Eighteen Movements
‘Eighteen Movements’ is a collection of recordings captured at live performances between 2017 – 2019, now brought to vinyl for the first time. On a meditative outing of rich textures, ambient soundscapes, tribal rhythms, field recordings, and ritualistic atmospheres, Parisian artist D.K. is engaged in full flight mode, illustrating the project’s aptitude for deep transcendence. Chronicled in the moment, alternating between rhythm and repose, momentum and aviation, 'Eighteen Movements' sees D.K. …
Chasing the Shadow of Bryn Jones 1983-88
**Epic 11 CD box set, coming as a deluxe book-like folder, compiles the earliest material from Bryn Jones aka Muslimgauze dating back to 1983 and up to 1988. It includes a whole raft of mindblowing productions that will surprise and inspire anyone with even just a vague notion of what the sound of Muslimgauze was really all about.** For years, Vinyl-On-Demand has offered a special level of devotion to the legendary solo ventures of the Manchester, UK, based artist Bryn Jones, better known as Mus…
Commutator
CZN stands for copper, zinc and nickel the raw path of materials used by percussionist and sculptor Joao Pais Filipe, composer and drummer Valentina Magaletti (from the great Tomaga) and producer Leon Marks. This is ritual music for the whole family. Recorded in Porto at Oficina João Pais Filipe. Mixed by Leon Marks. Mastered by Enrico Mercaldi. Artwork by Nicola Giunta. Sleeve by Patrick Keuthen.
1 / 3 + 2 / 3 + 3 / 3
This special bundle collects all three Deadline Paranoia albums released by Ongerhoord between 2018 and 2021:
1 / 3 (LP, 2018)2 / 3 (LP, 2018)3 / 3 (LP, 2021)1 / 3 (LP, 2018)
When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and o…
3 / 3
** 300 copies only, no repress ** DIY cassette culture - flowering across the globe during the late 1970s and 1980s - has proven, from a distance, to be among the most fascinating contexts of music to emerge during the last half century. Taking the form of reissues and archival releases - taping this astoundingly rich vein of exploration and covering a vast field of distinct creative territories - incredible artefacts have fallen, one after another, into our hands. Among the most striking of the…
Narcotic
Narcotic is perhaps one example of an album in both camps of the Muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part Tribal, part Ambient with shades of texturized noise, glitch details and field recordings, as result the listener is inside this intoxicant atmosphere of exotic madness, where the basic musical premise constituted by the consistent tribal beats from darbukas and tambourines cont…
A Nice Random Meet
Lost 1990s recordings one half of the band V Neck Mark Churcher takes time out from from his Chicago Bee project to deliver his first full length album on Emote. He teams up with the cult Brighton based experimental artist Alasdair Willis (The Vitamin B 12) who plays saxophone on 3 of the 11 tracks on the album. The album has all the hallmarks of an Emote record and more. Likely to be listed as abstract ambient and blending many different styles together.
