Reissues
Experimenting with household chemicals
Experimenting With Household Chemicals' is a 1995 album by the laregly elusive post-minimalist Downtown experimenter Peter Zummo. Whilst possibly best known for his work on classic Arthur Russell recordings, he's been a mainstay of New York's vaunted experimental scene since the the mid-late '70s, but only released three solo albums proper. This is his 2nd, exploring "a trombone-specific method for generating melodic movement, as well as a collection of related, "spinoff" melodic material for en…
Kick that habit
Made in 1988/89 (16mm), a film around Voice Crack (Andy Guhl, Norbert Möslang + Knut Remond) in trheir daily work. A great film now on DVD!
Day for night
This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…
Madam I'm Adam
2015 restock. The music of of the Finnish experimental music pioneer Pekka Airaksinen has been far ahead of it's time for most of his 40-year long career. His finest recordings from the 60's are more reminiscent of Industrial Music and Noise (which would emerge ten years later) than of the music of his precursors and contemporaries. Later, in the early 80's, few people, if any, were mixing mechanic beats and free jazz like he did. Favourable conditions for this kind of music didn't really exist …
The Minexcio Connection: Live at the Rosendale Cafe
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
No mo
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Alien Bog / Beautiful Soop
Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."
Electronic Works
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…
The Wanderer
2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of c…
Ghostdance
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…
Neuph (1978-80)
Compositions for Euphonium and Trombone, recorded 1978-80. To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. The only completely solo performance features the euphonium. A couple of short tracks feature the trombone played back at double speed -- one of them accompanied by a howling dog (the only other performer involved). This CD also includes two superb so…
And The Mexican Jumping Beans
Back from a journey to Mexico Paul Panhuysen brought mexican jumping beans which are sold there as toys on the local markets. When in Eindhoven he began to experiment with these beans in different settings. As a result a cd with different recordings was published which used piezo discs as contact microfones, while beans are activated by lamps. The beans were jumping in eight containers made of various materials like plastic, aluminium or wood among others.
The Edison Effect: A Listener's Companion
A sound recording never preserves quite what it claims to preserve. Aspects are missing and alien elements introduced. On this CD there are many voices (from old records & wax cylinders), but always the surrounding noises draw the attention. Paul DeMarinis is a sound engineer who collaborated with several avantgarde composers, and then became an avantgarde composer himself. His compositions for speech, processed and synthesized by computers, such as Beneath the Numbered Sky, are collected on Mu…
Primitive / Espaces Paradoxes
Digipack CD featuring two works by Patrick Ascione: "Primitive" (1995); "Espaces Paradoxes" (1987-89). RE: "Espaces-Paradoxes": "The first acousmatic work designed and projected in 16 real tracks, in full stereo. It deals with the question of writing a three dimensional space into the very act of studio composition. A continuum of singular spaces, real and suggested, give rhythm to the overall structure. The alternating of imagined spatial situations that oppose each other, answer each other or …
Back to schizo (1975-1983)
Long before the large audiences came to discover him in the middle of the Eighties, Pascal Comelade has always been an electronic and electro-acoustic music lover. Influenced by or having relationships with musicians like Richard Pinhas, Brian Eno, Robert Wyatt, Carla Bley or Michael Nyman, this French artist has been able to create a music often described as minimalist, made of concise melodic fragments and brief musical experimentations. Listening to Back To Schizo - 1975-1983 enables to measu…
Tionchor
cardboard digipack edition, 11-page booklet features recording details and discography. All the tracks had appeared on different compilations (from X / 1982 to VII / 1986) before they where restored and compiled during 1986 for Tiochor which was released II / 1987 as LP (Selektion SLP 013). Three bonus tracks (recorded 1987 - 1991 ; N° 16 - 18) have been added for this CD reissue
Veil of Tears
A collection of recent tracks, recorded by the Organum core of David Jackman, Michael Prime, Dinah Jane Rowe and Jim O'Rourke; further mastering of sound cluster presentation and development.
Yomillak - Korean classical music
Selection of Korean classical music, performed by the Orchestra National Center for Korean Traditional Performing Arts. Cast your mind back to the 15th century. That is, of course, difficult if not impossible to do, but the major piece recorded on these CDs, Yomillak, 'Giving the People Joy', provides something of a sonic reference point: it was first performed in 1447. Y'millak is the most extended piece of orchestral court music surviving in Korea, and it has for many centuries been used for r…
Heave to
'Olivia block's 'Heave To' is her fourth full release under her own name (her first two are on sedimental, the most recent on jason kahn's cut label) and marks both a new maturity in her compositional prowess and also a new confidence. 'Heave To', a composition in three movements, is an investigation into the deep structures of maelstroms. A roiling mixture of crashing waves and wind, jagged strings, clanging metal, complex electronic textures, and clusters of chamber instruments. In our opinion…
Pure Gaze
“Block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. Her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself “…