For years I hunted for some trace, find or legacy of this band from the deep South, from Martina Franca, Taranto, to be precise. I had little and vague information: their participation in the Festa della vita in San Paolo di Martina Franca in 1973, their presence at Giangià, also in Martina, a typical underground club of the 1970s, and little else.
A band fading between the historical reality of the 1970s and the mythology of the alternative scene. Just when I had resigned myself to giving up se…
Bilingual edition (English / Italian) 24 x 30 cm (softcover) 304 pages (ill.) Euforia is a comprehensive monograph dedicated to the work and artistic activities of Tomaso Binga (pseudonym of Bianca Pucciarelli Menna, Salerno, 1931), a central figure in Italian visual and sound poetry, performance, and feminist art. Since 1971, Binga has adopted a male pseudonym as a critical gesture to expose and parody the privileges of men within the art world, using irony and paradox to question inherited str…
First time on vinyl for this mainly instrumental collection of David Sylvian’s collaborations with Holger Czukay, Bill Nelson and Rain Tree Crow. This 11 Track compilation has been re-sequenced by David and contains an exclusive edit of “The Beekeeper’s Apprentice” from his 1999 Ambient masterpiece Approaching Silence.
Exceptional soundtrack from 1993 Japanese yakuza/crime/thriller movie Sonatine. A movie by the legend himself: 'Beat' Takeshi Kitano. Director, screenwriter, comedian, actor, and icon known for Violent Cop, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many more. Music by one of the greatest ever: Joe Hisaishi.
Composer, musical director, conductor and pianist behind over 100 film scores including Kitano’s A Scene at the Sea, Kikujiro, and Brother, as well as his famed work fo…
First official vinyl reissue of the now classic 1971 album. Produced by Transamericas in collaboration with the band from original master tapes, in a fully analog process at recording studios in María Pinto (Chile), London and Haarlem (Holland). Los Jaivas (“El Volantín”) is the first LP by Chilean rock band Los Jaivas, one of South America's biggest names in the fusion of folk roots and psychedelia during the 1970s. Los Jaivas were born in the city of Viña del Mar, with their five members deter…
In July 1983, the Hebrew Israelite vocalist, songwriter and multi-instrumentalist Margeeah Aharon recorded her debut album Looking For Love with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace. Thirty-six yea…
Stardust is a rare live recording that reunites three pioneers from the dawn of Japanese jazz: Masayuki Takayanagi (guitar), Ryozo Sugiura (vibraphone), and Hideto Kanai (bass), captured at Yokohama’s Stork Piano Lounge in December 1979. Unlike the intense, driven performances Takayanagi was known for in his “New Direction” and “Second Concept” projects, this session offers a relaxed, intimate atmosphere-full of warmth, camaraderie, and spontaneous musical dialogue. Listeners can even catch the …
A vital document of late-period Japanese jazz innovation, Holy Holy captures Masayuki Takayanagi in a moment of creative transition. Recorded live on December 8, 1985, at Aketa no Mise, this session features Takayanagi’s razor-sharp guitar in dialogue with two double basses: Nobuyoshi Ino and Toru Saitoh. The result is a soundscape of overwhelming depth and intensity, where the deep, undulating resonance of the twin basses intertwines with Takayanagi’s incisive lines.
On Holy Holy, the trio reim…
*100 copies limited edition* Metallic silver cassette tape with black direct imprinting housed in a clear norelco box. Loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Cassette box housed in a thick, matte O-Card wrap. Shrinkwrapped. Cassette design and layout by Zach Frizzell. Pressed and printed in the US, exclusively for Post. Festival, 2025 by Past Inside the Present. Marketed and distributed by Post. Recordings and Past Inside the Present.
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2025 stock Running Back welcomes Andreas Grosser for the start of it's non-dancefloor series "Running Back Incantations". Think Tornado Wallace's "Lonely Planet" or Suzanne Kraft's "Missum" who both would have been good and early contenders for a series like that, and you are half way there. Andres Grosser though, was "there" and that way before. Probably best-known for his 1987 collaboration "Babel" with Klaus Schulze, Grosser is a bit of a dark horse in the universe whose big bang was krautro…
2025 stock "The latest LP from veteran fluxus composer Philip Corner. OM Entering. and Once Enterd comprises four previously unreleased recordings with the Barton Workshop, taken from performances in the Netherlands, and South Korea, between 2000-2007. 'Om Entrance which one does....because the performance is a real "passage from the material to the spiritual" unless the "real" world is just as spiritual already which i like to think it is. As perhaps an everyday awareness is already to be entra…
These recordings are indeed a minor sensation! It's hard to imagine that, apart from the well-known recordings in the GDR, something "different and deeper" existed in the late 1960s alongside appealing soul and jazz bands. Modern and progressive fuzzy and funky jazz rock. Really? But yes, "So einfach war das wohl / it was probably that simple" back then. The highly talented pianist Ulrich Gumpert played and composed in one of the country's most renowned ensembles, the Klaus Lenz Orchestra, since…
Originally released in 1969, Courage marks the international debut of Milton Nascimento, one of Brazil’s most singular and influential voices. Recorded at the legendary Van Gelder Studio and produced by Creed Taylor for A&M/CTI, the album weaves together Brazilian popular music (MPB), bossa nova, and jazz, creating a lush and emotive soundscape.
