 2: "Well And Alive In France," live 1979 (featuring: R. Pinhas, P. Roussel, F. Auger)." This 3CD set is a special reissue of two previous Captain Trip releases that were issued separately: Live Electronik Guerilla (CT 550CD) and Well And Alive In France (CT 551/52CD). A terrific electronic powerdr…

Works by Vladimir Ussachevsky, Otto Luening, Pril Smiley, Bülent Arel, Mario Davidovsky, Alice Shields . In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he dev…

Lou Harrison believed fervently in music’s power to create cultural bridges. To this end he applied his prodigious skills and creative energies to creating syncretic works that link diverse musical languages. Faulted at times for his eclecticism, Harrison responded with a vibrant defense of hybridity, cultivating a musical multiculturalism long before that term—or even the concept—held the currency it now enjoys. Harrison’s major contributions to twentieth-century American music lie in three mai…

This three-disc set marks the first appearance on disc of the music of the African-American composer Julius Eastman (1940–1990), who died sixteen years ago under unexplained circumstances and whose musical legacy was thought lost. This comprehensive and definitive document, which comprises almost all of Eastman’s signature works, will undoubtedly be a revelation for those who have thus far been unable to hear his work. Eastman was an energizing underground figure, one whose forms are clear, whos…

The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …

Meticulously remastered from the original mono master tapes! The Bewitched was Harry Partch’s first work solely intended for dance (and mime-dance at that; he was not overly enamored in his lifetime of so-called “modern dance”). Drawing heavily from his deep affection for the music-theatrical performance traditions of Greek theater, as well as those from Africa, Bali, and Chinese opera, Partch conceived of a contemporary American music ritual-theater where musicians not only play, but also funct…

The four works on this newly remastered CD are eloquent testimony to Harry Partch’s aesthetic of corporeality. The music he composed for The Dreamer That Remains, for Rotate the Body in All Its Planes, for Windsong, and for Water! Water!, was intended as only one component in the total artistic experience. In these works music joins with drama, with film, with dance, even with gymnastics, as integral parts of the composer’s vision..New World's The Harry Partch Collection, Vol. 3, as was the CRI …

Harry Partch’s compositions of the 1940s have remained until recently an unwritten chapter in the history of American music. And yet it was these very pieces—the collection of four works he would later collectively entitle The Wayward—that brought him to the attention of the New York musical world. His concert of these pieces for the League of Composers established for him a small but permanent reputation as a musical maverick who had wandered off well-worn tracks and had developed a sort of lat…

This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901–1974), slightly tongue-in-cheek, called the “third period” of his creative life. They show him moving away from the obsession with “the intrinsic music of spoken words” that had characterized his earlier output (the vocal works of 1930–33 and 1941–45)…

James Tenney is one of the most important American composers and theorists of the past fifty years. For a very long time, his work was known mainly to other musicians and its tremendous influence was belied by its obscurity. In the past twenty years, however, as his music and writings have been more and more published, recorded, performed, and studied, his place in the context of American contemporary music has become far better understood. He has pioneered musical fields as diverse as computer …

Kenneth Gaburo (1926–1993) composed works for instruments, voices, electronics, multi-media, theater, and a variety of other resources. Foremost among his many interests was a concern with the voice and with language—how we shape language and how we are shaped by it—and with making works that existed somewhere between the boundaries of music and language. Of the works on this CD, three are intensely concerned with what Gaburo termed “Compositional Linguistics” (Antiphony III, Antiphony IV, and M…

Schlingen Blängen is an invaluable addition to the slender but precious discography of Charlemagne Palestine, one of the legendary figures of the amazingly fertile New York and West Coast experimental music/art scene of the sixties and seventies. He is considered to be a seminal figure of early minimalism－as important as his better-documented contemporaries. His performances on the giant bells at St. Thomas Church and his evening-length Bösendorfer shows are still spoken of with awe by those who…

This is volume 7 of Omega Point's Obscure Tape Music of Japan series. Many avant-garde composers made soundtracks for experimental film-maker Toshio Matsumoto. This CD consists of Joji Yuasa's three musique concrète works for his 1960s and 1970s short films. The first track features a heavily broken and meaningless narrator for the short film Andy Warhol: Re-Reproduction (1974); "Document Of The Long White Line" is an obscure, early electronic sound collage with chamber orchestra, and "Auto…

*2022 stock* This is volume 8 in Omega Point's Obscure Tape Music of Japan series, featuring the recorded live performance of Japanese avant garde maestro Toshi Ichiyanagi. He has stood out from the other more moldy academic groups of composers due to his groundbreaking and mindblowing work during the '60s. Thus, he was invited to perform as part of the concert series "Japanese Experimental Music 1960s" at the Art Tower Mito in Ibaraki in 1997. The noisy and radical sound of this performance sho…

Finally, the long awaited collaboration between Yasunao Tone and Florian Hecker is ready for release on Mego. Yasunao Tone (b. 1932, Tokyo) founded the Group Ongaku in 1960, a group devoted to creating event music and improvisational music. He began participating in the Fluxus movement in 1962, and has been in events and shows in numerous places. Tone also composed a great deal of experimental music for use in films, theater and dance pieces. Since coming to the United States in 1972, he has com…

by far the most anticipated early-electronic music reissue around these parts since it was announced a year or so back ; this double-disc collection of just about everything by bay-area outsider / composer warner (ne “warren”) jepson, including his totemic (... and previously creel pwned) lp “totentanz”. what we do get here : a bunch of amazing bedroom-lineage electro-acoustic experiments dating back to 1958 (!!!) - most invoking mysterious bleep-infused landscapes with tons of psychedelic organ…

This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor’s Birthday). “Cortez, Weather Report, and The Emperor’s Birthday form a kind of trilogy representing my work with “text-sound” in the early seventies. The techniques used to gener…