Shouting at the Ground
**300 copies** The quintessential ZF. "'Shouting at the Ground' showed a dramatic improvement in sound quality and production from their earlier albums - all of which, by the way, are excellent in their own right. What we have here are an arsenal of hand made instruments, mostly stringed and percussive in nature, that are squashed through various delay and echo filter machines, creating an otherworldly, timeless and overwhelming creepy atmosphere. Outside this website Zoviet France are classed…
Just an Illusion
**300 copies** Just An Illusion represents a continuation of the Zoviet France electronic style of the late 80s early 90s. Together, Acend A Fall and Caught In The Square comprise a hypnotic masterpiece. A combination of industrial grinding, modified guitar and electronics. Other tracks apply synthesizers and tape loops with far more sophistication and impact than on the earlier albums. With longer mood pieces and shorter works that highlight the Middle Eastern and Asian influences which have o…
Look into Me
**300 copies** Look Into Me contains a combination of industrial grinding, modified guitar and electronics. Other tracks apply synthesizers and tape loops with far more sophistication and impact than on the earlier albums. Zoviet France cycle and recycle abstract noises into a constantly changing texture, composed of sonorous drones, grindings, scrapings, squeakings and so on. It's atmospheric without conjuring up any obvious imagery at all, thanks to the unreality of most of the sounds used. Oc…
Shadow, Thief of the Sun
**300 copies** Released just before a four-year layoff, Shadow, Thief of the Sun is both one of Zoviet France:'s better releases as well as one of its rarer albums (the label it was on, Death of Vinyl, had limited distribution and eventually went out of business). While :zoviet*france: often wanders out into fairly random soundscapes, most of the material here is grounded by a drone of some sort, with atmospheric chanting and other instrumentation designed to complement the drone. The drones are…
Collusion
**300 copies** Zoviet France's Collusion released on the short-lived Mute imprint The Grey Area, is a collection of pieces Zoviet France contributed to compilations between 1984 and 1990. While none of the tracks stands out, they collectively provide a reasonable précis of the band’s various approaches
What Is Not True
**300 copies** For a band which had performed only a handful of live shows during its first decade, the bulk of Zoviet France’s ’90s releases are performance documents. What Is Not True assembles three long tracks from shows in Sheffield and Nottingham into a work of album-like cohesion. The 54-minute closer “Cyclonic Sub Alien” is a masterpiece of shifting drones that develop slowly into an ungodly cavern of noise before ending with the ghostly floating voices of a distant broadcast. Magnificen…
Further Collusion
**300 copies** Constructed from an array of samples and environmental recordings plus plenty of feedback, Zoviet France's Collusion exudes a rare beauty for an album of such varied sounds (each track was originally released on a different compilation). A wide range of stylistic choices are on display, from the chilling account of the brutal murder/suicides from Jonestown on Ram to the surprisingly sedated and subtly beautiful Something This Beautiful, the album is a pretty great find for those l…
Sadaam's Children
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…
Zero Kama
**3xCD in Deluxe 8-sided Digipak, 500 copies** Zero Kama was an experimental music project founded by Zoe DeWitt in 1983. The first release of Zero Kama was the title V.V.V.V.V., recorded for the Nekrophile Rekords cassette compilation The Beast 666. In 1984 followed the cassette release of the album The Secret Eye of L.A.Y.L.A.H., which is commonly regarded as one of the key albums of the industrial-subgenre 'ritual'. The fact that all instruments used for this recording were exclusively made f…
Eleven Minarets
**300 copies** Previously released as part of Arab Quarter by Soleilmoon back in 1996, 11 Minarets, is a focused exploration on one theme which allowed Bryn Jones to push the boundaries of his music deep into new areas. As on his other albums released at around the same time, the volume is pushed to the limit. With this album, Muslimgauze continued to define his own genre, and without a doubt there simply were no imitators, wannabes or pretenders. The artwork for this album contains elements of …
Salaam Alekum, Bastard
**CD version, 300 copies** Issued on Ukraine-via-Berlin label Kvitnu, for whom the release has an extra political resonance - outlined below - Salaam Alekum, Bastard is a prime example of Bryn Jones aka Muslimgauze’s strongheld political worldview, near-wordlessly wrapped up in billowing nocturnal desert-scape pads and some of his most hypnotic, serpentine percussion. Check for intoxicating highlights in the swingeing syncopation of the title tune, the ravishing ambient dubbing of Hebron Massacr…
Return of Black September
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
Palestine
*2022 stock, reduced price* "Palestine is a face-to-face in memoriam between Pacific 231 and Rapoon to the late Bryn Jones 1961-1999 a.k.a. Muslimgauze. The production also supports the justified struggle for a truly free Palestinian nation, a key issue for a middle-east liberated from foreign interference. Music was the modus operandi Muslimgauze wanted to carry the message and music is the medium we want to continue to convey the legacy. This regular edition is in-fact also a special edition d…