Jazz & Improvisation / Post Bop

** Reissued for the first time with its original gatefold sleeve and cover ** Four Units is a kind of Japanese jazz "all star". Recorded in Tokyo on April 1969, it was released the same year on Union records. On the first two long songs that open this album, “Four Units” and “Dull Slumber”, we can feel the influence of the “avant-garde” scene of US jazz (and in particular ESP Disk), without however the music sounding too "free". A whole new vibe on the astonishing cover of "Scarborough Fair", in…

** 2021 Stock ** Another jazz gem unearthed from the Strata archives by Amir Abdullah for his magnificent 180 Proof imprint. From garage rock roots as a founding member of the Woolies, to tours backing the Four Tops, Martha Reeves and the Vandellas and Mary Wilson, Ron English has enjoyed a storied life in music, effortlessly moving between genres with chameleon-like malleability. English found his calling with 1970s work on Detroit’s Tribe and Strata labels that blended styles such as funk, be-…

** 2021 Stock. 180 gram audiophile vinyl. Including 16-page booklet with liner notes by jazz-historian Ashley Kahn and superior packaging ** Music On Vinyl proudly presents the first installment of the acclaimed Miles Davis Bootleg Series on 180 gram vinyl! The explosive transformation of Miles Davis' 'second great Quintet' with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Live In Europe 1967: The Bootleg Series Vol. 1. Culled fr…

BBE Music is proud to present another instalment in the J Jazz Masterclass Series: East Plants by Takeo Moriyama, one of Japan’s finest jazz drummers. A genuine ‘under the radar’ album known only to a handful of Japanese jazz collectors, East Plants is now available again, reissued for the first time as a double 180g LP, with exact reproductions of the original artwork, obi strip and insert. It also comes with the original notes fully translated. This reissue is fully endorsed by Takeo Moriyama …

**In process of stocking** Following on from the welcome revival of Lyman Woodard’s classic ‘Saturday Night Special‘ and drummer, Bert Myrick’s ‘Live ’n Well’ – which features the epic ‘Scorpio’s Child’ – BBE Records continue to dig deeper into the vaults of Detroit’s Strata label with The Contemporary Jazz Quintet album ‘Location’. Working in conjunction with 180 Proof’s Amir Abdullah BBE are poised to unearth a steady flow of hard to find or previously unheard gems from the short-lived but con…

"Alternative Fox present a reissue of Archie Shepp's The Tradition, originally released in 1978. Avant-garde giant Archie Shepp made an indelible contribution to experimental jazz. Double-LP The Tradition was recorded in Rome in 1977 for Horo Records with drummer Clifford Jarvis and bassist Cameron Brown; the raucous Hooray For Mal has shades of be-bop, while Duke Ellington's Sophisticated Lady is largely tackled by Shepp on upright piano (with gorgeous soloing by Brown); Things Have Got To Chan…

** 2021 Stock. In process of stocking ** Craftman Records presents Debut by Takao Uematsu Quartet/Quintet. Art Direction – Ben Nishizawa, Bass – Yoshio Suzuki, Drums – George Ohtsuka, Electric Piano [Fender Piano] – Sadayasu Fujii, Engineer [Recording Engineer] – Yoshihiko Kannari, Producer – Takeshi Fujii, Tenor Saxophone – Takao Uematsu, Trombone – Takashi Imai.

Eargong Records present a reissue of John Taylor's Pause, And Think Again, originally released in 1971. Pianist John Taylor's debut album featuring an all-star octet with John Surman (soprano sax), Stan Sulzmann (alto sax), Kenny Wheeler (trumpet), Chris Pyne (trombone), Chris Laurence (bass), Tony Levin (drums), and Norma Winstone (vocals). A great example of the fine art of British jazz in its marvelous original gatefold cover. A precious object from an unrepeatable era. Licensed from Turtle R…

* Limited edition 180 gram solid purple coloured vinyl. 2020 Stock * Lush Life (1958) is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as…

After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idaho-born double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen Buddhism.First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s…

* Edition of 500 * An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!

Legitimately available again on vinyl for the first time since its original release in 1983, Outernational Sounds proudly presents a major statement from a crucial figure on the Los Angeles jazz underground – pianist Nate Morgan’s spiritualised deep jazz classic, Journey Into Nigritia. How many 16 year olds would have the confidence to walk up to a revered bandleader at a gig, and inform him that one day they’d be playing together? As improbable as it sounds, this is how pianist Nate Morgan intr…

Big Tip! 2024 Stock. Edition of 300. Swedish free jazz trio consisting of piano, double bass and drums. The trio has during the years since their first recording moved from composition-like melodies, riffs and rhythms to 100% improvised music. However, the trio has strong roots in “conventional” jazz which shines through from time to time with tough swing and clear rhythms and melodies. Correction has received fine reviews from all over the world for their releases, the strong point being their …

