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2020 has been a terrible year for everyone. However, it has also been the year in which some projects have had time to develop. This is the case of Tactil, responsible for the fourth Antimatter refelease. This new tandem is born from the collaboration between the artists from Madrid, Kawn and F-on. Deeply influenced by projects from 90´s like Porter Ricks, Jetone, Gas or Thomas Köner, "1-4" means the first ep from this duo. Drones, wrinkled textures and field recording meet long and progressive …
Teresa Winter returns with a definitive new album of lush, feverish rave mutations, dream-pop and ambient noise that’s highly recommended if yr feeling Cosey, A.R. Kane, A Guy Called Gerald, Laila Sakini.
Rubbed/tickled strings, drone-based undercurrents, leviathanic apparitions, squeals of insects, molluscs & intriguing shells, underwater singing moans, the work of the Belgian musician and performer Anaïs Tuerlinckx plunges entangles us into a captivating constellation
Tri Repetae (stylised as tri repetae.) is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. The album was released on 16 March 1996[1] by Wax Trax! Records and TVT Records in the United States as a two-disc set named Tri Repetae++, which included the Garbage and Anvil Vapre EPs constituting the second CD. In Japan, it was released with the bonus track "Medrey".
In contrast to the duo's previous albums, Incunabula (1993) an…
Gatefold 2LP reissue. Unavailable on any format for far too long. Includes download code for the album and a bonus live set. Autechre's classic second album from 1994, reissued for the first time in 15 years... At bleeding’ last, Warp reissue one of their rarest gems, which Autechre themselves have referred to as conceiving as their “Warp record” - written to complement the label’s early ‘90s ambient/AI catalogue. Depending your perspective, Amber is quite possibly the most beautiful Autechre …
**300 copies** The Mecánica Clásica project combines modified elements of early electronics, krautrock, ambient, minimalism & fourth world music, generating an interplanetary space where enterprising guitar tones, lush synth sequencing & off-kilter percussion coalesce. ‘Mar Interior’ the new album by Mecánica Clásica is a fusion of kosmische & fourth world music inspired by ancient Mediterranean culture. Loosely translated as ‘Inland Sea’, ‘Mar Interior’ is thematically centred on the history &…
Bourbonese Qualk were an experimental music group from England who where active from 1979 until 2003. The group were always obsessively and uncompromisingly focused on controlling their work – they ran their own record label, recording studio, tour organisation and music venue (the legendary ‘Ambulance Station’) – they refused to integrate into the commercial music racket turning down publishing deals from major labels – stubbornly opting for total independence. Bourbonese Qualk were also known …
You could think of the collection of tracks here as a library record of sorts, and each track inhabits its own universe. Tropical fits various moods and situations, and it could soundtrack any number of activities at home or on a dancefloor - whether real, imaginary, or hallucinated. Strangely enough, it sounds like it could have been constructed from obscure Italian library breaks, when instead every instrument has been played and panned, several times over, across magnetic tape. The genesis of…
Wake Dream is proud to present Palav Aed, the first full length album by Amsterdam/Tallinn based Estonian musician Ruutu Poiss. Recorded over the course of seven years from 2012 to 2019 in various home studios in Ruutu Poiss’ home town Tallinn, the tracks on Palav Aed were all made revolving around the same equipment constellation, the album sounding as coherent as it sounds timeless. Having released several 7”s, 12”s and EPs on Levels, International Major Label, Rets Records and being featured …
Following “La Contra Ola” (BJR015), Bongo Joe is pleased to present La Ola Interior, a compilation exploring the ambient side of the Spanish electronic music produced in the 80’s. It gathers musicians from various horizons and of many generations, who shared the desire to create an immersive soundscape and to combine electronic music with non-Western musical traditions. As a general rule, the Anglo-Saxon tropism did relate the spanish peninsula’s ambient music to the Balearic Sound, that is to s…
Music From Memory are excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years h…
** Edition of 200 ** A-Musik is delighted to present Titanoboa's debut album as the first a-Musik release of 2021. "Porphyr" contains eight tracks of delicate Electroacoustic Noire and contemporary Post-Industrial chamber music that were produced in her Cologne based studio. Being equally into rumbling noise, experimental turntablism, angelic singing, organ improvisation and a lot of studio wizardry, these recordings somehow remind of a combination of Pharmakon's raw power, Maximim Bérangère's l…
Narcotic is perhaps one example of an album in both camps of the Muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part Tribal, part Ambient with shades of texturized noise, glitch details and field recordings, as result the listener is inside this intoxicant atmosphere of exotic madness, where the basic musical premise constituted by the consistent tribal beats from darbukas and tambourines cont…
Imagine Prometheus, the thief of fire, the father of civilization, had been spellbound by the sirens chanting and never felt pain, when the eagle bit his liver. Total enchantment, created by sound to overcome the pain of existence. A sound, styled by the ideal harmony of body and soul. And yet, the pain is still there, hidden between the notes, driving a romantic vision of salvation.
If Prometheus could have translated his fictitious epiphany into singing, it might sound like Ghédalia Tazartès’s…
In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark…
2LP + insert. First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions. Originally released on Pathé in 1980, the influence and the impact of Some Deaths Take Forever is still vibrating: Carl Craig mentioned it as his all time favorite album in Future Mag, the signature sound of Oneohtrix Point Never feels almost like a not so hidden tribute and the killer sci fi electronics …
The nine-track Plus comes just 12 days after Sean Booth and Rob Brown released Sign, their first "traditional"-format album since 2013's Exai. This is the second of two new albums that Autechre teased in their lockdown live-stream sessions on Mixlr earlier this year, in addition to their latest batch of live recordings. You might call Sign Autechre's ambient album. The percussive sounds are few and far between, and they create rhythms that are even less legible than the norm for recent Autechre—…
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
"Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way it resonates w…
Cosmic yet intimate, long-gestating and free-flowing, diffuse and centered, Dukes turned toward their immediate sanctum, and a network of friends and colleagues, to realize the vision of Hazel. “Pretty much everything we do is without purpose,” the Dukes admit, in line with their pursuit of joy. But it’s not empty hedonism or passivity at play on Hazel, so much as an expression of freedom. “Why not?” was scribbled on the white frame of the Polaroid documenting their first appearance on Tim Sween…