Electronic / Abstract

Robin Rimbaud aka Scanner is a conceptual artist, writer, plasticien sonore and composer working in London, whose works traverses the experimental terrain between sound, space, image and form. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit mus…

"Songs is the much-anticipated follow-up to Parisian sound designer and musician Sébastien Roux’s beautiful CD Pillow (Apestaartje, 2004). The simple title of Songs hides a deep work that Roux states is based in mathematics, symmetry (and assymetry) and organized randomness. Songs is a skillfully and beautifully rendered album of gentle and sometimes not-so-gentle acoustic instruments and melodic granular clouds. Each song is titled simply by the instruments that make it, thus stressing the proc…

David Toop laptop, steel guitar, flutes, percussive devices. Rhodri Davies harp, ebows, electronics, preparations. Lee Patterson amplified devices, field recordings. Recorded by Dave Hunt at Dave Hunt Studio, London, 24 July 2006. Magnificent, tight studio recordings from 2006 by a trio of UK improvisers of different generations, coming together to create a rich and strange soundworld of whispered, scraped and quietly haunting reverberations.

Live at the The Museum of Garden History, London, 8 May 2009. Keyboards: Marcus Davidson. Record players, editing & overdubbed bass: Philip Jeck. Philip Jeck studied visual art at Dartington College of Arts. He started working with record players and electronics in the early '80's and has made soundtracks and toured with many dance and theatre companies as we as well as his solo concert work. His best kown work "Vinyl Requiem" (with Lol Sargent): a performance for 180 '50's/'60's record players …

Norwegian guitarist Håvard Volden (12-string guitar, objects) and Japanese master Toshimaru Nakamura (no-input mixing board) recorded these two pieces in Norway in 2008, creating what one Norwegian reviewer calls "a timbre based album with some auditory surprises." The music is "slow and quiet, with contrasting elements. A cutting tone, a crackling flicker, or a deep bass tone gives the progress colour. It is exciting to listen to an expression that moves with this much unpredictability." Norman…

The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). 'Memory in The Beginning' (2004). This work is Matsuo Ohno's brand new album recorded in July 2004. Ohno's vision is a torrential flow of vi…

The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). I Saw the Outer Limits (1978) was originally released by Toho Music Co. in 1978. Ohno's giving full play to his exceptional talent. This 41 …

Back in stock and last copies. The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). New Sound of Astro Boy (1963-66). Electronic Sound - Astro Boy's B.G.M. Yamatoji A (1982). Sea Dream (1980). …

This is volume 3 in Omega Point's newly-reissued Obscure Tape Music of Japan series. Akai Mayu is a short work of fiction by Japanese writer Koubou Abe (aka Kobo Abe pseudonym of Kimifusa Abe, 1924-1993). This musical drama version was broadcast by the Japan Broadcasting System NHK in 1960 and composed by Makoto Moroi, a pioneer of Japanese electronic music. He composed the music with a chamber ensemble, mixed chorus and electronic sound. This piece was performed at Sogetsu Art Center as a p…

This double CD contains three previous Hafler Trio releases: 'Brain Song' previously released by Touch (1986), 'Various methods of attaining immortality | three different kinds of seed', previously released as a CD with the book '(Antarctica) Brahma' (1995-1996) and 'Kuklos', previously released by Touch (1988). This is the final re-issue by The Hafler Trio on Korm Plastics

Ees'T records is happy to announce a further step into the Maurizio Bianchi new production, a new compact disc which completes the Trilogy starting with the previous Colori and First Day-Last Day. This time the author concentrates on Time, or the inevitable. A sound counterpointistic journey beginning with the creation of the first human being, in autumn 4026 B.C.E. and passing through the two big planetary cataclysms. Then the individual experience of MB himself is investigated, a sort of elect…