Arranged by Eumir Deodato and featuring jazz great Herbie Hancock on piano, Courage is a showcase for Nascimento’s soaring, expressive vocals and poetic…
Among one of the most sought after english dub albums, Black Jade Contempo is still somewhat of a mystery. Definitely ahead of its time, their deeper dub style was very sophisticated indeed. The material was originally recorded between 1975-76 and then collected in their self-produced debut. The vinyl first appearance was at the Notting Hill Carnival in the summer of 1976, where the band – apparently – was freely distributing it on the streets !
Though they may not have recorded together until 1953, when Rollins was 23 years old, Sonny was introduced to Monk while a senior in high school, already part of a cadre of young neighborhood jazz neophytes. Monk became a mentor to them, offering home-based instruction on the new possibilities restructuring bop harmonies and rhythms, or as Rollins later put it, “the geometry of musical time and space.” - Art Lange
A cornerstone of avant-garde jazz, B-X0 NO-47A captures Anthony Braxton at a pivotal moment in his career and in the history of the Association For The Advancement Of Creative Musicians (AACM). Recorded in Paris in 1969 and newly restored from the original master tapes, this classic session finds Braxton leading a quartet of fellow AACM visionaries: trumpeter Leo Smith (before adopting the name Wadada), violinist Leroy Jenkins, and drummer Steve McCall.
The group’s instrumentation is strikingly …
Official BYG album Newly remastered Deluxe Vinyl Edition Comes in deluxe gatefold sleeve with exclusive artwork. A true milestone of French underground music, Catalyse by Ame Son returns in its fullest-ever vinyl edition, newly expanded with bonus improvisations never included on the original pressing. First released in 1970 on the avant-garde BYG label, Catalyse is widely considered the first psychedelic rock album made in France-a vibrant, adventurous fusion of English psychedelia, French poet…
2025 stock Crystal Silence A cornerstone of ECM’s legendary catalog, Passengers unites vibraphonist Gary Burton with an all-star ensemble: guitarist Pat Metheny, bassist Eberhard Weber, electric bassist Steve Swallow, and drummer Dan Gottlieb. Recorded in January 1976, this album captures a moment of creative synergy and forward-thinking jazz, blending lyricism, subtle groove, and the unmistakable ECM sonic clarity.
The repertoire features original compositions from Metheny, Swallow, and Weber, …
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…
2025 repress "Japanese pianist Yumiko Morioka initially released Resonance, her first and only solo recording, on Akira Ito's Green & Water imprint in 1987. Whilst by no means a commercial failure, the album was mostly found in the background of Japanese TV documentaries, maternity clinics and healing shops before drifting into relative obscurity.By 1994, Morioka had relocated to America and her solo music career had given way to the joys of starting a family and her new life in California. It w…
"Recorded live at a UCLA concert hall in April 1978 and released on Warner Bros, Coltrane plays piano and organ accompanied by Roy Haynes on drums and Reggie Workman on bass. The trio conjures both a universe and a universal consciousness; Coltrane has no qualms with the commingling of exhilaration and asceticism it demands of listeners. In fact, she demands that you come closer, to its tone and to your natural self. What this feels like in one aspect is Black music's Bonnie and Clyde fantasy re…
"This is an album made during a crucial period in South Africa’s history during which there was a palpable feeling of a slow turning towards the collapse of the apartheid state side by side with an increasingly well-organised culture of resistance through the formation of the United Democratic Front (UDF) and various affiliated bodies. However, as a result, there was increased pushback from the state security establishment, a turning to dirty tricks and the formation of hit squads Whose members …
*2025 stock* Erased Tapes are proud to announce the first in a series of Bell Orchestre reissues. The band’s landmark debut album Recording a Tape the Colour of the Light has been repressed on vinyl using the original masters for the first time since its original release in 2005. Formed in 1999 whilst studying in Montreal, the first music Bell Orchestre made was live scores for contemporary dance performances and puppet shows. Looking back at the band’s early years two decades later, drummer Ste…
Their sophomore release, after their supreme 1972 psychedelic debut, is a proto-hard rock affair. The Japanese power trio is in a more enthusiastic jammin' mode, with deep heavy blues notation. Ensure this lost classic now and forever!
The Danish prog band was nothing short of a supergroup, established in early 1970 by local leading rock and jazz artists. Their self-titled debut was released in December, before lead vocalist Lars Bisgaard was suddenly replaced by Alan Mortesen. This magnificent opus is a must have for any jazz-rock and psych-folk aficionados.
