Sainen Hildo
*300 copies limited edition* Dopelganger is the project in collaboration between classically trained accordion player and singer Garazi Navas (Usansolo, Bizkaia-Biscay, 1995) and Miguel A. Garcia (Vitoria-Gasteiz), an artist living in Bilbao with an extensive career in the fields of experimental music and sound art. Sainen Hildo is an album based on Miguel’s original compositions, recomposed and rearranged for accordion and voice by the two composers. Using the natural resonance and harmonics of…
Abbuio
"Abbuio" is a term that refers to the Italian translation of the English word "Blackout" according to the proposal of the Italian linguist Arrigo Castellani. This new work marks Bignamini's return to the solo acoustic guitar. Moving away from the more classic fingerpicking style, he offers five soft "ballads" (3 improvisations and 2 compositions) inspired by sleepless nights.
a page is turned, a mountain collapses, a guy goes
*300 copies limited edition* Hailing from a jazz background and each collaborating in a variety of projects, Stefano Calderano, Francesco Panconesi and Nicholas Remondino have been teasing the boundaries of genres three years now under their trio act McCorman (formerly known for a while as Below-Fi). Stemming from the groundwork laid over the course of multiple creative residencies the trio held between 2019 and 2021, at their very debut full-length release McCorman carve a path drifting from fr…
come, Memory: fieldwork
"come, Memory: fieldwork" is the culmination of a long-cherished research project initiated in September 2021, revolving around three immersive journeys to ancient European sacred places, with a particular focus on Neolithic sites. This project encompasses extensive research, the capture of Super 8mm film, 35mm photography, and audio recordings, the creation of three experimental short films, and the development of a scenographic installation. In May 2023, this installation was exhibited at the …
Corner Dancer
Tip! Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical new album, her second for Modern Love. Following her 2018 solo debut Paradise 94 (LOVE 108LP), and countless collaborations in the time since, Railton's diverse musical circles here bleed into each other, creating an insoluble testament to a lifelong pursuit of sound. The multi-instrumentalist further articulates her own tonal register, embracing her solo strengths and trusting the proces…
Empty smile
*100 copies limited edition* This solo could have been titled "16 Caprices for cello.” As in Paganini's Caprices, all the techniques and virtuosity of the classical tradition are used here, expanded and enriched by the sounds and research of the contemporary one. However, the approach to the instrument is physical and bodily characteristic of European free improvisation and jazz. But as in Tristan Honsinger, Leroy Jenkins or in Cage's Freeman Etudes for violin the focus is always The Music, whos…
s/t
Johannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded.
Accompanied in…
The Light is Real
Tip! Other Minds is pleased to present The Light is Real, featuring the trio of Thollem (voice and wavestate synthesizer), Terry Riley (voice), and Nels Cline (electric guitars, effects, and megamouth). This recording is the sixth iteration of the Thollem/Cline trio, with previous installments including performances by William Parker, Pauline Oliveros, and Michael Wimberly.
The origins of this recording go back to an epiphany Thollem experienced in Northern New Mexico during the Covid-19 pandemi…
Overcloseness
Started around a decade ago, "Overcloseness" has been a long time coming. It is Colorist's debut album on paper, but already has a magnum opus feel to it. The beginnings of Colorist lay in the Cologne music community. Being small, it was always influenced by the art and the film scene. (In fact, the label Magazine originates from the same crossing point.) The large cast of guest appearances underlines how much Antonio de Luca and Caroline Kox are in the center of that Cologne community. On "Over…
Transmissions From The Radio Midnight
Tip! *200 copies limited edition* This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed…
Appear To Fade
*100 copies limited edition* Tip! Brooklyn pianist and composer Richard Sears debuts on Shahzad Ismaily’s Figureight records with the hypnotic Appear to Fade, a gentle, melancholic, semi-improvised expression for piano and experimental tape loops, recorded in a single day.
Appear to Fade unveils a realm where the boundaries between jazz and ambient music blur, guided by the skilled hands of Richard Sears on piano and Una Corda. This recording weaves between improvisation and composition, brought…
Double Consciousness
*75 copies limited edition* From the label: "On the occasion of Eric Thielemans' japanese tour, we have published 75 numbered cassettes with which Eric will go on tour."
Azure
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
I was too young to hear silence
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
Local Exoticism
Tip! *60 copies limited edition* Also known as Tachycardie, and part of Pneu, Kick5ive, Binidu, La Colonie de Vacances, the musician, field recordist, drummer and Presque Tout co-founder Jean-Baptiste Geoffroy wears many hats. With 'local exoticism' it is the attentive listener who is summoned and twists the notions of exoticism in a sonic investigation of the Loire river’s shores. “The idea behind this project is to go against the accepted principle of exoticism, and the envy that this notion c…
Fine Tuning: The Gradisca Concert
The ubiquity of Coxhill’s sax lines are here answered, cherished, enhanced by the excellent guitar touch of Enzo Rocco. It’s a sort of subtle anarchic dance, intriguing and true.
New Rudiment Candidates For Snare Drum
*100 copies limited edition* With a microscopic focus on the snare drum, Jean-Baptiste Geoffroy extracts and manipulates its sound in a variety of tunings whilst maintaining a precision and simplicity of method and form. This exercise is a common one for the artist, in which he limits both the instruments used and the techniques with which its sounds are processed — in this case using only reverb and hard EQ-ing to engineer the final outcome. Even with these self-imposed restrictions, there is a…
Trap
Michal Vaľko, aka Line Gate makes a return to mappa with his third cassette for the label. Once again the material is deeply minimalist, but shows marked evolutions in the Slovak, Prague-based artist’s unique trajectory. This time comprising two relatively short pieces (compared to the 40- and 60-minute works previously published on mappa), 'Trap' is perhaps Line Gate’s darkest yet. Whereas previously his works focused on psychoacoustic phenomena, or highlighted the sacredness and timelessness o…