Lehn and Schmickler's 1st recording, Bart is considered one of the best synth improv albums ever made. Since Bart, dating back to 2000, the duo has toured frequently through Europe, Japan and the USA. This double-release, features some of the best performances the duo recorded over the course of 15 live concerts. A brilliant amalgam of the two musicians' strengths, Navigation in hypertext utilizes both improvisation and studio postproduction techniques to create a lasting work, combining the fee…

Black Sea is the much-anticipated new album from Christian Fennesz, his first since Venice. Fennesz’s career has come a long way since Instrument, his debut for Mego in 1995, and his first solo album Hotel Paral.lel which followed in 1998. Endless Summer [Mego, 2001] brought him to a much wider audience and Venice underlined his mastery of melody and dissonance. His songs usually embody the skilful application and manipulation of dense sonic textures with a genuine feel for the live, and real-ti…

The mythology around ADN' Ckrystall is inseparable from the man behind it. Érick Moncollin is the kind of figure that the French underground produced in exceptional concentration during the late 1970s: self-taught, obsessive, wired into the international fringe through tape trades and chance encounters — including a legendary impromptu session with Tim Blake and Vangelis on a prototype Korg MS-20 in a Paris synth shop. His influences range from Heldon and Gong to Gary Numan and Neu!, refracted t…

Released in a limited, hand-numbered edition of 300 in a 10"x10" package.  The first twenty-five copies of this edition also come with an exclusive, signed intaglio print by Kovacich.

Comes with with 8-page foldout booklet. Originally conceived for eight-channel surround sound playback, Soft and Loud is comprised of field recordings made in Japan between 1999 and 2001.

Released in Digipak. Tracks 1-5 recorded late 1998 until 1999, track 6 recorded late 1996.

Morphogenesis started recording in January 1985 and this is our sixth CD release, coming 3 months after the release of Volume 1. Like Volume 1, this CD also contains excerpts from 3 concerts (all in London this time) and a studio piece. Morphogenesis play a few concerts a year, almost always in London. In fact we have only ever played outside the UK twice. Concerts have always yielded our most varied material, but until now our CD's have mainly documented our studio work. Both volumes of 'In Str…

Kozo Inada is a japanese sound artist who has previously released records on various labels around the world (Staalplaat, Selektion, Digital Narcis, V2). His last record published is a collaborative work with Philip Samartzis on the australian label Room40.His music is a balance between austere minimalism and immense spaces in sound that creates a very strong tension and keeps the listener captivated from the beginning to the end.For J[], he uses samples and loops of classical music as sound mat…

Gordon Mumma (born 1935) has played a pioneering role in the development and evolution of 'live-electronic' music. 'Live-electronics' as a concept and practice appears to have originated in the United States in the late 1950s, outside the few institutional electronic studios and often in the context of innovative theatre activity. From its inception, it frequently involved two processes: (1) live performance with accompanying or interacting sound materials on magnetic tape; and (2) the use of el…

With his works the swedish artist Carl Michael Von Hausswolff takes interest in revealing and using accoustic, visual, social and cultural phenomena. For the cd Leech he acts as a parasite on works by Olafur Eliasson, Carsten Höller, Tommi Grönlund-Petteri Nisunen and Richard James. In the three first pieces he sucked energy-sound out from the electric functions of those works; sounds that normally can not be heard. On James' work he bruises the skin surface as leeches usually do before they pen…

Edition of 500 copies on clear transparent vinyl.

long out of print, one copy only available - Un ocean de certitude' V223 is a triple set: a disk each by Gunter and Wehowsky and one collaboration. Gunter's piece 'Deceptive likeness' is a minimal work, which while at a low volume is not quite subliminal, and close listening (especially on earphones) reveals a delicate soundscape. There are small musical events - what sounds like a cello, rising and falling tones, an almost shaker-percussion, a match being lit, metal clanking, water - which occu…

Track 1 Dec. 1997 Track 3 July 1998 Track 4 July 1998 Track 5 Oct. 1999 Track 7 Oct._Nov. 1999 Track 9 children with learning disability listening to PBK, recorded in school "La Chanterelle", Brussels, november 1999.