Caraguata / Moxoto
* Edition of 100 * Tsss Tapes presents Caraguatá / Moxotó a new cassette release Marco Scarassatti and Thelmo Cristovam. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Bass To Bass
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
New York City 1980-1984
Stunning debut release from Confuso Editions, a new label operating out of NYC/Rio de Janeiro here venturing into the furthest realms of outsider pop with the first ever public airing of recordings by John Zieman, a student of electronic synthesis at Hampshire College and collaborator with Nam June Paik, John Sanborn, and Dara Birnbaum. Distilling 80s midtown sleaze (digi-saxophones, drum machines, listless ballads), we’re once again reminded of the sheer volume and wealth of outsider brilliance…
Umwelt
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Polyptyque
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
Survival of Laments
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Cathedral
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
Drekka <--> Remst8
* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and an independent film). Following a 7 year hiatus to focus on his software engineering career, remst8 has returned to tracking music for creative exploration focusing on deep drone and dark ambient tracks with a smattering of noise and experimentation…
There Is No Silence Left
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
Sleep Patterns of The Discontent
* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …
Beings of ImberIndus
"Beings of ImberIndus" was commissioned as a hexaphonic sound installation to accompany the "Beings of ImberIndus" solo soft sculpture show by Carrie Weaver; presented at the I Fell Gallery, Bloomington, IN throughout December 2018 and culminating in a winter solstice ritual of cleansing. The piece began an intensive six month period of heavy deep listening and drone work for Mkl Anderson's ritual ambient industrial project, Drekka (Dais Records, Auris Apothecary, Bluesanct).
The initial session…
Smirne
Inspired by the philosophy of George Gurdjieff, whose mystic meditations surely linger in the magick of their work, Smirne was born as a open minded experimental project. Generated by the fusion of different realities, the line-up at the time of the debut is composed of Andrea Reali and Tiziano Doria, members of Lavorazioni Carni Rosse, together with Anna Vezzosi and Cesare Lopopolo, from the electro-acoustic duo Rosso Polare. A thin line between improvisation, electronic exploration and Aegean …
Due Matte
**Tip. Edition of 300 copies on heavyweight black vinyl in a reverse board jacket and a beautiful 28 page booklet** Two of the most important artists of UK underground music: Valentina Magaletti (Tomaga, Vanishing Twins, etc) and Marlene Ribeiro (Gnod, Negrabranca) were invited to contribute to Hysteria, an artistic residency in Porto 2019. "Due Matte" is the fruit of it: an interaction game between styles and sounds, mesmeric in its echoes of distant landscapes and enveloping in its spatiality.…
Mater
7 panels of different materials, 1 computer, 2 musicians. Mater shows up a very simple set-up that consists in seven panels of different materials electronically processed.
This project represent a sound-trip leaded by the inner sound of every material, showing whenever new worlds of sound inside every panel.
Cover handmand with recycle cloths. Each cover is different to the other. Made by Giulio Locatelli.
Plays Ewe-Neuro Wastelands
* Edition of 70 * Ikuisuus presents Plays Ewe-Neuro Wastelands by Innercity, the last release of the Belgian electronic producer Hans Dens.
Vent
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
This Is Cairo Not the Screamers
* Edition of 300 * 7 intense Egyptian shaabi remixes by Cairo's finest. Master & lacquer cut par Frederic Alstadt - Angstrom Studio Back Cover Photo by Hendrik Hegray. Side Hossam: ABADIR – 2030, 1127 - gharbala 2020, 3Phaz – babababababawar, ZULI - etay el baroud. Side Ibrahim: KZLK - abo waleed; Nadah El-Shazly - sekket el amwal; Youssef Abouzeid – drpapgad.
S.1.W / Tracteur Directrice De L'A.S.M.A.
* Edition of 200 * New frequency challenges in this new dub flavored album by Paris' singular and mysterious Unglee Izi. 2 side-long tracks of sharp and meticulous digital sound architecture covering a wide spectrum of sonic precision and melodic beauty.
Pollo Gordo
Pampsychia presents Pollo Gordo by Señor Service. A series of weirdo Anticlimax flow compositions. Mastered by Giancarlo Brambilla. Artwork by Riccardo Redeghieri.
Anticlimax flow that makes you edgy.
No era sólida
Lucrecia Dalt presents No era sólida, an introspective path to unworldly surroundings where self becomes sound, and a compass for the searchers of musical possession.
For her follow-up full-length to 2018’s Anticlines, Dalt relinquishes control of the corporeal to reach imagination’s outer realm. Where Anticlines framed the physical processes of matter changing state, No era sólida observes a transition in Dalt herself through the emergence of Lia: an apparition, or second self, of the artist as…