Tip-on sleeve. For every celebrated name in jazz, soul and related music, there are probably another 1000 musicians who had all the talent and potential but for whom widespread recognition remained elusive. Roscoe Weathers is one such figure, a jazzman who earned his chops the hard way, a sideman in smoky clubs from Memphis to Seattle, before finally settling in LA. He recorded a significant amount of music through the 1960s, but never found the slightest modicum of commercial acclaim nor the su…

As the title implies, this McCoy Tyner release is a low-key, after-hours affair. Far removed from the intensity of work with then-boss John Coltrane, Tyner stretches out on a fine mix of standards and bebop classics. The pianist, of course, always had his own fleet and rich way with ballads, in spite of the galvanizing marathon solos he became known for on live dates and his later experimental recordings with Coltrane. His ballad style is even touched with a bit of sentimentality, which thankful…

On his second Blue Note album Smoke Stack, pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as distinct and important a compositional voice as Thelonious Monk, and the seven Hill compositions that the quartet explore here contain all the rare beauty to be found in his music. Designer Reid Miles photographed Hill himself for the striking album …

Recorded in April 1964, In ‘N Out falls square in the middle of the formidable run of five classic Blue Note albums that launched tenor saxophonist Joe Henderson’s legendary career. The line-up featured the transcendent frontline of Henderson and trumpeter Kenny Dorham along with a powerful rhythm section with pianist McCoy Tyner, bassist Richard Davis, and drummer Elvin Jones. The music charted expansive post-bop territory on three Henderson’s originals (“In ‘N Out” “Punjab” “Serenity”) and two…

After his six years with the seminal John Coltrane Quartet, the mighty drummer Elvin Jones signed with Blue Note Records in 1968 and made a series of 10 fantastic albums including 1972’s Mr. Jones, produced by Francis Wolff and George Butler, and featuring saxophonists Dave Liebman, Steve Grossman, and Pepper Adams, Thad Jones on flugelhorn, pianist Jan Hammer, bassist Gene Perla, and percussionists Carlos “Patato” Valdes, Frank Ippolito, and Albert Duffy. The music delves into expansive post-bo…

**250 copies** Here comes a special duo recording, featuring the crème de la crème of the younger generation of Finnish players – Max Zenger and Teemu Åkerblom. A unique live set that stands the test of time, hear Max and Teemu improvise their way over five original compositions, using alto saxophone, flute and double bass with bow. Rich in detail and a surprisingly fresh set of songs. Very seldom do you get superlatives about something from the players themselves, but swear I heard a bird say “…

For the first time on vinyl, Charles Mingus's great score for the legendary 1959 directorial debut of John Cassavetes, Shadows. Much has been said about the controversial relationship between these two masters."The score encapsulates Cassavetes's and Mingus's unique approaches to both improvisation and composition in their respective media, illuminating the oppositional nature of jazz to mainstream cultural production and the underbelly of race relations in 1950's America." - Ross Lipman

**500 copies** In the beginning there was John Coltrane. Teodross Avery experienced an epiphany at 13 when he first heard Trane’s Giant Steps. He emerged in the mid-1990s with two critically hailed releases for GRP / Impulse! Avery’s long and productive journey has taken him down many musical paths, from gigs with jazz legends and hip hop stars to sessions with NEA Jazz Masters and platinum pop albums. With his Tompkins Square label debut After the Rain: A Night For Coltrane, Avery has found his…

Black Saint present a reissue of the Sonny Clark Memorial Quartet's Voodoo, originally released in 1986. Voodoo shows the Sonny Clark soulful hard bop conception as seen through the oblique perspective of a NY Downtown all-star quartet featuring John Zorn (alto sax), Wayne Horvitz (piano), Bobby Previte (drums), and legendary bassman Bill Drummond.This unique and iconic album stands as one of Zorn's first declared tributes to the art of an influential musician and composer. All compositions are …

Following hard on the heels of BBE delving into the archives of Detroit’s Strata Records and delivering their widely acclaimed and hugely in-demand exploration of J Jazz, comes another crate digger’s delight - Ralph Thomas' Eastern Standard Time, which dropped in the USA back in 1980, on the obscure Zebra Jazz imprint. LA based DJ, producer and music supervisor Mathieu Schreyer discovered this gem for BBE. This is the is the kind of “spiritual’ jazz gem that appears on YouTube and upon checking …

Jazz drummer Greg Adams was active on the Los Angeles experimental jazz scene of the early 1980s. Based in the working class coastal town of Long Beach, California, and with longstanding ties to the industrial east coast city of Wilmington, Delaware, Adams sought to hearken back to the naturalistic form of be-bop, which is why he recorded the material on Koolin Out in a live session with no overdubs in April 1983. Privately pressed in minute quantities as the sole entity on his own hip city impr…

**1.000 copies on coloured vinyl** Drummer and composer extraordinaire Steve Reid’s Rhythmatism is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players - Arthur Blythe AKA 'Black Arthur', Charles Tyler, David Wertman and others – joining Reid. The album was originally released on Reid’s own Mustevic Sound label in 1976.As a radical jazz artist, Steve Reid played with an extraordinary group of artists – including Miles Davis, Sun Ra, Fela Kuti, …

