Reissues
Oakland Coliseum, May 9, 1977
On Oakland Coliseum, May 9, 1977, Pink Floyd deliver a legendary "In The Flesh" tour performance, working through Animals and Wish You Were Here before closing with "Careful With That Axe, Eugene" - the last time the band would ever play the explosive 1968 rarity together.
Tearing Down The Coliseum Wall
On Tearing Down The Coliseum Wall, Pink Floyd deliver The Wall in full at Nassau Coliseum on February 28, 1980, captured in a limited bootleg edition that documents one of rock's most elaborate spectacles during the album's brief, expensive first tour across three vinyl discs and Gerald Scarfe artwork.
Across The Borderline
On Across The Borderline, The Byrds blaze through a November 1971 Vancouver concert at PNE Gardens, captured in a limited bootleg edition that documents the band's late‑era country‑rock sound as it stretched between cosmic Americana and road‑worn grit.
Live
2026 Record Store Day Reprise of the 1968 album 'live' by the 13th Floor Elevators. Panned at the time for being billed as "live" when in fact it was a compilation of previosuly recorded studio masters, outtakes and alternate mixes. The "very loud" crowd noise was overdubbed and was actually taken from a boxing match and wholly inappropriate for the purpose. Now, almost 60 years on, the album masters are available, in their original sequence, without the crowd noise, to be enjoyed in their full …
Duo Concert Frankfurt 1986
Duo Concert Frankfurt 1986 was recorded live in Germany on February 15th. The album captures tenor icon Pharoah Sanders and celebrated pianist John Hicks in a moment of profound musical harmony. Sanders, known for his evolution from fierce free-jazz to deeply lyrical spiritualist, plays here with warmth, focus and emotional clarity. Hicks meets him with luminous touch, rich voicings and an intuitive sense of space that elevates every phrase. Together they deliver a beautifully balanced set of Co…
Encounter
*2026 stock* One of the more obscure entries in the early Three Blind Mice catalogue, and a record that points to the label's willingness, from very near its beginning, to host visiting players alongside the domestic scene. The American saxophonist Allan Praskin worked at the international margins of the jazz circuit, and Encounter finds him in a quartet setting that draws on the rhythmic discipline of the Japanese players around him.
The writing sits firmly in the post-bop tradition: modal fram…
Coco's Blues
*2026 stock* Guitarist Sunao Wada spent the seventies as one of the most consistently working figures in Japanese jazz, a player whose tone owed something to Wes Montgomery and Kenny Burrell but whose phrasing carried a particular Japanese weight, more thoughtful than driving. Coco's Blues, an early release on Three Blind Mice, alternates quartet and sextet formations across the programme, and the shift in scale gives the record a real architectural interest.
The smaller settings let Wada's line…
Firebird
*2026 stock* Saxophonist Kenji Mori belongs to the second generation of TBM regulars, a player whose work for the label spans several years and several formats, but whose quartet records have a particularly distilled quality. Firebird fits cleanly into the modal and post-bop tradition that defined the heart of the Three Blind Mice catalogue: heads with real melodic substance, harmonic openness that gives the soloists space without leaving them stranded, and a rhythm section that knows how to kee…
Gathering
*2026 stock* The pianist Fumio Karashima is best known internationally for his long association with Elvin Jones, having held the piano chair in Jones's working bands for years, a credit that already tells you most of what you need to know about his playing. Gathering, his trio date for Three Blind Mice, is the work of a player who has spent serious time on the bandstand with one of the most demanding drummers in jazz history, and the record's qualities reflect it: a strong rhythmic centre, a le…
Conversation
*2026 stock* One of the more intimate entries in the Three Blind Mice catalogue: a duo session, with all the exposure and concentrated focus the format implies. Conversation lives up to its title. Two players in close, careful dialogue, with neither voice dominating and neither retreating into accompaniment. The duo format strips a lot of the usual jazz furniture away: there's no rhythm section to lean on, no horn section to fill out the harmony, no place for either player to hide.
What's left i…
Blues World
*2026 stock* An earlier Sunao Wada outing on Three Blind Mice, recorded with both quartet and quintet formations across the programme, and built (as the title suggests) around the blues. But this is blues in the broader, more searching sense the seventies were beginning to articulate: harmonic frames borrowed from soul and modal jazz alongside the standard 12-bar architecture, and an improvising attitude that's more interested in development than display.
