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Split in two doses: Uncodified (Corrado Altieri) and Mademoiselle Bistouri (Claudio Frassine) spank each other across two mini CDrs of noise and power electronics. 48 handmade copies, each with a coloured paddle.
Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.
Tip! When Peter “Sleazy” Christopherson passed away in 2010, he left several projects in different stages of completion. In 2014, seven of these tracks were assembled by people close to him and released as Time Machines II on a limited deluxe memory stick. The edition sold out almost immediately and has since become a collector’s item.
Despite its title, Time Machines II is very different from Coil’s 1998 drone classic. More varied in sound, it recalls instrumental Coil works such as The Restitu…
A few weeks ago I hit up this resale shop I haven't been to before. Serious junk store.. stuff piled up everywhere, I had to lay on a pile of Christmas wreaths just to dig through some of the records. Anyway... I get to the electronics room. Ironically enough it has no lights... I start looking with the flashlight from my phone. Mountains of wires and junk and speakers and modems. I see this metal box laying randomly under a bunch of wires, I pull it out thinking it's probably some old telephone…
It's a band based on an eco-ethnomuscilogical approach in which the relationship between music and non-music is sought in all its contradiction. The ethnomusicological research on south italian traditional music of the two self-taught musicians Giovanna Turco and Giovanni De Luca meets radical sound research cooming from extended techniques on traditional and non-traditional instruments, objects, poor recycled or self-made electronics, use of feedback etc. The song form is a pretext through impr…
2022 release ** It's a band based on an eco-ethnomuscilogical approach in which the relationship between music and non-music is sought in all its contradiction. The ethnomusicological research on south italian traditional music of the two self-taught musicians Giovanna Turco and Giovanni De Luca meets radical sound research cooming from extended techniques on traditional and non-traditional instruments, objects, poor recycled or self-made electronics, use of feedback etc. The song form is a pre…
Like a fractured reflection, images appear distorted and incomplete. A series of fragments revealing influences, methods, and decisions where life and work remain inseparable. Moving through the residual noise of contemporary media space, Christian Stadsgaard draws from social media remnants, dark web transmissions, and untreated human sound. These elements are processed through noise electronics and tape manipulation, collapsing source and signal.
’The Vanity Project’ is constructed as a dense,…
2006 release (storage wear) ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. These are the very qualities that a whole host of copycats usually latch onto, often to the point of suffocation. Let me reassure you right away: Monno are not among the copycats. Their music is saturated—in the truest "noise" sense of the word. Nois…
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
On Draconic Synthesis, Old Tower fuses past, present and speculative futures of its own sound into a single, coiled entity. Forest drones, star‑castles and serpentine motifs blur into seductively destructive dark music, lifting the first veil on the “horned serpent” whose scaly, symbol‑inked body is both dungeon and firmament.
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.
On With Open Arms, Cult of Youth finally emerges from a seven‑year chrysalis with a sprawling “pagan post‑punk” epic. Born from off‑grid barn sessions, weaponized analog gear and years of cut‑and‑spliced reconstruction, the 62‑minute double album plays like a feverish exorcism turned into a hard‑won, defiant rebirth.
Sewer Election is an act which at this point requires no introduction - a mainstay of the Swedish and International noise community for decades. "Cadavres Électroniques" is a new collaboration between Sewer Election and Aziza - a hidden gem in the Gothenburg underground that emerged out of the scene around Longest Night a few years back, creating pitch black, cold and slow moving ambient music reminiscent of Maurizio Bianchi at his bleakest (read: Endometrio and such). A surreal blend of rudimen…
In the second chapter of De Mutanten Processie, W. Ravenveer once again warps, fractures, and mangles free jazz recordings into a modular synth stream of cosmic mutoid racket — this time sourced from the work of the legendary Andy Ortmann. The result is a dense clarinet noise fest dripping with alien texture. Limited edition cassette co-released by Kerm and Ravennest Recordings. Mastered by Jürgen Deblonde
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 3x13,50 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick). Inside there is also a 12x12 cm. insert (200 grams thick) that reproduces in front and back two collages of M.B.
*42 copies limited edition*
Handmade packaging.The CDr is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.A small caution/danger sign printed on PVC is in turn attached to the sticker.Inside the envelope are:- a printed CDr- a full-color tri-fold cover- a bookmark- a sticker- a printed front and back page of Les Chants De Maldoror by Le Comte De Lautréamont. The front features the original title page from the first printing of the work, while the …
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a printed bi-folded of 12x24 cm. open and 12x12 cm. closed, approximately (paper 120 gr. thick).
Subtitle: Exasperating sonata in three dissections for enharmonic pianoforte, industrial oscillations and digital emissions.
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of black satin ribbon holding a little bell in silver or gold metal.There are two editions of 18 copies each one: 18 have the silver bell and 18 copies have the gold bell.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- 2 insert…