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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both ev…
American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…
*2023 stock* Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the interm…
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as “The Last Great Challenge in a Dull World” (1990) and “Electricity” (1994), as well as “Elevator Madness” (1996). All of these albums came out on vinyl but one of the best was the singular “Closed Circuit” (2001) whi…
*2023 stock* "The arrangements by Carla Bley are miracles of dynamics, rising and falling in volume and velocity and the awe-inspiring balance of collective ensembles improvising freely through swellings and contractions of individual voices entering and leaving the mysterious swirling circle of simultaneous songs as diverse as the number of performers yet never lacking in the kind of transporting telepathic unity that makes this multiplicity of musical lines such a far cry from the chaos of the…
Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventie…
Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus, a pseudonym of Carlo Rustichelli's esteemed son: Paolo Rustichelli. The music ended up in several of her films as well as being performed in her hot live shows. Discographically at the time only a few tracks were released on 7" and 12" singles that are now cult collector's items for fetishist…
Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry - a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record represents the culmination of a creative journey that began wi…
2023 restock; originally released in 1965. 2019 reissue. Some of the most exciting jazz albums to listen to are those that try to strike a middle ground between the mainstream and the Avant-garde. One such example is Archie Shepp’s Fire Music: an often-fascinating album, rich in compositional and improvisational prowess. Employing a sextet including drummer Joe Chambers and alto saxophonist Marion Brown, Shepp puts together a record that is both challenging and accessible to most listeners. Fire…
Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries! Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP. Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the andr…
Following the 40th anniversary edition of Barbara e altri Carella - the classic and hard to find Funk / AOR masterpiece by Enzo Carella - in September, it's now time for a due re-issue of Sfinge, its follow-up released in 1981 whose original edition usually sells on the second-hand market for prices even crazier than those of Barbara... Carella was an Italian singer-songwriter who is best remembered for his 1979 major hit Barbara, which won second prize at the Sanremo Festival. Once again, all t…
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
Recent issue of archve series of NHK electronic music studio. Some foreign composers visited and worked at NHK electronic music studio. The frst apperance was Karlheinz Stockhausen's “Telemusik” ('66) assisted by Hiroshi Shiotani, it's included in vol.1 of this CD series. In this new release, three works composed in 70s assisted by Tsutomu Kojima.
1. Jean Claude Eloy “Gaku-No Michi” (1978)French composer Jean Claude Eloy visited Japan three times between 1977 and 1978 and spent a total of nearly…
Recent issue of archive series of NHK electronic music studio. This issue is a collection of Joji Yuasa includes works on past issue of this series. “My Blue Sky (No.1)” and “Music for the Main Pavillion of the Okinawa Oceanic Expo” has released on CD by Omega Point.
1. ”Projection Esemplastic” (1964) – sound fileWhen I was asked to create electronic music for NHK, I decided to use only white noise, which originally contained all frequencies, and cut out various components from it to compose the…
Recent issue of archve series of NHK electronic music studio. This issue consists of 5 works in 70s – 80s of new generation composers.
1. Jo Kondo “Tokyo Bay” (1987) This piece is a rearrangement of an instrumental piece into electronic music. The original piece was called "Non Projection," a piece for two pianos and orchestra. At that time, we were already in the age of PCs, though PCs were able to create beautiful sounds in the usual sense, Electronic music can only be heard on tape. In this c…
*2023 repress!!* Long out of print the 4th issue of archive series of NHK electronic music studio. Originally, Kosugi's “Catch Wave '71” was included in this issue, but, by a problem between composer and publisher, the CD was cancelled after several days of selling! Eventually, instead of Kosugi, Ranta's “Kagakuhenka” was up for renewed issue.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until the…
*2023 stock* Ireland's answer to the Incredible String Band, Dr. Strangely Strange engaged in the same type of psychedelic acoustic music with folksy arrangements. With traditional instruments like penny whistle, fiddle, harmonium, and mandolin, Dr. Strangely Strange was more solidly rooted in melody and structure than the group's flaky Scottish counterparts. Produced by British modern folk guru Joe Boyd, Kip of the Serenes is built around simple and repetitious melodies occasionally interrupted…
*2023 stock* Folk singer-turned-rock singer Carmen Maki collaborated with Blues Creation on this album ('71).Immediately after the release of her masterpiece 'The Devil and the Eleven Children', Carmen Maki's youthful voice, which was influenced by Janis Joplin, fused with a sturdy sound reminiscent of Bruce Creation's Led Zeppelin, and it was a miracle of the early days of Japanese rock music. Later on, Kazuo Takeda's Blues Creation was active as Creation, and Carmen Maki formed OZ. This is a m…
*2023 stock* “A reissue of Ben's self-titled album, only album, originally released in 1971. Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips' prog subsidiary Vertigo in 1971, but it's a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey's saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, …
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…