Wada's guitar carries the writing with t…
Blue Lake
On Blue Lake, Don Cherry dissolves borders in real time: a transcendent 1971 Paris trio set with Johnny Dyani and Okay Temiz, now restored by Charly and BYG, where flute, bass and percussion spiral through Native American echoes, Far‑Eastern tonalities and two sprawling, ecstatic journeys past the twenty‑five‑minute mark.
The Empty Rose
Chihei Hatakeyama, captivating the world with his beautiful ambient/drone works, and Ken Ikeda, an original improvisational musician radiating a unique presence. This work, both artists spent approximately ten years recording and meticulously editing down to the finest details, explores the theme of “a mental landscape where distorted dreams and crumbling daily life intersect, where anxiety and darkness seep into the cracks, and faint light flickers within the depths of silence.” A total of 16 i…
Straight To The Core
*2026 stock* This album is the second release by saxophonist Sachi Hayasaka, following her debut album Free Fight. Most of the music was recorded in Tokyo with members of Stir Up!, capturing the raw energy and spirit of the group. Two additional tracks were recorded in New York at Baby Monster Studio, featuring special guest trumpeter Wadada Leo Smith. These sessions added another dimension to the album, making it an especially rich and memorable work.
The album was produced entirely by Sachi an…
Montreux Cyclone
*2026 stock* A double-set capturing Bingo Miki's Inner Galaxy Orchestra in live performance at Montreux, and one of the more ambitious large-ensemble documents in the entire Three Blind Mice catalogue. Miki spent his career writing for big bands at the edge of mainstream Japanese jazz, blending orchestral architecture with modal, spiritual and free-leaning impulses, and the Inner Galaxy Orchestra was his most expansive vehicle. The Montreux performance shows the ensemble at full stretch: long-fo…
Q
*2026 stock* Bassist Hideto Kanai was one of the most ambitious composer-bandleaders to emerge from the Japanese jazz scene of the early seventies, a writer of long-form pieces that integrated free playing with chamber-jazz architecture, and a player with the patience to leave space where lesser arrangers would clutter. Q, only the sixth release on Three Blind Mice, is one of his most uncompromising early statements: extended group playing built around Kanai's slow, structural bass lines, with t…
Maya
*2026 stock* Trumpeter Shunzo Ohno spent much of his career moving between the Japanese scene and the New York post-bop circuit, a player whose résumé runs through American bandleaders alongside his domestic work, and whose tone bears the marks of both worlds. His quintet date for Three Blind Mice is one of the records where he sounds most explicitly engaged with the modal and spiritual currents of seventies American jazz: Coltrane shadows everywhere, but absorbed into a particular Japanese pois…
Meadow Rituals
Lüüp, the acclaimed international project with collaborations / contributions from musicians from different countries known for blending folk textures with cinematic ambience, releases Meadow Rituals, an expansive 3CD collection that unfolds like a seasonal hymn to nature, memory, and communal ritual. Across three discs, Lüüp weaves delicate acoustic instrumentation, ritualistic percussion, choral textures, and intimate field recordings into a cohesive sonic journey that feels both timeless and …
Requiem For George Maciunas
A vital tape work returning to circulation thirty-six years after its private cassette debut. Mieko Shiomi's 1990 memorial for George Maciunas, self-released that year on a privately circulated cassette and unheard in proper edition since, now receives a first ever CD reissue, mastered by Giuseppe Ielasi. In accordance with the composer's wishes, this edition presents the work's two sides spliced together into a single continuous piece.
By 1990 Shiomi had already lived several musical lives. A f…
Radiale
Originally released in 2004 on the highly influential Atavistic label, Radiale is back on May 22, 2026, bringing together explosive energy, avant-jazz improvisation and experimental rock in a landmark collaboration. Featuring saxophone player Ken Vandermark, bassist Nate McBride and gifted afro-american drummer Hamid Drake the record has a slightly more exploratory feel.
Listening to Radiale feels less like following a sequence of songs and more like being drawn into a continuous sonic current. …