*2025 warehouse found* On vinyl, this is a reissue of the final Henry Cow record, originally released in 1979 after the group had officially disbanded. The LP features guest appearances by Irene Schweitzer and Anne-Marie Roeloffs. Following their split with Virgin, the group's history became complicated; bass player John Greaves left, and after a dispute in the recording studio, what was intended as the next Henry Cow album mutated into the Art Bears' much respected Hopes and Fears. In 1978 the …
Jerome Kitzke (b. 1955) has described himself as being as much a storyteller as a composer, and that description makes sense. Throughout his music there is a strong dramatic, narrative, theatrical component. Performers shout, sing, move and dance, often as though possessed by the music. An obvious ancestor here is Harry Partch, and though Kitzke’s music does not use just intonation, it projects that “corporeal“ quality that this predecessor valued as essential.The pieces on this disc make for in…
Carlos Surinach (b 1915) is an American composer whose Spanish heritage, together with the rigors of German musical training, has enabled him to produce an oeuvre that "achieves an effect of novelty by exploiting all the familiar clichés of the `Spanish idiom' with new technical resources and with a completely non-impressionistic sensibility," as Gilbert Chase wrote in Music of Spain.
Like Manuel de Falla's Harpsichord Concerto, the Doppio Concertino (Double Concerto) of 1954 is basically neocla…
Apart from musical considerations, it is entirely appropriate that the work of Leonard Bernstein (1918-1990) stands beside the compositions of three younger Americans on this program of recorded premieres. By example and deed, Bernstein served like no other major American artist as a true role model for at least a couple of generations of aspiring musicians in this country. Moreover, his eclecticism as a composer and performer exemplified the polyglot nature of the arts in America.
Among the com…
In 1986, three composers and three flutists met in a novel commissioning project supported by a National Endowment Consortium Commissioning Grant. Flutists Ransom Wilson, Carol Wincenc, and Paula Robison, each a longtime supporter and performer of new music, asked Joseph Schwantner, Paul Schoenfield, and Robert Beaser to write new works for flute and orchestra. On this recording, each solo artist presents the orchestral work composed for him or her, as well as a flute and piano "encore" by the s…
At the outset of his career, Harold Shapero (b in 1920) was widely recognized as one of his generation's most promising composers. While in his twenties, he undertook to study closely the musical phraseology and rhetoric Haydn, Mozart, and Beethoven, as a discipline to help him sharpen melodic contours and better manipulate larger musical forms. When the brief piano sonata he set out to compose based on classical principles took only a few days to finish, he decided to write two more. Although t…
The New York Composers Orchestra is a big band formed in 1986 by its artistic directors Wayne Horvitz and Robin Holcomb with the idea of giving new life to a classic format and to further the tradition of new music bridging the worlds of notated and improvised music.
... the music evokes Aaron Copland and Igor Stravinsky as much as Count Basie and Charles Mingus; the playing is not just precise but committed to making the music jump. -The New York Times
A few years ago a German presenter asked me for my "artistic Credo," which seemed a characteristically European request, but in the spirit of international cooperation I furnished the following: "to make each piece different from the others, to find clear, fresh large designs, to reinvent traditions." Grand and general though it is, the statement seems a good place to begin describing the music on this record.
Sketches for all the pieces preceded their commissions, but the institutions and frie…
There is in American painting a dynamic movement known as abstract expressionism, led by such well-known artists as Jackson Pollack, Franz Kline, and Willem de Kooning.
In Music there is an equivalent--and equally important--development, which we call atonal expressionism. Its lineage stretches from Carl Ruggles and Roger Sessions to Stefan Wolpe and Elliott Carter. The work of Miriam Gideon stands out as a major and individualistic realization of this style.
One of the characteristics of abstra…
Modern music-especially American music, with its tendency to invite various traditions to share the same compositional space-can be a generous art, an art which welcomes inclusivity. Here are works by John Cage (b 1912), Yehudi Wyner (b 1929), John Harbison (b 1938), and Stephen Hartke (b 1952)-four American composers from different generations with different sensibilities, representing very different approaches to writing for the violin. Yet however much these works represent various facets of …
This is the first recording of the original score from one of Broadway's gems. “My Funny Valentine”, “The Lady Is A Tramp”, “Johnny One Note”, and “I Wish I Were In Love Again” all came from this show (when was the last time you saw a Broadway show with four hit tunes!), an affectionate and mildly satiric look at a fictional town's adolescent population, abandoned by their parents, who are forced to fend for themselves. More than financial and amorous matters concerned them: These kids wrestled…
Mario Davidovsky was a founding member of the Columbia-Princeton Electronic Music Center. His compositions apply classical compositional form to electronically generated sounds. His Divertimento is rich and subtle, and might even be described as impressionistic.
Maurice Wright’s Night Scenes, although not program music per se, is loosely inspired by nocturnal imagery, from the fantastical turn the imagination takes in the late hours. It is alternately agitated and full of dreamy string harmonic…
Of the three composers recorded here, it is Jacob Druckman (b 1928) who has changed the most in his approach to composition. After years of involvement with serial techniques, it was in Windows (1972) that he began to readmit elements of the musical past into his work.
The titles of Druckman's works—Incenters, Windows, Aureole, Prism—often display an interest in visual or spatial concepts. In Chiaroscuro, scored for a fairly large orchestra, including electric piano and electric organ, he set o…