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In October 2022 Musica Impulscentrum invited Amber Meulenijzer to make a composition in collaboration with the local fanfare bands of Pelt, a small municipality in the green east of Belgium. These fanfare bands are deeply rooted in Belgian culture. Even in the tiniest villages one finds at least one or several of these ensembles. The result of this confluence: a procession, a slow paced moving composition for brass instruments, performed both live and played back through twelve speakers mounted …
Channeling their shared interest in noise, drone, freak folk, liturgy, and some real haunted New England atmosphere, Tongue Depressor and Weston Olencki unfold their singular vision in two wild pieces of rapturous intensity and resonance. Weston Olencki is a musician, composer, and sound artist from South Carolina, now living and working in Berlin. Their work is centered around questions of instrumental music and its contexts/constructs, various mediated practices of listening and improvisation,…
Tip! Travel, the 19th studio album by Australian improvisational trio The Necks, documents their recent practice of starting each day in the studio with a 20-minute trio improvisation. The recordings offer some of their most ecstatic and captivating music cut to tape. As bassist Lloyd Swanton puts it: “It’s a really nice communal activity to bring us together in focus each day, and some lovely music has resulted from it.” Although a straight “live” improvisation has never been recorded in the st…
**Edition of 200 copies, in process of stocking** Mutual admirers of each other’s work, these titans of Scottish and French dronefolk team up for a split LP, with two tracks by Pefkin and three by Roxane Métayer. The fact that these like-minded artists explore the boundaries of what connects them, makes it a very exciting release. The Pefkin side is Gayle at her most melodic, whereas Roxane goes down a poetic and rhythmical path. Dream combo. The album is pressed on high-quality german vinyl, in…
*Edition of 300* In recent years Swedish musician Linnéa Talp has grown interested in liminal spaces of sound, increasingly searching for her breath deep within passages of a song when instruments gently and patiently bridge the verses. In 2020 she released Cochlea, a brooding pop-rock record made under the name Deerest. “I’ve been trying to work with my body, my breath and my listening,” she says of her work since finishing that release. “I wanted to integrate a sense of slow and simple movemen…