Prepare yourself for the first ever vinyl pressing of legendary free jazz guitarist Sonny Sharrock's seminal final album Ask the Ages, in a strictly limited edition 45rpm double 12” edition. Sonny's classic final album swings between deep, lyrical melodicism and passages of pure fire music and features jazz legends Pharoah Sanders on tenor saxophone and Elvin Jones, member of the John Coltrane Quartet, on drums. The album was produced by Bill Laswell and originally released in 1991 on his Axiom …

You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs Blues and Roots or Mingus Ah-Um when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited…

2026 Repress. Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo…

CD version. Saxophonist/guitarist/composer/music historian/ provocateur Allen Lowe spans the history of jazz in his music in a way that few besides Jaki Byard, Beaver Harris, Steven Bernstein, and Air have ever done, intertwining blues, early jazz, bebop, and the avant-garde. A prolific composer who was incorporating American roots music into his jazz decades before it was hip, he has led project bands featuring a broad array of jazz greats ranging from Doc Cheatham, Randy Sandke, Joe Albany, Do…

Enzo Scoppa has been playing tenor saxophone on the Roman scene since the late 1950s, and since 1958 he has shared the front line with trumpeter Cicci Santucci: next to the Basso-Valdambrini sextet, the Santucci-Scoppa quintet is the longest-running partnership in Italian jazz. New & Old Friends is his latest album, recorded at Clive Simpson's Extrabeat studios in Rome in March and April 2018, and the first CD ever issued by Sonor Music Editions. The six pieces move between bebop, big band writi…

First vinyl edition of Jazz Furniture’s sole album, the 1994 Jazz i Sverige recording with Esbjörn Svensson, Dan Berglund and Magnus Öström, curated by Jonas Kullhammar as a 180g double LP.

Original and sole edition of the 1977 album on Calig of post bop fusion by the German ninetet led by the free jazz and avantgarde trumpet and flugelhorn player. Never re-issued on either LP or CD.

2006 CD-only post-bop album on Oyster Songs by the Danish quartet led by Hugh Steinmetz and Karsten Vogel.

1972 split live album on Polskie Stowarzyszenie Jazzowe with the Polish band's jazz-rock fusion on one side and the post bop soul-jazz of the Julian Cannonball Adderley Quintet on the other.

One day in a Paris studio, December 1997. David Murray goes back to the gospel church of his Berkeley childhood with Fontella Bass, the voice of Rescue Me and the Art Ensemble's Theme de Yoyo, over Hammond B3, electric bass and guitar. Amazing Grace, How I Got Over, and Murray's own twelve-minute Missionary.

Munich, Studio Meilhaus, 6 November 1990. Archie Shepp on tenor and alto, singing on three tracks, with Horace Parlan on piano, Wayne Dockery on bass and George Brown on drums. One day of work for the Dutch label Timeless, released the following year. Shepp and Parlan had recorded the spirituals of Goin' Home and the blues of Trouble in Mind as a duo for SteepleChase in the late 1970s. This quartet session comes out of the same relationship, a decade on, and the material tells you where Shepp wa…

Wuppertal Stadthalle, 26 April 1964: the Mingus sextet with Eric Dolphy, Clifford Jordan, Jaki Byard and Dannie Richmond, two months before Dolphy's death. A 37-minute Fables of Faubus, the Dolphy-Mingus duet Starting, and Meditations. Issued by Enja in 1980; the CD adds Meditations.

One day at Vanguard Studios, New York, 7 January 1982. Woody Shaw on trumpet with the band he had by then been working with for a couple of years: Steve Turre on trombone, Mulgrew Miller on piano, Stafford James on bass, Tony Reedus on drums. Produced for Enja by Horst Weber and Matthias Winckelmann. Shaw had come off a run of Columbia albums and was six weeks away from the Jazz Forum concerts that Elektra Musician would issue as Master of the Art and Night Music. This is the same quintet in the…

Nuremberg, East-West Jazz Festival, 6 May 1972. Mal Waldron's trio with Jimmy Woode, the former Ellington bassist, and Allen Blairman on drums. Three long pieces, all by Waldron, taped live and issued by Enja only in 1975. Waldron had settled in Europe in 1965 and rebuilt his playing from scratch after a breakdown. By 1972 the new style was fully formed: dark, insistent, built from a few repeated cells that tighten over long stretches. The Enja records from these years (Black Glory, Plays the Bl…

Eric Dolphy live in 1962-63, in Gunther Schuller's Twentieth-Century Innovations series at Carnegie Hall and in Syracuse: his own quartet with Richard Davis and J.C. Moses, three Schuller third-stream pieces with strings and Jim Hall, and a Donna Lee jam with Phil Woods, Benny Golson and Don Ellis.